A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes... Read full biography
A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe,... Read full biography
A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and "New Testament" writings from the Bible. Some of these early paintings had nude figures rendered in Classical* style to express abstract themes... Read full biography
A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and "New Testament" writings from the Bible. Some of these early paintings had nude figures rendered in Classical* style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had Luminist* elements achieved with light-toned paints worked with transparent glazes. In the 1920s to earn money by gaining public... Read full biography
A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and "New Testament" writings from the Bible. Some of these early paintings had nude figures rendered in Classical* style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had Luminist* elements achieved with light-toned paints worked with transparent glazes. In the 1920s to earn money by gaining public favor and also expressing his increasing disdain for modernism, Buck did a number of hyperrealist* portraits, figures... Read full biography
Claude (Charles Claude) Buck - Artist Info
About Claude (Charles Claude) Buck: Books
Books & Publications (22)
Publications based on askART research. List may not be comprehensive.
Santa Cruz Art League Statewide Art Exhibition Index, First through Twenty-Seventh, 1928-1957 (Publications in California Art, No. 12)
2015
Moure, Nancy Dustin Wall
547 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Chicago Modern 1893-1945: Pursuit of the New (Exhibition catalog)
2004
Kennedy, Elizabeth (Editor)
176 pages (color)
Union League Club of Chicago Art Collection
2003
Richter, Marianne; Wendy Greenhouse (Essays)
308 pages (color)
Art for the New Collector 1840-2001 (Exhibition catalog)
2002
Spanierman Gallery
48 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Lauren Rogers Museum of Art Handbook of the Collections
1989
Lauren Rogers Museum of Art
198 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
The Society of Independent Artists Exhibition Record 1917-1944 (Exhibition catalog)
1984
Marlor, Clark S
600 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
American Imagination and Symbolist Painting (Exhibition catalog)
1979
Eldredge, Charles C
176 pages (color)
Role and Impact: The Chicago Society of Artists
1979
Yochim, Louise Dunn
297 pages
Currents of Expansion Painting in the Midwest, 1820-1940 (Exhibition catalog)
1977
Barter, Judith; Lynn E Springer
189 pages
Catalogue: Annual Exhibition John H. Vanderpoel Art Association (By Contributors to the Collection) (Exhibition catalog)
1940
Klug, William L (Introductory Essay)
64 pages
Sanity in Art
1937
Logan, Josephine Hancock
127 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
A Century of Progress Exhibition of Paintings & Sculpture, Art Institute of Chicago (Exhibition catalog)