Betye Saar, sculptor and installation artist, was born in Los Angeles, California in 1926. She received a B.A. degree (not in art) from UCLA in 1949, and an M.A. degree in graphic design from... Read full biography
Betye Saar, sculptor and installation artist, was born in Los Angeles, California in 1926. She received a B.A. degree (not in art) from UCLA in 1949, and an M.A. degree in graphic design from California State University, Long Beach in 1960. Then, deciding to be an artist, she returned to college at... Read full biography
Betye Saar, sculptor and installation artist, was born in Los Angeles, California in 1926. She received a B.A. degree (not in art) from UCLA in 1949, and an M.A. degree in graphic design from California State University, Long Beach in 1960. Then, deciding to be an artist, she returned to college at age thirty-four, and had another art experience more formative of her artistic vision. As a child, she watched sculptor Simon Rodia build his now famous Watts Tower out of the accumulated junk,... Read full biography
Betye Saar, sculptor and installation artist, was born in Los Angeles, California in 1926. She received a B.A. degree (not in art) from UCLA in 1949, and an M.A. degree in graphic design from California State University, Long Beach in 1960. Then, deciding to be an artist, she returned to college at age thirty-four, and had another art experience more formative of her artistic vision. As a child, she watched sculptor Simon Rodia build his now famous Watts Tower out of the accumulated junk, refuse and debris of his environment. This fascinating, inventive and nearly mystical experience, combined with her discovery of the boxes of Joseph Cornell in the 1960s, inspired Saar in her own search for an art of constructed, gathered objects. Rather... Read full biography
Betye Saar, sculptor and installation artist, was born in Los Angeles, California in 1926. She received a B.A. degree (not in art) from UCLA in 1949, and an M.A. degree in graphic design from California State University, Long Beach in 1960. Then, deciding to be an artist, she returned to college at age thirty-four, and had another art experience more formative of her artistic vision. As a child, she watched sculptor Simon Rodia build his now famous Watts Tower out of the accumulated junk, refuse and debris of his environment. This fascinating, inventive and nearly mystical experience, combined with her discovery of the boxes of Joseph Cornell in the 1960s, inspired Saar in her own search for an art of constructed, gathered objects. Rather than someone simply engaged in the exploration of aesthetic processes and formulations like so many contemporary artists, Saar gives the... Read full biography
Betye Irene (Brown) Saar - Artist Info
About Betye Irene (Brown) Saar: Books
Books & Publications (38)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Betye Saar Extending the Frozen Moment
2005
Steward, James Christen
176 pages (color)
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Betye Saar
2003
Carpenter, Jane H
116 pages (color)
With an Eye and a Passion: Selections from The Marion Collection
2003
Sherman, Charlotte (Essay)
38 pages (color)
Masterworks of American Painting and Sculpture from Smith College Museum
1999
Editor, Smith College Museum
307 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Collecting African American Art Works on Paper and Canvas
1998
Taha, Halima
270 pages (color)
Visual Arts in the 20th Century
1997
Lucie-Smith, Edward
400 pages (color)
Black Art and Culture in the 20th Century
1997
Powell, Richard J
256 pages (color)
North American Women Artists of the Twentieth Century A Biographical Dictionary
1995
Heller, Jules and Nancy G. Heller
612 pages
Art Today
1995
Lucie-Smith, Edward
512 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Women, Art, and Society
1990
Chadwick, Whitney
384 pages (color)
The Art of Betye and Alison Saar: Secrets, Dialogues, Revelations (Exhibition catalog)
1990
Lippard, Lucy (essay)
0 pages
Mixed Blessings New Art in a Multicultural America
1990
Lippard, Lucy R
279 pages (color)
American Women Sculptors: A History of Women Working in Three Dimensions
1990
Rubinstein, Charlotte Streifer
638 pages
African American Artists 1880-1987 Selections from the Evans-Tibbs Collection
1989
McElroy, Guy C (others)
125 pages (color)
Yesterday and Tomorow California Women Artists
1989
Moore, Sylvia (editor)
378 pages
Inside the L A Artist
1988
Marrow, Marva
104 pages (color)
Making Their Mark: Women Artists Move Into the Mainstream
1988
Rosen, Randy, et al
300 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
San Francisco Museum of Modern Art Paintings and Sculpture Collection
1985
DuPont, Diana, K Holland
402 pages (color)
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
The Art of California Selected Works/ Oakland Museum
1984
Orr-Cahill, Christina
199 pages (color)
The Pluralist Era: American Art 1968-1981
1984
Robins, Corrine
246 pages (color)
American Women Artists from Early Times to the Present
1982
Rubinstein, Charlotte Streifer
560 pages (color)
Southern California Artists 1940-1980 (Exhibition catalog)
1981
Ball, Maudette
66 pages (color)
Fifty West Coast Artists: A Critical Selection of Painters and Sculptors Working in California
1981
Hopkins, Henry; Mimi Jacobs (illustration)
128 pages (color)
Los Angeles Prints 1883-1980 (Exhibition catalog)
1980
Feinblatt, Ebria/Bruce Davis
111 pages
Art: African American
1978
Lewis, Samella
246 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Originals:American Women Artists
1976
Munro, Eleanor
528 pages (color)
Painting & Sculpture in California The Modern Era
1976
San Francisco Mus Modern Art
272 pages (color)
Women Artists in America II
1975
Collins, Jim L.
430 pages
Afro-American Artists: A Bio-Bibliographical Directory
1973
Cederholm, Theresa Dickason
348 pages
Contemporary Black Artists in America (Whitney Museum of American Art) (Exhibition catalog)