In 1925 Antonio Martino's painting instructor wrote a note of congratulations to his talented student who, at the age of twenty-three, had two paintings accepted in the Pennsylvania Academy for the... Read full biography
In 1925 Antonio Martino's painting instructor wrote a note of congratulations to his talented student who, at the age of twenty-three, had two paintings accepted in the Pennsylvania Academy for the Fine Arts Annual Exhibition. The teacher was pleased that his student's work was being shown with the... Read full biography
In 1925 Antonio Martino's painting instructor wrote a note of congratulations to his talented student who, at the age of twenty-three, had two paintings accepted in the Pennsylvania Academy for the Fine Arts Annual Exhibition. The teacher was pleased that his student's work was being shown with the nation's outstanding painters. Besides, Martino's landscapes bore sold signs. he was urged to continue painting, which he did for the next fifty years. Antonio Martino's work is a prominent example... Read full biography
In 1925 Antonio Martino's painting instructor wrote a note of congratulations to his talented student who, at the age of twenty-three, had two paintings accepted in the Pennsylvania Academy for the Fine Arts Annual Exhibition. The teacher was pleased that his student's work was being shown with the nation's outstanding painters. Besides, Martino's landscapes bore sold signs. he was urged to continue painting, which he did for the next fifty years. Antonio Martino's work is a prominent example of the long tradition of realistic painting and instruction in Philadelphia. The instructor who wrote the congratulatory letter was Albert Jean Adolphe, a student of Jean Leon Gerome in Paris, as was Thomas Eakins. In addition to this strong... Read full biography
In 1925 Antonio Martino's painting instructor wrote a note of congratulations to his talented student who, at the age of twenty-three, had two paintings accepted in the Pennsylvania Academy for the Fine Arts Annual Exhibition. The teacher was pleased that his student's work was being shown with the nation's outstanding painters. Besides, Martino's landscapes bore sold signs. he was urged to continue painting, which he did for the next fifty years. Antonio Martino's work is a prominent example of the long tradition of realistic painting and instruction in Philadelphia. The instructor who wrote the congratulatory letter was Albert Jean Adolphe, a student of Jean Leon Gerome in Paris, as was Thomas Eakins. In addition to this strong background, Martino also absorbed the light, colour and atmosphere of Impressionism and the solid form of Cubism. Early in his career he dec... Read full biography
Antonio Martino - Artist Info
About Antonio Martino: Books
Books & Publications (33)
Publications based on askART research. List may not be comprehensive.
New Hope for American Art A Comprehensive Showing of Important 20th Century Paintings from and Surrounding the New Hope Art Colony
2005
Alterman, James M.
612 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Blue Chips
2004
Alterman, Jim
128 pages (color)
Pennsylvania Impressionism
2002
Gerdts, William; Brian H. Peterson & Yount
340 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Monhegan: The Artists' Island
1995
Curtis, Jane and Will, Frank Lieberman, Carl Little (Foreward)
192 pages (color)
American Artists of Italian Heritage/1776-1945
1993
Soria, Regina
178 pages
Biennial Exhibition Record of the Corcoran Gallery of Art (Exhibition catalog)
1991
Falk, Peter Hastings
335 pages
The Annual & Biennial Exhibition Record of the Whitney Museum of Art (Whitney Museum of American Art, 1918-1989) (Exhibition catalog)
1991
Falk, Peter Hastings (Editor); Andrea Ansell Bien
468 pages
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Pennsylvania Impressionists Painters of the New Hope School (Exhibition catalog)
1990
Taggart and Jorgensen Gallery
38 pages (color)
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The American Paintings (in the) Pennsylvania Academy of Fine Art
1989
Fresella-Lee, Nancy
222 pages (color)
American Impressionism and other movements (Exhibition catalog)
1989
Schwarz-Philadelphia
53 pages (color)
Impressionism and Post-Impressionism Transformations 1885-1945 (Exhibition catalog)
1988
Preato, Robert R.; Dr. Sandra L. Langer
104 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
American Paintings (Exhibition catalog)
1985
Schwarz-Philadelphia
30 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Collection of American Art Randolph-Macon Women's College
1977
Williams, Mary Frances
211 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Permanent Collection Catalog Springville Museum of Art
1972
Forster, Peggy; Julie Snow Birkhimer; Mae Huntington
75 pages (color)
Today's Artist and the West By Members of the National Academy (Exhibition catalog)
1972
Phoenix Art Museum
28 pages
Prize Winning Oil Paintings Book II
1962
Harold, Margaret
96 pages (color)
Composition, Landscape and Still Life
1959
Watson, Ernest
0 pages
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
American Painting Today 1950 A National Competitive Exhibition (Exhibition catalog)
1950
Metropolitan Museum of Art
60 pages
Eyes on America United States as Seen by Her Artists
1940
Hall, W. S.
150 pages (color)
Contemporary Art of the U S (Golden Gate Exposition1940) (Exhibition catalog)
1940
IBM Collection
112 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index