Charles Edward Chambers was a classical painter representative of the old school. His technique was impeccable, anatomy perfect, compositions compelling, and color harmonious. One could infer from... Read full biography
Charles Edward Chambers was a classical painter representative of the old school. His technique was impeccable, anatomy perfect, compositions compelling, and color harmonious. One could infer from his polish that he was a product of the French Academy, with years of classical training. Yet he was... Read full biography
Charles Edward Chambers was a classical painter representative of the old school. His technique was impeccable, anatomy perfect, compositions compelling, and color harmonious. One could infer from his polish that he was a product of the French Academy, with years of classical training. Yet he was born in Ottumwa, Iowa, in 1883; his training was at the Chicago Institute and in New York at the Art Students League with George Bridgman. In fact, one of his important teachers was Fanny Munsell, who... Read full biography
Charles Edward Chambers was a classical painter representative of the old school. His technique was impeccable, anatomy perfect, compositions compelling, and color harmonious. One could infer from his polish that he was a product of the French Academy, with years of classical training. Yet he was born in Ottumwa, Iowa, in 1883; his training was at the Chicago Institute and in New York at the Art Students League with George Bridgman. In fact, one of his important teachers was Fanny Munsell, who later became his wife. She was an accomplished illustrator in her own right as a contributor to Cosmopolitan, Woman's Home Companion, and other national magazines. Chambers clearly modeled his style and technique on hers. Unfortunately, her career... Read full biography
Charles Edward Chambers was a classical painter representative of the old school. His technique was impeccable, anatomy perfect, compositions compelling, and color harmonious. One could infer from his polish that he was a product of the French Academy, with years of classical training. Yet he was born in Ottumwa, Iowa, in 1883; his training was at the Chicago Institute and in New York at the Art Students League with George Bridgman. In fact, one of his important teachers was Fanny Munsell, who later became his wife. She was an accomplished illustrator in her own right as a contributor to Cosmopolitan, Woman's Home Companion, and other national magazines. Chambers clearly modeled his style and technique on hers. Unfortunately, her career was cut short by her early death in 1920, and now sadly almost forgotten. Some of Chambers' early professional illustrations... Read full biography
Charles Edward Chambers - Artist Info
About Charles Edward Chambers: Books
Books & Publications (18)
Publications based on askART research. List may not be comprehensive.
Salmagundi Club Painting Exhibition Records 1940-1951 and Water Color Exhibition Records 1900-1951
2009
Katlan, Alexander W.
623 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
The Illustrator in America, 1860-2000 The Society of Illustrators
2001
Reed, Walt
452 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
Covers of the Saturday Evening Post Seventy Years of Outstanding Illustration
1995
Cohn, Jan
298 pages (color)
American Illustrator Art Official Price Guide
1991
Gilbert Anne
1,991 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Wake Up, America World War I and the American Poster
1988
Rawls, Walton
288 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
The Illustrator in America, 1880-1980: A Century of Illustration
1984
Reed, Walt and Roger
355 pages (color)
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Art Inc, American Paintings from Corporate Collections Montgomery Museum of Fine Arts, Alabama (Exhibition catalog)