Clarence K. Chatterton, impressionist* painter and teacher was born in Newburgh, New York, September 19th, 1880. He studied at the New York School of Art* under Luis Mora, Robert Henri, Kenneth Hayes... Read full biography
Clarence K. Chatterton, impressionist* painter and teacher was born in Newburgh, New York, September 19th, 1880. He studied at the New York School of Art* under Luis Mora, Robert Henri, Kenneth Hayes Miller and William Merritt Chase. During his life he credited Robert Henri with having the greatest... Read full biography
Clarence K. Chatterton, impressionist* painter and teacher was born in Newburgh, New York, September 19th, 1880. He studied at the New York School of Art* under Luis Mora, Robert Henri, Kenneth Hayes Miller and William Merritt Chase. During his life he credited Robert Henri with having the greatest influence on his artistic career and one can clearly see similarities in their work of every-day scenes, straight forwardness, bold approach and strong color. Clarence Chatterton exhibited with... Read full biography
Clarence K. Chatterton, impressionist* painter and teacher was born in Newburgh, New York, September 19th, 1880. He studied at the New York School of Art* under Luis Mora, Robert Henri, Kenneth Hayes Miller and William Merritt Chase. During his life he credited Robert Henri with having the greatest influence on his artistic career and one can clearly see similarities in their work of every-day scenes, straight forwardness, bold approach and strong color. Clarence Chatterton exhibited with Henri's disciples at the MacDowell Club, one of a few exhibition spaces available to the "new" group of "rebellious" social realist* artists working at the turn of the century. Chatterton said of Henri: "Over and over again Henri would say that he cared... Read full biography
Clarence K. Chatterton, impressionist* painter and teacher was born in Newburgh, New York, September 19th, 1880. He studied at the New York School of Art* under Luis Mora, Robert Henri, Kenneth Hayes Miller and William Merritt Chase. During his life he credited Robert Henri with having the greatest influence on his artistic career and one can clearly see similarities in their work of every-day scenes, straight forwardness, bold approach and strong color. Clarence Chatterton exhibited with Henri's disciples at the MacDowell Club, one of a few exhibition spaces available to the "new" group of "rebellious" social realist* artists working at the turn of the century. Chatterton said of Henri: "Over and over again Henri would say that he cared nothing for the technical proficiency we had been taught by previous masters. To those of us who were technically clever, this... Read full biography
Clarence Chatterton - Artist Info
About Clarence Chatterton: Books
Books & Publications (25)
Publications based on askART research. List may not be comprehensive.
Salmagundi Club Painting Exhibition Records 1940-1951 and Water Color Exhibition Records 1900-1951
2009
Katlan, Alexander W.
623 pages
Caroline M. Bell and the Peconic Bay Impressionists
2006
Wallace, Terry
188 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
The Spirit of America: American Art from 1829 to 1970 (Exhibition catalog)
2002
Spanierman Gallery (Editor)
120 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Images/The SBC Collection of 20th Century American Art
1996
Hopps, Walter (others)
320 pages (color)
Monhegan: The Artists' Island
1995
Curtis, Jane and Will, Frank Lieberman, Carl Little (Foreward)
192 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The American Painting Collection of the Sheldon Memorial Art Gallery
1988
Geske, Norman and Karen O. Janovy
376 pages (color)
Impressionism and Post-Impressionism Transformations 1885-1945 (Exhibition catalog)
1988
Preato, Robert R.; Dr. Sandra L. Langer
104 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
The Society of Independent Artists Exhibition Record 1917-1944 (Exhibition catalog)
1984
Marlor, Clark S
600 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
American Paintings/Brooklyn Museum Complete Illustrated Listing of Works
1979
Brooklyn Museum
133 pages (color)
The Works of C K Chatterton
1970
Chapellier Galleries
48 pages
Survey of American Painting (Exhibition catalog)
1940
Carnegie Institute
320 pages
American Painting Today
1939
Watson, Forbes (essay)
179 pages (color)
First National Exhibition of American Art (Exhibition catalog)
1936
Breckinridge, Mrs. (essay)
32 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index