Better known as an art dealer than an artist, she had a self-named gallery that significantly promoted the careers of numerous abstract artists of the 1940s. In fact, by some critics, she was called... Read full biography
Better known as an art dealer than an artist, she had a self-named gallery that significantly promoted the careers of numerous abstract artists of the 1940s. In fact, by some critics, she was called the "midwife" of the New York School*. She grew up in an upper class existence in New York City and... Read full biography
Better known as an art dealer than an artist, she had a self-named gallery that significantly promoted the careers of numerous abstract artists of the 1940s. In fact, by some critics, she was called the "midwife" of the New York School*. She grew up in an upper class existence in New York City and turned down a position on the U.S. Olympic tennis team to pursue her art career. She was married briefly and then divorced but kept her husband's name. From 1923 to 1933, she studied sculpture in... Read full biography
Better known as an art dealer than an artist, she had a self-named gallery that significantly promoted the careers of numerous abstract artists of the 1940s. In fact, by some critics, she was called the "midwife" of the New York School*. She grew up in an upper class existence in New York City and turned down a position on the U.S. Olympic tennis team to pursue her art career. She was married briefly and then divorced but kept her husband's name. From 1923 to 1933, she studied sculpture in Paris and was very much a part of avant-garde circles there that included Gertrude Stein, Alexander Calder, and Man Ray. The stock market crash forced her to return to the United States where she spent three years teaching in Santa Barbara, California,... Read full biography
Better known as an art dealer than an artist, she had a self-named gallery that significantly promoted the careers of numerous abstract artists of the 1940s. In fact, by some critics, she was called the "midwife" of the New York School*. She grew up in an upper class existence in New York City and turned down a position on the U.S. Olympic tennis team to pursue her art career. She was married briefly and then divorced but kept her husband's name. From 1923 to 1933, she studied sculpture in Paris and was very much a part of avant-garde circles there that included Gertrude Stein, Alexander Calder, and Man Ray. The stock market crash forced her to return to the United States where she spent three years teaching in Santa Barbara, California, and then returned to New York City. She learned the art gallery business by working with Mrs. Cornelius Sullivan... Read full biography
Betty Bierne Pierson Parsons - Artist Info
About Betty Bierne Pierson Parsons: Books
Books & Publications (26)
Publications based on askART research. List may not be comprehensive.
Palm Beach Visual Arts
2016
Pollack, Deborah C.
200 pages (color)
A Shared Aesthetic: Artists of Long Island's North Fork
2008
Fleming, Geoffrey K. and Sara Evans (Southold Historical Society)
250 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
North American Women Artists of the Twentieth Century A Biographical Dictionary
1995
Heller, Jules and Nancy G. Heller
612 pages
The Remarkable Lives Of 100 Women Artists
1994
Bailey, Brooke
207 pages
Betty Parsons Artist, Dealer, Collector
1991
Hall, Lee
192 pages (color)
Albright-Knox Art Gallery Painting and Sculpture/Acquisitions since 1972
1987
Krane, Susan
379 pages (color)
National Mus of Women in the Arts
1987
National Museum of Women
253 pages (color)
The Art Dealers The Powers Behind the Scenes Tell How
1984
DeCoppet, Laura/Alan Jones
320 pages
Art at Work The Chase Manhattan Collection
1984
Severinghaus, J Walter
333 pages (color)
American Women Artists from Early Times to the Present
1982
Rubinstein, Charlotte Streifer
560 pages (color)
Tracking the Marvelous A Life in the New York Art World
1981
Myers, John Bernard
285 pages
Out of this Century Confessions of an Art Adict
1979
Guggenheim, Peggy
396 pages (color)
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
Women Artists in Washington Collections (Exhibition catalog)
1979
Withers, Josephine
144 pages (color)
The American Painting Collection of the Montclair Art Museum
1977
Gamble, Kathryn (Foreward); Thomas Hoving, William Gerdts, Lloyd Goodrich
268 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
Whitney Museum of American Art Catalogue of the Collection
1974
Baur, John I H
235 pages (color)
Betty Parsons Retrospective Paintings and Sculpture (Exhibition catalog)
1974
Hess, Thomas B (others)
28 pages
The Party's Over Now Reminiscences of the Fifties (New York)
1972
Gruen, John
282 pages
Betty Parsons Paintings, Gouaches and Sculpture (Exhibition catalog)
1968
Alloway, Lawrence
23 pages (color)
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index