A photo-realist painter of popular images, Audrey Flack was committed to the idea that the greatest art is that which can be understood by the masses of people. She had major influence in the... Read full biography
A photo-realist painter of popular images, Audrey Flack was committed to the idea that the greatest art is that which can be understood by the masses of people. She had major influence in the revitalizing of still-life subjects in the 1970s and 1980s, and unlike most photo-realist painters was... Read full biography
A photo-realist painter of popular images, Audrey Flack was committed to the idea that the greatest art is that which can be understood by the masses of people. She had major influence in the revitalizing of still-life subjects in the 1970s and 1980s, and unlike most photo-realist painters was emotionally committed to her subject matter. She regarded emotional commitment as part of being feminine, something of which she is proud. Flack was one of the first painters to acknowledge that she... Read full biography
A photo-realist painter of popular images, Audrey Flack was committed to the idea that the greatest art is that which can be understood by the masses of people. She had major influence in the revitalizing of still-life subjects in the 1970s and 1980s, and unlike most photo-realist painters was emotionally committed to her subject matter. She regarded emotional commitment as part of being feminine, something of which she is proud. Flack was one of the first painters to acknowledge that she referred to photographs when painting and would project photos from slides onto her canvases, painting over the images. She began working in a representational style when Abstract Expressionism was dominating the art world. She is especially committed to... Read full biography
A photo-realist painter of popular images, Audrey Flack was committed to the idea that the greatest art is that which can be understood by the masses of people. She had major influence in the revitalizing of still-life subjects in the 1970s and 1980s, and unlike most photo-realist painters was emotionally committed to her subject matter. She regarded emotional commitment as part of being feminine, something of which she is proud. Flack was one of the first painters to acknowledge that she referred to photographs when painting and would project photos from slides onto her canvases, painting over the images. She began working in a representational style when Abstract Expressionism was dominating the art world. She is especially committed to subjects of strong-minded women, eschewing oppression, and openly associated with feminine objects such as finger-nail polish and china cups.... Read full biography
Audrey L Flack - Artist Info
About Audrey L Flack: Books
Books & Publications (64)
Publications based on askART research. List may not be comprehensive.
100 New York Painters
2006
Dantzic, Cynthia Maris
224 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
Trompe l'oeil: The Art of Deception (Exhibition catalog)
1997
Dawson, Nancy
6 pages (color)
Who's Who in American Art, 1997-1998
1997
Marquis Who's Who
1,515 pages
Female Gazes: Seventy-Five Women Artists
1997
Martin, Elizabeth; Vivian Meyer
176 pages (color)
Still Life The Object in American Art, 1915-1995 (Exhibition catalog)
1996
Sims, Lowery/Sabine Rewald
175 pages (color)
Art Since 1940 Strategies of Being
1995
Fineberg, Jonathan
496 pages (color)
North American Women Artists of the Twentieth Century A Biographical Dictionary
1995
Heller, Jules and Nancy G. Heller
612 pages
History of Art: A Survey of the Major Visual Arts From the Dawn of History to the Present Day
1995
Janson, H W; Dora Jane Janson
960 pages (color)
Art Today
1995
Lucie-Smith, Edward
512 pages (color)
American Realism
1994
Lucie-Smith, Edward
240 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Photorealism Since 1980
1993
Meisel, Louis K
368 pages (color)
Contemporary Art 1965-1990
1992
Kurtz, Bruce D
256 pages (color)
Explorations The Visual Arts since 1945
1991
Hoffman, Katherine
400 pages (color)
Art Since Mid Century 1945 to the Present
1991
Wheeler, Daniel
344 pages (color)
Women, Art, and Society
1990
Chadwick, Whitney
384 pages (color)
American Painting
1990
Goddard, Donald; Robert Rosenblum (Intro)
319 pages (color)
Long Island Landscape Painting Vol ll, The Twentieth Century (Exhibition catalog)
1990
Pisano, Ronald G
168 pages (color)
American Women Sculptors: A History of Women Working in Three Dimensions
1990
Rubinstein, Charlotte Streifer
638 pages
American Realist Painting 1945-1980
1989
Ward, John L
431 pages
Making Their Mark: Women Artists Move Into the Mainstream
1988
Rosen, Randy, et al
300 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Varieties of Visual Experience (3rd edition)
1987
Feldman, Edmund Burke
528 pages (color)
Women Artists An Illustrated History
1987
Heller, Nancy
224 pages (color)
National Mus of Women in the Arts
1987
National Museum of Women
253 pages (color)
An American Renaissance Painting and Sculpture Since 1940 (Exhibition catalog)
1986
Hunter, Sam
269 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Rose Art Museum Selected 20th Century Paintings
1986
Rose Art Museum
147 pages (color)
American Artists: An Illustrated Survey of Leading Contemporary Americans
1985
Krantz, Les
347 pages (color)
American Art Now
1985
Lucie-Smith, Edward
160 pages (color)
Profiles on Women Artists
1985
Russo, Alexander
258 pages
American Painting and Sculpture A Concise History
1984
Baigell, Mathew
420 pages
The Pluralist Era: American Art 1968-1981
1984
Robins, Corrine
246 pages (color)
The Figure in 20th Century American Art Metropolitan Museum of Art (Exhibition catalog)
1984
Sims, Lowery Stokes
167 pages (color)
Paintings and Sculpture In the Permanent Collection
1983
Bermingham, Peter/Daphne Deeds
273 pages (color)
American Still Life 1945-1983 (Exhibition catalog)
1983
Cathcart, Linda L
144 pages (color)
American Artists on Art from 1940 to 1980
1982
Johnson, Ellen H (editor)
274 pages
Twenty-Five Artists
1982
Messer, Thomas/Arlene Bujese
108 pages
Trompe L'Oeil Painting The Illusions of Reality
1982
Milman, Miriam
127 pages (color)
American Women Artists from Early Times to the Present
1982
Rubinstein, Charlotte Streifer
560 pages (color)
The Image in American Painting and Sculpture 1950-1980 (Exhibition catalog)
1981
Danoff, Michael/C K Carr
102 pages (color)
Audry Flack On Painting
1981
Flack, Audry
116 pages (color)
Contemporary American Realism Since 1960 (Pennsylvania Academy of Fine Arts)
1981
Goodyear, Frank H, Jr.
255 pages (color)
New Realism Revisited Brainerd Hall Art Gallery, SUNY Potsdam (Exhibition catalog)
1980
Editors
0 pages
Superrealist Painting and Sculpture
1980
Lindey, Christine
160 pages (color)
Art in the Seventies
1980
Lucie-Smith, Edward
128 pages (color)
American Painting of the 1970s (Exhibition catalog)
1979
Cathcart, Linda L
111 pages (color)
Artists Look at Art (Exhibition catalog)
1978
Hennessey, William J
60 pages
Art About Art
1978
Lipman, Jean/Richard Marshall
176 pages (color)
The Chosen Object European and American Still Life (Exhibition catalog)
1977
Cloudman, Ruth H
66 pages
New in the Seventies (Archer Huntington Gallery Exhibition) (Exhibition catalog)
1977
Seabolt, Fred/Donald Goodall
60 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
New Realism
1976
Kulturmann, Udo
190 pages (color)
Super Realism: A Critical Anthology
1975
Battcock, Gregory (editor)
322 pages (color)
Art Talk Conversations with 12 Women Artists
1975
Nemser, Cindy
367 pages
Whitney Museum of American Art Catalogue of the Collection