Born a slave on the plantation of George Traylor near Benton, Alabama, Bill Traylor became known as a folk artist who did stark and simple drawings with colored pencils in a flat, child-like style.... Read full biography
Born a slave on the plantation of George Traylor near Benton, Alabama, Bill Traylor became known as a folk artist who did stark and simple drawings with colored pencils in a flat, child-like style. His images are of plantation and street life, domestic animals and people going about their lives in... Read full biography
Born a slave on the plantation of George Traylor near Benton, Alabama, Bill Traylor became known as a folk artist who did stark and simple drawings with colored pencils in a flat, child-like style. His images are of plantation and street life, domestic animals and people going about their lives in the segregated South before and after the Civil War. After the Civil War, he took the name of the plantation owner and chose to remain on the plantation, living there until he was eighty-four years... Read full biography
Born a slave on the plantation of George Traylor near Benton, Alabama, Bill Traylor became known as a folk artist who did stark and simple drawings with colored pencils in a flat, child-like style. His images are of plantation and street life, domestic animals and people going about their lives in the segregated South before and after the Civil War. After the Civil War, he took the name of the plantation owner and chose to remain on the plantation, living there until he was eighty-four years old. It is likely he had no formal education. He worked as a field hand, and married Lourisa Duncan with whom he had nine children. (He fathered another eleven children while on the Plantation). As adults, they lived in Alabama, Washington DC and... Read full biography
Born a slave on the plantation of George Traylor near Benton, Alabama, Bill Traylor became known as a folk artist who did stark and simple drawings with colored pencils in a flat, child-like style. His images are of plantation and street life, domestic animals and people going about their lives in the segregated South before and after the Civil War. After the Civil War, he took the name of the plantation owner and chose to remain on the plantation, living there until he was eighty-four years old. It is likely he had no formal education. He worked as a field hand, and married Lourisa Duncan with whom he had nine children. (He fathered another eleven children while on the Plantation). As adults, they lived in Alabama, Washington DC and Detroit, Michigan. In 1939 at age 84, he decided to leave the plantation, saying "they'r... Read full biography
Bill Traylor - Artist Info
About Bill Traylor: Books
Books & Publications (24)
Publications based on askART research. List may not be comprehensive.
Between Worlds: The Art of Bill Traylor
2018
Umberger, Leslie (Author); Kerry James Marshall (Introduction)
448 pages (color)
Wildlife in American Art: Masterworks from the National Museum of Wildlife Art
2009
Harris, Adam Duncan
262 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Bill Traylor, William Edmondson, And the Modernist Impulse
2005
Heifenstein, Josef; Roxanne Stanulis
0 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Deep Blues: Bill Traylor 1854-1949
1999
Helfenstein, Josef; Kurzmeyer,
0 pages
Collecting African American Art Works on Paper and Canvas
1998
Taha, Halima
270 pages (color)
Contemporary American Folk Art A Collectors's Guide
1996
Rosenak, Chuck and Jan
320 pages (color)
A World of Their Own: Twentieth Century American Folk Art (Newark Museum)
1995
Jacobs, Joseph
88 pages (color)
The Harmon and Harriet Kelley Collection of African American Art (Exhibition catalog)
1994
Kelley, Harmon; D. Hyland, G. Coker, et all
68 pages (color)
African American Art (Exhibition catalog)
1994
San Antonio Museum of Art
67 pages (color)
A History-African-American Artists From 1792 to the Present
1993
Bearden, Romare/Harry Henderson
542 pages (color)
Common Ground/Uncommon Vision Michael & Julie Hall Collection American Folk Art (Exhibition catalog)
1993
Lippard, Lucy/J Hayes/K Ames
335 pages (color)
American Self-Taught: Paintings and Drawings by Outsider Artists
1993
Maresca, Frank, Roger Ricco
298 pages (color)
Free Within Ourselves: African-American Artists in the Collection of the National Museum of American Art
1993
Perry, Regina A
203 pages (color)
Bill Traylor His Life/His Art
1991
Maresca, Frank/Roger Ricca
192 pages (color)
Museum of American Folk Art Encyclopedia of 20th Century Folk Art and Artists
1990
Rosenak, Chuck and Jan
416 pages (color)
Black Art/Ancestral Legacy (Exhibition catalog)
1989
Dallas Museum of Fine Art
305 pages (color)
African American Artists 1880-1987 Selections from the Evans-Tibbs Collection
1989
McElroy, Guy C (others)
125 pages (color)
Art and Artists of the South Robert P Coggins Collection (Exhibition catalog)
1984
Chambers, Bruce W
149 pages (color)
American Folk Art of the Twentieth Century
1983
Johnson, Jay; William Ketchum
342 pages (color)
Black Folk Art in America, 1930-1980 (Corcoran Gallery of Art) (Exhibition catalog)
1982
Livingston, Jane/J Beardsley
186 pages (color)
Afro-American Artists: A Bio-Bibliographical Directory