Born of Dene Suline and Saulteaux descent in 1935 in Alberta, Canada, Alex Janvier is a painter in both abstract and realistic styles and often uses colors symbolically to express his 'First Nations'... Read full biography
Born of Dene Suline and Saulteaux descent in 1935 in Alberta, Canada, Alex Janvier is a painter in both abstract and realistic styles and often uses colors symbolically to express his 'First Nations' background. He credits the beadwork and birch bark basketry of family members including his mother... Read full biography
Born of Dene Suline and Saulteaux descent in 1935 in Alberta, Canada, Alex Janvier is a painter in both abstract and realistic styles and often uses colors symbolically to express his 'First Nations' background. He credits the beadwork and birch bark basketry of family members including his mother as influencing his artwork. He was raised by his family until he was eight years old, and then was sent to the Blue Quills Indian School near St. Paul, Alberta. Here he did his first paintings, but... Read full biography
Born of Dene Suline and Saulteaux descent in 1935 in Alberta, Canada, Alex Janvier is a painter in both abstract and realistic styles and often uses colors symbolically to express his 'First Nations' background. He credits the beadwork and birch bark basketry of family members including his mother as influencing his artwork. He was raised by his family until he was eight years old, and then was sent to the Blue Quills Indian School near St. Paul, Alberta. Here he did his first paintings, but his formal art training came from the Alberta College of Art in Calgary. He graduated with honours in 1960, and then became an art instructor at the University of Alberta. A member of the commonly referred to "Indian Group of Seven", he was selected to... Read full biography
Born of Dene Suline and Saulteaux descent in 1935 in Alberta, Canada, Alex Janvier is a painter in both abstract and realistic styles and often uses colors symbolically to express his 'First Nations' background. He credits the beadwork and birch bark basketry of family members including his mother as influencing his artwork. He was raised by his family until he was eight years old, and then was sent to the Blue Quills Indian School near St. Paul, Alberta. Here he did his first paintings, but his formal art training came from the Alberta College of Art in Calgary. He graduated with honours in 1960, and then became an art instructor at the University of Alberta. A member of the commonly referred to "Indian Group of Seven", he was selected to represent Canada in a Canadian/Chinese Cultural Exchange in 1985. Also he has created mu... Read full biography
Alex Simeon Janvier - Artist Info
About Alex Simeon Janvier: Books
Books & Publications (22)
Publications based on askART research. List may not be comprehensive.
"7: Professional Native Indian Artists Inc." (MacKenzie Art Gallery
2014
Lavallee, Michele
359 pages (color)
Norval Morrisseau: Man Changing into Thunderbird
2014
Ruffo, Armand
312 pages (color)
Meditation and the Evolution of Cosmic Consciousness
2011
Ayre, Don
308 pages (color)
The Visual Arts in Canada: The Twentieth Century (Dedicated to the memory of John Fox, Painter and Teacher)
2010
Foss, Brian; Anne Whitelaw and Sandra Paikowsky
480 pages (color)
Restoring the Balance: First Nations Women, Community, and Culture
2009
Valaskakis, Gail Guthrie; Madeleine Dion Stout
379 pages (color)
Honouring Tradition: Reframing Native Art (Glenbow Museum) (Exhibition catalog)
2008
Carter, Beth et al
151 pages (color)
Canadian Paintings, Prints and Drawings
2007
Newlands, Anne
366 pages (color)
Hidden in Plain Sight: Contributions of Aboriginal Peoples To Canadian Identity and Culture, Volume 1
2005
Beavon, Daniel J.K.; Cora Jane Voyageur; David Newhouse
458 pages (color)
The Collector's Dictionary of Canadian Artists at Auction
2001
Westbridge, Anthony R. and Diana L. Bodnar
622 pages
Native American Art in the Twentieth Century: Makers, Meanings, Histories
1999
Rushing, W. Jackson
214 pages (color)
The Helen E. Band Collection of First Nations Art: From the Permanent Collection of the Thunder Bay Art Gallery
1998
Clark, Janet
48 pages (color)
St. James Guide to Native North American Artists
1998
Matuz, Roger (Editor)
691 pages
Seven Lifetimes: Yesterday, Today and Tomorrow
1993
Cardinal-Schubert, Joane
72 pages (color)
In the Shadow of the Sun: Perspectives on Contemporary Native Art (Canadian Museum of Civilization) (Exhibition catalog)
1993
McMaster, Gerald et al
538 pages
The Grand Western Canadian Screen Shop: Printing, People and History (MacKenzie Art Gallery)
1992
Davis, Angela E.
88 pages (color)
A Paintbrush in My Hand
1992
Odjig, Daphne; Rosamond M. Vanderburgh; Beth Southcott
174 pages (color)
Canada's First People: A Celebration of Contemporary Native Visual Arts
1992
Williams, Dana
67 pages (color)
Survey Alberta 88 (Alberta College of Art Galelry)
1988
MacKay, Allan, Diana Nemiroff, and Jeffrey Spalding
67 pages (color)
The Sound of the Drum: The Sacred Art of the Anishnabec
1984
Southcott, Beth
222 pages (color)
The Grand Western Canadian Screen Shop, A Print Legend A Fifteen Year Survey, 1968-1983 (Exhibition catalog)
1983
Finn, Chris, Philip Fry and Sarah Yates-Howorth
54 pages
Contemporary Indian Art at Rideau Hall
1983
Munro, John C., Preface
32 pages
A Selection of Work: Contemporary Indian Art, the Trail from the Past to the Future (Mackenzie Gallery at Trent University, Peterborough, Ontario) (Exhibition catalog)