An African-American post-impressionist known for his imaginative use of color in his renderings of the ports of Gloucester, Allan Randall Freelon was born in Philadelphia on 2 September 1895. He... Read full biography
An African-American post-impressionist known for his imaginative use of color in his renderings of the ports of Gloucester, Allan Randall Freelon was born in Philadelphia on 2 September 1895. He studied at the Philadelphia Museum and School of Industrial Art, then at the University of Pennsylvania... Read full biography
An African-American post-impressionist known for his imaginative use of color in his renderings of the ports of Gloucester, Allan Randall Freelon was born in Philadelphia on 2 September 1895. He studied at the Philadelphia Museum and School of Industrial Art, then at the University of Pennsylvania where he graduated with a B.S. in Education. His art teachers were Earle Horter (1881-1940), Emile Gruppe (1896-1978), and Hugh Breckenridge (1870-1937), whose classes in Gloucester attracted Freelon... Read full biography
An African-American post-impressionist known for his imaginative use of color in his renderings of the ports of Gloucester, Allan Randall Freelon was born in Philadelphia on 2 September 1895. He studied at the Philadelphia Museum and School of Industrial Art, then at the University of Pennsylvania where he graduated with a B.S. in Education. His art teachers were Earle Horter (1881-1940), Emile Gruppe (1896-1978), and Hugh Breckenridge (1870-1937), whose classes in Gloucester attracted Freelon for many summers. The Breckenridge School of Art at Rocky Neck opened in 1920, at which point Breckenridge was turning to abstraction. For instance, his painting The Mills, of 1916, might best be described as neo-impressionistic with its unified... Read full biography
An African-American post-impressionist known for his imaginative use of color in his renderings of the ports of Gloucester, Allan Randall Freelon was born in Philadelphia on 2 September 1895. He studied at the Philadelphia Museum and School of Industrial Art, then at the University of Pennsylvania where he graduated with a B.S. in Education. His art teachers were Earle Horter (1881-1940), Emile Gruppe (1896-1978), and Hugh Breckenridge (1870-1937), whose classes in Gloucester attracted Freelon for many summers. The Breckenridge School of Art at Rocky Neck opened in 1920, at which point Breckenridge was turning to abstraction. For instance, his painting The Mills, of 1916, might best be described as neo-impressionistic with its unified surface texture of uniform brushstrokes, while The Lake, painted in the same year, looks forward to his Kandins... Read full biography
Allan Randall Freelon - Artist Info
About Allan Randall Freelon: Books
Books & Publications (14)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
European & American Painting Philadelphia Collection LIII (Exhibition catalog)
1993
Schwarz-Philadelphia
48 pages (color)
Facing History The Black Image in American Art 1710-1940 (Exhibition catalog)
1990
McElroy, Guy C
190 pages (color)
American and European Paintings (Schwarz Galleries, Philadelphia) (Exhibition catalog)
1990
Robert Schwarz
32 pages (color)
Against the Odds African-American Artists and the Harmon Foundation (Exhibition catalog)
1989
Reynolds, Gary/Beryl J Wright
298 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Afro-American Artists: A Bio-Bibliographical Directory
1973
Cederholm, Theresa Dickason
348 pages
American Negro Art
1960
Dover, Cedric
186 pages (color)
Modern Negro Art
1943
Porter, James A
272 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index