BURGOYNE DILLER (1906-1965). Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art... Read full biography
BURGOYNE DILLER (1906-1965). Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and... Read full biography
BURGOYNE DILLER (1906-1965). Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle... Read full biography
BURGOYNE DILLER (1906-1965). Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was... Read full biography
BURGOYNE DILLER (1906-1965). Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s. Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume.... Read full biography
Burgoyne A Diller - Artist Info
About Burgoyne A Diller: Books
Books & Publications (85)
Publications based on askART research. List may not be comprehensive.
Order and Intuition American Abstraction From The Patty & Jay Baker Naples Museum of Art, 1913-1954 (Exhibition catalog)
2008
Berman, Avis (Hollis Taggart Galleries)
120 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Two Hundred Years of American Watercolors, Pastels and Drawings (Exhibition catalog)
2001
Peters, Lisa
111 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
Hirshhorn Museum and Sculpture Garden 195 Works of Art
1996
Demetrion, James T (Introduction)
166 pages (color)
American Images/The SBC Collection of 20th Century American Art
1996
Hopps, Walter (others)
320 pages (color)
Art Since 1940 Strategies of Being
1995
Fineberg, Jonathan
496 pages (color)
Theme & Improvisation Kandinsky & the American Avant-Garde (Exhibition catalog)
1992
Levin, Gail/Marianne Lorenz
236 pages
American Paintings and Sculpture to 1945 in the Carnegie Museum of Art
1992
Strazdes, Diana
511 pages (color)
Cleveland Museum of Art Handbook (of the Collection)
1991
Cleveland Museum of Art
161 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Art in Place Fifteen Years of Acquisition (Exhibition catalog)
1989
Armstrong, Tom/Susan C Larsen
230 pages (color)
Abstraction, Geometry, Painting Geometric Abstract Painting in America since 1945 (Exhibition catalog)
1989
Auping, Michael
232 pages (color)
Leon Polk Smith (Exhibition catalog)
1989
Monery, Jean-Paul
126 pages (color)
Constructive Concepts:A History Constructive Art from Cubism to the Present
1989
Rotzler, Willy
332 pages (color)
The American Painting Collection of the Sheldon Memorial Art Gallery
1988
Geske, Norman and Karen O. Janovy
376 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
20th Century Drawings from the Whitney Museum of American Art
1987
Cummings, Paul
176 pages (color)
50 Years Ago: WPA/AAA
1986
Editor, Washburn Gallery
32 pages (color)
American Painting: The Twentieth Century (Second edition)
1986
Rose, Barbara
170 pages (color)
American Drawings and Watercolors In The Museum of Art, Carnegie Institute (Exhibition catalog)
1985
Adams, Henry; John Caldwell, John Lane et all
314 pages (color)
Twentieth Century Artists on Art
1985
Ashton, Dore (Editor)
302 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
American Painting and Sculpture A Concise History
1984
Baigell, Mathew
420 pages
World Artists 1950-1980
1984
Marks, Claude
912 pages
100 Masterpieces of American Painting from Public Collections Washington D C
1983
Brown, Milton W
240 pages (color)
Tradition and Innovation in New Deal Art
1983
Contreras, Belasario R
253 pages
How New York Stole the Idea of Modern Art
1983
Guilbaut, Serge
277 pages
Abstract Painting and Sculpture in America 1927-1944 (Exhibition catalog)
1983
Lane, John R and Susan Larsen
256 pages (color)
American Art Since 1945
1982
Ashton, Dore
224 pages (color)
The Americans/The Collage (Exhibition catalog)
1982
Contemporary Arts Museum
143 pages (color)
American Paintings at Yale University: An illustrated Checklist (Exhibition catalog)