Conceptual/minimalist sculptor Christopher Wilmarth, known for works made from plate glass and steel, was born in Sonoma, California, in 1943. He died by his own hand at the age of forty-four in... Read full biography
Conceptual/minimalist sculptor Christopher Wilmarth, known for works made from plate glass and steel, was born in Sonoma, California, in 1943. He died by his own hand at the age of forty-four in Brooklyn, New York, in 1987. He had arrived in New York at age 17 and was enamored with the city's... Read full biography
Conceptual/minimalist sculptor Christopher Wilmarth, known for works made from plate glass and steel, was born in Sonoma, California, in 1943. He died by his own hand at the age of forty-four in Brooklyn, New York, in 1987. He had arrived in New York at age 17 and was enamored with the city's architecture. His ongoing inspiration and also frustration was trying to convey the sheer mass of the inner city and the movement of human beings through its labyrinthian streets. The artist started using... Read full biography
Conceptual/minimalist sculptor Christopher Wilmarth, known for works made from plate glass and steel, was born in Sonoma, California, in 1943. He died by his own hand at the age of forty-four in Brooklyn, New York, in 1987. He had arrived in New York at age 17 and was enamored with the city's architecture. His ongoing inspiration and also frustration was trying to convey the sheer mass of the inner city and the movement of human beings through its labyrinthian streets. The artist started using blown glass in the late 1970s. Wilmarth taught drawing and sculpture at Cooper Union, New York City, 1969-1980, where he had gained his Bachelor of Fine Arts degree in 1965. While at Cooper Union, he was a visiting artist at the University of... Read full biography
Conceptual/minimalist sculptor Christopher Wilmarth, known for works made from plate glass and steel, was born in Sonoma, California, in 1943. He died by his own hand at the age of forty-four in Brooklyn, New York, in 1987. He had arrived in New York at age 17 and was enamored with the city's architecture. His ongoing inspiration and also frustration was trying to convey the sheer mass of the inner city and the movement of human beings through its labyrinthian streets. The artist started using blown glass in the late 1970s. Wilmarth taught drawing and sculpture at Cooper Union, New York City, 1969-1980, where he had gained his Bachelor of Fine Arts degree in 1965. While at Cooper Union, he was a visiting artist at the University of California, Berkeley; Yale University, New Haven, Connecticut, 1971-1972; and Columbia University, New York City, 1976-1978. He became a professor of... Read full biography
Christopher Mallory Wilmarth - Artist Info
About Christopher Mallory Wilmarth: Books
Books & Publications (33)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Christopher Wilmarth Light and Gravity
2004
Madoff, Steven Henry
184 pages (color)
Phoenix Art Museum Collection Highlights
2002
Komanecky, Michael K. (editor)
352 pages (color)
Clement Greenburg: A Critic's Collection Portland Art Museum, Portland, Oregon (Exhibition catalog)
2001
Wilkin, Karen and Bruce Guenther
0 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Hirshhorn Museum and Sculpture Garden 195 Works of Art
1996
Demetrion, James T (Introduction)
166 pages (color)
Sculpture An Illustrated Catalogue (Exhibition catalog)
1994
National Gallery of Art
283 pages
The Annual & Biennial Exhibition Record of the Whitney Museum of Art (Whitney Museum of American Art, 1918-1989) (Exhibition catalog)
1991
Falk, Peter Hastings (Editor); Andrea Ansell Bien
468 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
The Trans Parent Thread Asian Philosophy in Recent American Art (Exhibition catalog)
1990
Gelburd, Gail/Geri De Paoli
124 pages (color)
Nothing If Not Critical Selected Essays on Art and Artists
1990
Hughes, Robert
429 pages
Art in Place Fifteen Years of Acquisition (Exhibition catalog)
1989
Armstrong, Tom/Susan C Larsen
230 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Albright-Knox Art Gallery Painting and Sculpture/Acquisitions since 1972
1987
Krane, Susan
379 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Art in the San Francisco Bay Area 1945-1980/An Illustrated History
1985
Albright, Thomas
349 pages (color)
Twentieth Century Artists on Art
1985
Ashton, Dore (Editor)
302 pages
San Francisco Museum of Modern Art Paintings and Sculpture Collection
1985
DuPont, Diana, K Holland
402 pages (color)
Modern Art at Harvard Formation of the 19th & 20th Cen Collections
1985
Jones, Caroline
144 pages (color)
The Revenge of the Philistines Art and Culture 1972-1984
1985
Kramer, Hilton
445 pages
American Artists: An Illustrated Survey of Leading Contemporary Americans
1985
Krantz, Les
347 pages (color)
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
American Art Since 1945
1982
Ashton, Dore
224 pages (color)
The Britannica Encyclopedia of American Art
1981
Rugoff, Milton
669 pages (color)
American Sculpture A Guide to Information Sources
1977
Ekdahl, Janis
260 pages
200 Years of American Sculpture (Exhibition catalog)
1976
Armstrong, Tom
336 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Who's Who in American Art, 1973
1973
Jaques Cattell Press
927 pages
The Albert Pilavin Collection Twentieth-Century American Art II (Exhibition catalog)