An African-American, Bob Thompson had success in the 1960s as an artist, which was unusual for black artists of that era and led to his becoming a pivotal figure for African-American artists and for... Read full biography
An African-American, Bob Thompson had success in the 1960s as an artist, which was unusual for black artists of that era and led to his becoming a pivotal figure for African-American artists and for art historians. However, his life was cut short when he died in Rome in 1966 just before his... Read full biography
An African-American, Bob Thompson had success in the 1960s as an artist, which was unusual for black artists of that era and led to his becoming a pivotal figure for African-American artists and for art historians. However, his life was cut short when he died in Rome in 1966 just before his twenty-ninth birthday. Thompson was a modernist who adapted Paul Gauguin's Fauvist use of interlocking planes of bright colors. He often used Biblical subjects, and created an effect of idealized, faceless... Read full biography
An African-American, Bob Thompson had success in the 1960s as an artist, which was unusual for black artists of that era and led to his becoming a pivotal figure for African-American artists and for art historians. However, his life was cut short when he died in Rome in 1966 just before his twenty-ninth birthday. Thompson was a modernist who adapted Paul Gauguin's Fauvist use of interlocking planes of bright colors. He often used Biblical subjects, and created an effect of idealized, faceless figures. Among his paintings were Flagellation of Christ and St. George and the Dragon. Living among avant-garde artists in New York City, where he briefly had a studio on Rivington Street, and in Provincetown, Massachusetts, he was at odds with the... Read full biography
An African-American, Bob Thompson had success in the 1960s as an artist, which was unusual for black artists of that era and led to his becoming a pivotal figure for African-American artists and for art historians. However, his life was cut short when he died in Rome in 1966 just before his twenty-ninth birthday. Thompson was a modernist who adapted Paul Gauguin's Fauvist use of interlocking planes of bright colors. He often used Biblical subjects, and created an effect of idealized, faceless figures. Among his paintings were Flagellation of Christ and St. George and the Dragon. Living among avant-garde artists in New York City, where he briefly had a studio on Rivington Street, and in Provincetown, Massachusetts, he was at odds with the prevalent Pop and Op art style of the time. He was also rebellious in that he... Read full biography
Bob (Robert Louis) Thompson - Artist Info
About Bob (Robert Louis) Thompson: Books
Books & Publications (25)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Bob Thompson
1998
Golden, Thelma
200 pages (color)
Collecting African American Art Works on Paper and Canvas
1998
Taha, Halima
270 pages (color)
Black Art and Culture in the 20th Century
1997
Powell, Richard J
256 pages (color)
Greenville County Museum of Art The Southern Collection
1995
Severens, Martha R
289 pages (color)
African American Art (Exhibition catalog)
1994
San Antonio Museum of Art
67 pages (color)
Free Within Ourselves: African-American Artists in the Collection of the National Museum of American Art
1993
Perry, Regina A
203 pages (color)
African American Artists 1880-1987 Selections from the Evans-Tibbs Collection
1989
McElroy, Guy C (others)
125 pages (color)
The Figurative Fifties New York Figurative Expressionism (Exhibition catalog)
1988
Schimmel, Paul
195 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Chicago, Museum of Contemporary Art Selections from Permanent Collection
1984
Chicago, Museum Contemporary
164 pages (color)
World Artists 1950-1980
1984
Marks, Claude
912 pages
The Figure in 20th Century American Art Metropolitan Museum of Art (Exhibition catalog)
1984
Sims, Lowery Stokes
167 pages (color)
American Figure Painting 1950-198 (Exhibition catalog)
1980
Styron, Thomas W
115 pages (color)
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
Art: African American
1978
Lewis, Samella
246 pages (color)
Perceptions of the Spirit in Twentieth-Century American Art (Exhibition catalog)