Allan McCollum is best known for his arrangements of small, solid black paintings surrounded by white matte and framed in wood. McCollums idea for this expression grew out of his interest in defining... Read full biography
Allan McCollum is best known for his arrangements of small, solid black paintings surrounded by white matte and framed in wood. McCollums idea for this expression grew out of his interest in defining painting and reducing it to a few elements. This pursuit has allowed him to produce a consistent... Read full biography
Allan McCollum is best known for his arrangements of small, solid black paintings surrounded by white matte and framed in wood. McCollums idea for this expression grew out of his interest in defining painting and reducing it to a few elements. This pursuit has allowed him to produce a consistent body of work that changes very little. His "Surrogates" as these small framed paintings are called, represent a universal sign of painting; they remove the identifiable image or the art from the viewer.... Read full biography
Allan McCollum is best known for his arrangements of small, solid black paintings surrounded by white matte and framed in wood. McCollums idea for this expression grew out of his interest in defining painting and reducing it to a few elements. This pursuit has allowed him to produce a consistent body of work that changes very little. His "Surrogates" as these small framed paintings are called, represent a universal sign of painting; they remove the identifiable image or the art from the viewer. His original idea of creating only one painting to exhibit repeatedly was altered to accommodate the potential for the art piece to be bought and sold as a true art object. His early "Surrogates" varied slightly in material and frame color. His... Read full biography
Allan McCollum is best known for his arrangements of small, solid black paintings surrounded by white matte and framed in wood. McCollums idea for this expression grew out of his interest in defining painting and reducing it to a few elements. This pursuit has allowed him to produce a consistent body of work that changes very little. His "Surrogates" as these small framed paintings are called, represent a universal sign of painting; they remove the identifiable image or the art from the viewer. His original idea of creating only one painting to exhibit repeatedly was altered to accommodate the potential for the art piece to be bought and sold as a true art object. His early "Surrogates" varied slightly in material and frame color. His later versions, cast from molds into plaster, expand upon the idea of a mass-produced generic object. In the first part of his career, McCo... Read full biography
Allan McCollum - Artist Info
About Allan McCollum: Books
Books & Publications (20)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Art at the Turn of the Millennium
1999
Larsen, Lars et all
561 pages (color)
Objects of Desire The Modern Still Life (Exhibition catalog)
1997
Rowell, Margit
232 pages (color)
The Dakis Joannou Collection
1996
Deitch, Jeffrey
302 pages (color)
Art Since 1940 Strategies of Being
1995
Fineberg, Jonathan
496 pages (color)
The Paine Webber Art Collection
1995
Flam, Jack; Donald Marron
304 pages (color)
Art Today
1995
Lucie-Smith, Edward
512 pages (color)
Critiques of Pure Abstraction (Exhibition catalog)
1995
Rosenthal, Mark
48 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Contemporary Art 1965-1990
1992
Kurtz, Bruce D
256 pages (color)
Allegories of Modernism Contemporary Drawing (Exhibition catalog)
1992
Rose, Bernice
128 pages (color)
Devil on the Stairs Looking Back on the Eighties (Exhibition catalog)
1991
Storr, Robert/J Tannenbaum
96 pages (color)
Art Since Mid Century 1945 to the Present
1991
Wheeler, Daniel
344 pages (color)
Natural Genre (Fine Arts Gallery, Florida State University)
1984
Collins, Tricia and Richard Milazzo
48 pages (color)
The California Connection 16 Paintings/Gifford Phillips Collection (Exhibition catalog)
1983
Edgerton, Anne Carnegie
32 pages
Frederick Weisman Collection California Art (Exhibition catalog)
1978
California State U Long Beach
64 pages (color)
Sunshine Muse Contemporary Art on the West Coast
1974
Plagens, Peter
200 pages (color)
Contemporary American Painting and Sculpture, 1974 (Exhibition catalog)