Born in Bronxville, New York, Brice Marden became a Minimalist painter of monochromatic appearing, non-objective canvases. He did undergraduate study at Boston University, earned a Master of Fine... Read full biography
Born in Bronxville, New York, Brice Marden became a Minimalist painter of monochromatic appearing, non-objective canvases. He did undergraduate study at Boston University, earned a Master of Fine Arts degree from Yale University and then moved to New York City in 1963 where, within a decade, he had... Read full biography
Born in Bronxville, New York, Brice Marden became a Minimalist painter of monochromatic appearing, non-objective canvases. He did undergraduate study at Boston University, earned a Master of Fine Arts degree from Yale University and then moved to New York City in 1963 where, within a decade, he had achieved international recognition. Before he was able to support himself financially with his artwork, he worked as a guard at the Jewish Museum and in 1966 as a studio assistant to Robert... Read full biography
Born in Bronxville, New York, Brice Marden became a Minimalist painter of monochromatic appearing, non-objective canvases. He did undergraduate study at Boston University, earned a Master of Fine Arts degree from Yale University and then moved to New York City in 1963 where, within a decade, he had achieved international recognition. Before he was able to support himself financially with his artwork, he worked as a guard at the Jewish Museum and in 1966 as a studio assistant to Robert Rauschenberg. In 2001, he established a studio and townhouse home in Greenwich Village. Although he considers New York City his base, he also has established studios from which he regularly works in Eagles Mere, Pennsylvania in 1991 and Tivoli, New York in... Read full biography
Born in Bronxville, New York, Brice Marden became a Minimalist painter of monochromatic appearing, non-objective canvases. He did undergraduate study at Boston University, earned a Master of Fine Arts degree from Yale University and then moved to New York City in 1963 where, within a decade, he had achieved international recognition. Before he was able to support himself financially with his artwork, he worked as a guard at the Jewish Museum and in 1966 as a studio assistant to Robert Rauschenberg. In 2001, he established a studio and townhouse home in Greenwich Village. Although he considers New York City his base, he also has established studios from which he regularly works in Eagles Mere, Pennsylvania in 1991 and Tivoli, New York in 2002, and the Greek island of Hydra from 1971. His first solo exhibition was in 1966 at Klaus K... Read full biography
Brice Marden - Artist Info
About Brice Marden: Books
Books & Publications (94)
Publications based on askART research. List may not be comprehensive.
San Francisco Museum of Modern Art 360 Views on the Collection (Exhibition catalog)
2016
Block, Judy and Suzanne Stein, Editors
360 pages (color)
Plane Image: A Brice Marden Retrospective (Exhibition catalog)
2006
Garrels, Gary and Brenda Richardson
330 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Art Enterprises: Selections from the Collection
2000
Skold, Stacey (compiler)
195 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Brice Marden Drawings: The Whitney Museum
1999
Lee, Janie C
84 pages (color)
Artists at Work Inside the Studios of Today's Most Celebrated Artists
1999
Seidner, David
0 pages
American Visions The Epic History of Art in America
1997
Hughes, Robert
635 pages (color)
Addison Gallery of American Art 65 Years A Selective Catalogue (Exhibition catalog)
1996
Addison Gallery
512 pages (color)
Accents on Artists A fact-filled pronunciation guide. Over 800 artist’s names you should know…
1996
Barbara and Peter Toohil
363 pages (color)
Ink, Paper, Metal, Wood Painters and Sculptors at Crown Point Press
1996
Brown, Kathan
287 pages (color)
Hirshhorn Museum and Sculpture Garden 195 Works of Art
1996
Demetrion, James T (Introduction)
166 pages (color)
True Colors The Real Life of the Art World
1996
Haden-Guest, Anthony
344 pages (color)
American Images/The SBC Collection of 20th Century American Art
1996
Hopps, Walter (others)
320 pages (color)
The Fate of a Gesture Jackson Pollock and Postwar American Art
1996
Ratcliff, Carter
352 pages (color)
Drawing the Line Reappraising Drawing Past and Present (Exhibition catalog)
1995
Craig-Martin, Michael
108 pages (color)
Art Since 1940 Strategies of Being
1995
Fineberg, Jonathan
496 pages (color)
The Paine Webber Art Collection
1995
Flam, Jack; Donald Marron
304 pages (color)
Views from Abroad European Perspectives on American Art (Exhibition catalog)
1995
Fuchs, Rudi/Adam D Weinberg
127 pages (color)
Hallmark Art Collections 1995 Acquisitions
1995
Hallmark Cards
10 pages
Printmaking in America Collaborative Prints and Presses 1960-1990
1995
Hansen, Trudy (others)
248 pages (color)
Art Today
1995
Lucie-Smith, Edward
512 pages (color)
The Mystical Now Art and the Sacred
1993
Beckett, Wendy
160 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
American Art in the 20th Century Painting and Sculpture 1913-1993 (Exhibition catalog)
1993
Joachimides, Christos (others)
490 pages (color)
American Artists In Their New York Studios
1992
Gotz, Stephan
175 pages (color)
Brice Marden Paintings and Drawings
1992
Kertess, Klaus
239 pages (color)
Allegories of Modernism Contemporary Drawing (Exhibition catalog)
1992
Rose, Bernice
128 pages (color)
Explorations The Visual Arts since 1945
1991
Hoffman, Katherine
400 pages (color)
Von der Avantgarde bis zur Postmoderne/die Malerei des 20 Jahrhunderts
1991
Murken, Axel/Christa Murken
358 pages (color)
Devil on the Stairs Looking Back on the Eighties (Exhibition catalog)
1991
Storr, Robert/J Tannenbaum
96 pages (color)
Art Since Mid Century 1945 to the Present
1991
Wheeler, Daniel
344 pages (color)
Affinities and Intuitions Gerald S Elliott Collection of Contemporary Art
1990
Benezra, Neal (editor)
312 pages (color)
Amerikanische Zeichnungen in den achtziger Jahren (Exhibition catalog)
1990
Smith, Roberta
190 pages
Art in Place Fifteen Years of Acquisition (Exhibition catalog)
1989
Armstrong, Tom/Susan C Larsen
230 pages (color)
Reported Sightings Art Chronicles
1989
Ashbery, John
419 pages (color)
Abstraction, Geometry, Painting Geometric Abstract Painting in America since 1945 (Exhibition catalog)
1989
Auping, Michael
232 pages (color)
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
Minimalism Art of Circumstance
1988
Baker, Kenneth
144 pages (color)
A Concise History of Modern Painting
1988
Read, Herbert
418 pages (color)
American Art of the 1960s
1988
Sandler, Irving
412 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Albright-Knox Art Gallery Painting and Sculpture/Acquisitions since 1972
1987
Krane, Susan
379 pages (color)
The New Image Painting in the 1980s
1986
Godfrey, Tony
159 pages (color)
An American Renaissance Painting and Sculpture Since 1940 (Exhibition catalog)
1986
Hunter, Sam
269 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
50 New York Artists
1986
Marshall, Richard
118 pages (color)
American Drawings and Watercolors In The Museum of Art, Carnegie Institute (Exhibition catalog)
1985
Adams, Henry; John Caldwell, John Lane et all
314 pages (color)
Cinquante Ans de Dessins Americai 1930-1980 (Exhibition catalog)
1985
Ecole Nationale/Beaux-Arts
290 pages (color)
American Artists: An Illustrated Survey of Leading Contemporary Americans
1985
Krantz, Les
347 pages (color)
American Art Now
1985
Lucie-Smith, Edward
160 pages (color)
The Art Dealers The Powers Behind the Scenes Tell How
1984
DeCoppet, Laura/Alan Jones
320 pages
The Museum of Modern Art, New York The History and the Collection
1984
Hunter, Sam
599 pages (color)
Art of Our Time The Saatchi Collection (4 Vols)
1984
Lund Humphries
700 pages (color)
American Art Since 1970, Painting, Sculpture and Drawing Whitney Museum of American Art (Exhibition catalog)
1984
Marshall, Richard
124 pages
Eye to Eye Twenty Years of Art Criticism
1984
Pincus-Witten, Robert
232 pages
The Pluralist Era: American Art 1968-1981
1984
Robins, Corrine
246 pages (color)
Art at Work The Chase Manhattan Collection
1984
Severinghaus, J Walter
333 pages (color)
The First Show (1940-1980) Painting and Sculpture from Eight Collections (Exhibition catalog)