Born in Quincy, Massachusetts, Carl Andre became a leading sculptor of Minimalism, known for his geometric floor-piece installations conceived with a strong sense of uniformity of shapes and the... Read full biography
Born in Quincy, Massachusetts, Carl Andre became a leading sculptor of Minimalism, known for his geometric floor-piece installations conceived with a strong sense of uniformity of shapes and the subsequent interaction with their environments and with each other. It was a vast departure from the... Read full biography
Born in Quincy, Massachusetts, Carl Andre became a leading sculptor of Minimalism, known for his geometric floor-piece installations conceived with a strong sense of uniformity of shapes and the subsequent interaction with their environments and with each other. It was a vast departure from the emotive work of the Abstract Expressionists who were all dominant in New York when he began his career. He attended Philips Andover Academy in Andover, Massachusetts, where he studied art with Patrick... Read full biography
Born in Quincy, Massachusetts, Carl Andre became a leading sculptor of Minimalism, known for his geometric floor-piece installations conceived with a strong sense of uniformity of shapes and the subsequent interaction with their environments and with each other. It was a vast departure from the emotive work of the Abstract Expressionists who were all dominant in New York when he began his career. He attended Philips Andover Academy in Andover, Massachusetts, where he studied art with Patrick Morgan, a student of Hans Hofmann, one of Abstract Expressionism's chief exponents. Andre also attended Kenyon College in Ohio, traveled in Europe, enlisted in the Army, and then moved to New York City where Patrick Morgan introduced him to the... Read full biography
Born in Quincy, Massachusetts, Carl Andre became a leading sculptor of Minimalism, known for his geometric floor-piece installations conceived with a strong sense of uniformity of shapes and the subsequent interaction with their environments and with each other. It was a vast departure from the emotive work of the Abstract Expressionists who were all dominant in New York when he began his career. He attended Philips Andover Academy in Andover, Massachusetts, where he studied art with Patrick Morgan, a student of Hans Hofmann, one of Abstract Expressionism's chief exponents. Andre also attended Kenyon College in Ohio, traveled in Europe, enlisted in the Army, and then moved to New York City where Patrick Morgan introduced him to the contemporary art scene and where he shared a studio with Minimalist Frank Stella who encouraged his geometric creative instincts. Andre... Read full biography
Carl Andre - Artist Info
About Carl Andre: Books
Books & Publications (99)
Publications based on askART research. List may not be comprehensive.
The Last Art College: Nova Scotia College of Art and Design, 1968-1978
2012
Kennedy, Garry Neill
455 pages (color)
Radical Gestures: Feminism and Performance Art in North America
2006
Wark, Jayne
285 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Sculpture From the Sheldon Memorial Art Gallery
2005
Janovy, Karen O. (Editor); David Cateforis (Intro)
246 pages (color)
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Minimalism: Art and Polemics in the Sixties
2001
Meyer, James
340 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Visions The Epic History of Art in America
1997
Hughes, Robert
635 pages (color)
Who's Who in American Art, 1997-1998
1997
Marquis Who's Who
1,515 pages
Addison Gallery of American Art 65 Years A Selective Catalogue (Exhibition catalog)
1996
Addison Gallery
512 pages (color)
Accents on Artists A fact-filled pronunciation guide. Over 800 artist’s names you should know…
1996
Barbara and Peter Toohil
363 pages (color)
Investigating Modern Art
1996
Dawtry, Liz (others)
185 pages (color)
True Colors The Real Life of the Art World
1996
Haden-Guest, Anthony
344 pages (color)
Carl Andre Sculptor 1996
1996
Meyer-Herman, Eva
285 pages (color)
The Art Institute of Chicago Twentieth Century Painting and Sculpture
1996
Wood, James N/T Edelstein
160 pages (color)
Drawing the Line Reappraising Drawing Past and Present (Exhibition catalog)
1995
Craig-Martin, Michael
108 pages (color)
Art Since 1940 Strategies of Being
1995
Fineberg, Jonathan
496 pages (color)
Views from Abroad European Perspectives on American Art (Exhibition catalog)
1995
Fuchs, Rudi/Adam D Weinberg
127 pages (color)
Art Today
1995
Lucie-Smith, Edward
512 pages (color)
The Avant-Garde in Exhibition New Art in the 20th Century (Exhibition catalog)
1994
Altshuler, Bruce
288 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
American Art in the 20th Century Painting and Sculpture 1913-1993 (Exhibition catalog)
1993
Joachimides, Christos (others)
490 pages (color)
Dictionary of the Avant-Gardes
1993
Kostelanetz, Richard
246 pages
The Nelson-Atkins Museum of Art A Handbook of the Collection
1993
Ward, Roger and Patricia J Fidler (Compilers and Editors)
414 pages (color)
Contemporary Art 1965-1990
1992
Kurtz, Bruce D
256 pages (color)
Modernism in Dispute Art Since the Forties
1992
Wood, Paul (others)
267 pages (color)
Explorations The Visual Arts since 1945
1991
Hoffman, Katherine
400 pages (color)
Breakthroughs Avant-Garde Artists in Europe & America 1950-1990
1991
Wexner Center, Ohio State U
310 pages (color)
Art Since Mid Century 1945 to the Present
1991
Wheeler, Daniel
344 pages (color)
Affinities and Intuitions Gerald S Elliott Collection of Contemporary Art
1990
Benezra, Neal (editor)
312 pages (color)
The Trans Parent Thread Asian Philosophy in Recent American Art (Exhibition catalog)
1990
Gelburd, Gail/Geri De Paoli
124 pages (color)
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
Constructive Concepts:A History Constructive Art from Cubism to the Present
1989
Rotzler, Willy
332 pages (color)
Minimalism Art of Circumstance
1988
Baker, Kenneth
144 pages (color)
The Influence of Oriental Thought on Postwar American Painting and Sculpture
1988
Clarke, David J
410 pages
The American Collections Columbus Museum of Art
1988
Columbus Museum of Art
271 pages (color)
American Art of the 1960s
1988
Sandler, Irving
412 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Albright-Knox Art Gallery Painting and Sculpture/Acquisitions since 1972
1987
Krane, Susan
379 pages (color)
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
An American Renaissance Painting and Sculpture Since 1940 (Exhibition catalog)
1986
Hunter, Sam
269 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Definitive Statements: American Art 1964-66 Brown University Department of Art (Exhibition catalog)
1986
Plante, Michael; Christopher Campbell, Megan Fox, et all
181 pages
Forty Years of Modern Art 1945-19 (Exhibition catalog)
1986
Tate Gallery
120 pages (color)
Twentieth Century Artists on Art
1985
Ashton, Dore (Editor)
302 pages
American Artists: An Illustrated Survey of Leading Contemporary Americans
1985
Krantz, Les
347 pages (color)
American Art Now
1985
Lucie-Smith, Edward
160 pages (color)
Artwords Discourse on the 60s and 70s
1985
Siegel, Jeanne
235 pages
American Painting and Sculpture A Concise History
1984
Baigell, Mathew
420 pages
Dallas Museum of Art Selected Works
1984
Bromberg, Anne R
219 pages (color)
The Art Dealers The Powers Behind the Scenes Tell How
1984
DeCoppet, Laura/Alan Jones
320 pages
Blam, the Explosion of Pop, Minimalism and Performance 1958-1964 (Exhibition catalog)
1984
Haskell, Barbara
160 pages
The Museum of Modern Art, New York The History and the Collection
1984
Hunter, Sam
599 pages (color)
Movements in Art since 1945 New Revised Edition
1984
Lucie-Smith, Edward
288 pages (color)
Art of Our Time The Saatchi Collection (4 Vols)
1984
Lund Humphries
700 pages (color)
World Artists 1950-1980
1984
Marks, Claude
912 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
Eye to Eye Twenty Years of Art Criticism
1984
Pincus-Witten, Robert
232 pages
The Pluralist Era: American Art 1968-1981
1984
Robins, Corrine
246 pages (color)
Drawing in Air Sculptors' Drawing 1882-1982 (Exhibition catalog)
1983
Knipe, Tony (editor)
187 pages (color)
The First Show (1940-1980) Painting and Sculpture from Eight Collections (Exhibition catalog)
1983
Museum of Contemporary Art
293 pages (color)
American Art Since 1945
1982
Ashton, Dore
224 pages (color)
American Artists on Art from 1940 to 1980
1982
Johnson, Ellen H (editor)
274 pages
The Oxford Companion to Twentieth Century Art
1981
Osborne, Harold
656 pages (color)
The Britannica Encyclopedia of American Art
1981
Rugoff, Milton
669 pages (color)
The Guggenheim Museum Collection Handbook/ 1900-1980
1980
Barnett, Vivian Endicott
526 pages (color)
Printed Art: A View of Two Decades
1980
Castleman, Riva
144 pages (color)
Shock of the New: The Hundred Years History of American Art Its Rise, Dazzling Achievement, Its Fall
1980
Hughes, Robert
423 pages (color)
Urban Encounters Art, Architecture, Audience
1980
Institute of Contemporary Art
64 pages (color)
Dictionary of American Art
1979
Baigell, Mathew
390 pages
American Art Painting, Sculpture, Architecture, Decorative Arts
1979
Brown, Milton W (others)
616 pages (color)
Artists in Their Own Words Interviews by Paul Cumminggs
1979
Cummings, Paul
242 pages
American Drawing A Guide to Information Sources
1979
Doumato, Lamia
246 pages
Arts in America/A Bibliography Volume 1 (Sculpture, the West etc)
1979
Karpel, Bernard/Ruth Spiegel
730 pages
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
Grids Format and Image in 20th Century Art (Exhibition catalog)
1979
Krauss, Rosalind E
64 pages (color)
Art Since Pop
1978
Walker, John
110 pages (color)
American Sculpture A Guide to Information Sources
1977
Ekdahl, Janis
260 pages
American Art in Belgium (Exhibition catalog)
1977
Societe des Expositions
175 pages (color)
200 Years of American Sculpture (Exhibition catalog)
1976
Armstrong, Tom
336 pages (color)
SoHo, New York Downtown Mahhattan/Berliner Festwochen (Exhibition catalog)
1976
Block, Rene
431 pages
Beyond Modern Art
1976
Gottlieb, Carla
434 pages
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Modern Art and the Object A Century of Changing Values
1976
Johnson, Ellen H
240 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
One Hundred/An Exhibition to Celebrate the Centenial Year (Exhibition catalog)
1975
Smith College
83 pages
American Art in Upstate New York Drawings, Watercolors and Small Sculptures
1974
Buffalo Fine Arts Academy
80 pages
A Decade of Sculpture The 1960s
1974
Busch, Julia
236 pages (color)
American Art Third Quarter Century (Exhibition catalog)
1973
Van Der Marck, Jan
138 pages (color)
American Art of the 20th Century
1972
Hunter, Sam
487 pages (color)
Eroticism in Contemporary Art
1972
Kahmen, Volker
282 pages (color)
The De-definition of Art Action Art to Pop to Earthworks
1972
Rosenberg, Harold
256 pages
Icons and Images of the Sixties
1971
Calas, Nicolas and Elena
347 pages
American Artists of the 1960's School of Fine Arts, Centenial Exhibition (Exhibition catalog)