A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin did work that captured the subtle nuances of light and color, creating a harmony between and the natural... Read full biography
A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin did work that captured the subtle nuances of light and color, creating a harmony between and the natural environment. His style reflected American Impressionism, although his subject matter was not... Read full biography
A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin did work that captured the subtle nuances of light and color, creating a harmony between and the natural environment. His style reflected American Impressionism, although his subject matter was not typically rural. He preferred painting Boston and particularly scenes where the city met the natural landscape, such as piers, bridges, or the Boston statehouse. His "T" wharf series, representing the pier... Read full biography
A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin did work that captured the subtle nuances of light and color, creating a harmony between and the natural environment. His style reflected American Impressionism, although his subject matter was not typically rural. He preferred painting Boston and particularly scenes where the city met the natural landscape, such as piers, bridges, or the Boston statehouse. His "T" wharf series, representing the pier where boats of largely Portuguese and Italian origin would dock, were quite well known. Goodwin was born in Portsmouth, New Hampshire, and was raised in Chelsea Massachusetts. He did not begin painting until the age of thirty and became a self-taught... Read full biography
A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin did work that captured the subtle nuances of light and color, creating a harmony between and the natural environment. His style reflected American Impressionism, although his subject matter was not typically rural. He preferred painting Boston and particularly scenes where the city met the natural landscape, such as piers, bridges, or the Boston statehouse. His "T" wharf series, representing the pier where boats of largely Portuguese and Italian origin would dock, were quite well known. Goodwin was born in Portsmouth, New Hampshire, and was raised in Chelsea Massachusetts. He did not begin painting until the age of thirty and became a self-taught Impressionist and also a follower of the Ashcan School led by Robert Henri. After painting in Boston in both oil and pastel for a tw... Read full biography
Arthur Clifton Goodwin - Artist Info
About Arthur Clifton Goodwin: Books
Books & Publications (44)
Publications based on askART research. List may not be comprehensive.
An Enduring Legacy: American Impressionist Landscapes from the Thomas Clark Collection (Exhibition catalog)
2009
Coe, Erin B. (Essay)
0 pages (color)
Recent Acquisitions: Fall 2008 (Exhibition catalog)
2008
Editors, Vose Galleries of Boston
39 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Vose Art Notes: A Guide for Collectors Circles of Influence, A Timeline
2004
Vose, Marcia (editor)
38 pages (color)
Art for the New Collector II Re-Emerging American Artists (Exhibition catalog)
2003
Editor: Spanierman Gallery
64 pages (color)
Vose Art Notes: A Guide for Collectors Winter 2003, Volume XI
2003
Vose, Marcia Latimore (Editor)
36 pages (color)
Art for the New Collector 1840-2001 (Exhibition catalog)
2002
Spanierman Gallery
48 pages (color)
110 Years of American Art:1830-1940 (Spanierman Galleries, LLC) (Exhibition catalog)
2001
Spanierman, Deborah (essay)
136 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Vose Art Notes: A Guide for Collectors Art and Collecting in America
1999
Jarzombek, NA, Marcia Vose
29 pages (color)
Impressionist New York
1994
Gerdts, William H
224 pages (color)
Masterworks of American Impressionism from the Pfeil Collection (Exhibition catalog)
1992
Gerdts, William H
282 pages (color)
American Impressionists
1991
Montgomery, Elizabeth
112 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
American Works on Paper III (Exhibition catalog)
1989
Spanierman Gallery
150 pages (color)
American Works on Paper II (Exhibition catalog)
1988
Spanierman Gallery
144 pages (color)
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
American Impressionism (Exhibition catalog)
1984
Gerdts, William H
336 pages (color)
The Society of Independent Artists Exhibition Record 1917-1944 (Exhibition catalog)
1984
Marlor, Clark S
600 pages
The Artist's Studio In American Painting 1840-1983 (Exhibition catalog)
1983
Gregg, Richard N
64 pages
Directions in American Painting 1875-1925 (Exhibition catalog)
1982
Rodriguez Roque, Oswaldo
112 pages (color)
American Impressionism: The Henry Art Gallery (Exhibition catalog)
1980
Gerdts, William H
179 pages (color)
The American Perspective (Exhibition catalog)
1979
Maurice Sternberg, Galleries
48 pages (color)
The Toledo Museum of Art American Paintings
1979
Strickler, Susan (Catalogue); William Hutton (Editor)
227 pages (color)
The American Flag in the Art of Our Country (Exhibition catalog)
1976
Allentown Art Museum
92 pages (color)
The Ten
1976
Pierce, Patricia Jobe
201 pages (color)
American Painters Of the Impressionist Period Rediscovered
1975
Weber, Nicholas Fox
104 pages (color)
American Impressionism
1974
Boyle, Richard
238 pages (color)
A C Goodwin 1864-1929 (Exhibition catalog)
1974
Emerson, Sandra (others)
20 pages (color)
French Impressionists Influence American Artists (Exhibition catalog)
1971
Lowe Art Museum
96 pages (color)
Indianapolis Museum of Art Catalogue of American Paintings
1970
Weinhardt, Carl J Jr (editor)
166 pages
American Paintings in the Museum of Fine Arts, Boston (Two Volumes)
1969
Rathbone, Perry Townsend (Ed)
600 pages (color)
Boston Painters 1720-1940 (Exhibition catalog)
1968
Boston University
70 pages
American Landscape Painting An Interpretation
1948
Born, Wolfgang
228 pages
Still-Life Painting in America
1947
Born, Wolfgang
144 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
Panama-Pacific Exposition: Catalogue of the Post-Exposition Exhibit