A painter whose landscape and genre paintings reflected his childhood near Cos Cob, Connecticut, Daniel Brinley remained active in his native state where he was one of the key figures of the... Read full biography
A painter whose landscape and genre paintings reflected his childhood near Cos Cob, Connecticut, Daniel Brinley remained active in his native state where he was one of the key figures of the Silvermine Guild of Artists. His childhood home was at Riverside, just across the Mianus River from Cos Cob.... Read full biography
A painter whose landscape and genre paintings reflected his childhood near Cos Cob, Connecticut, Daniel Brinley remained active in his native state where he was one of the key figures of the Silvermine Guild of Artists. His childhood home was at Riverside, just across the Mianus River from Cos Cob. For much of his life, he was closely associated with modernists, but his style was a combination of Realism and Modernism. He was much influenced by the Armory Show of 1912, when avant-garde art from... Read full biography
A painter whose landscape and genre paintings reflected his childhood near Cos Cob, Connecticut, Daniel Brinley remained active in his native state where he was one of the key figures of the Silvermine Guild of Artists. His childhood home was at Riverside, just across the Mianus River from Cos Cob. For much of his life, he was closely associated with modernists, but his style was a combination of Realism and Modernism. He was much influenced by the Armory Show of 1912, when avant-garde art from Europe was introduced in the United States. From that time, the color of his paintings was intensified, forms flattened, and compositions were tighter. He studied at the Art Students League from 1900 to 1902 with John Twachtman, Bryson Burroughs,... Read full biography
A painter whose landscape and genre paintings reflected his childhood near Cos Cob, Connecticut, Daniel Brinley remained active in his native state where he was one of the key figures of the Silvermine Guild of Artists. His childhood home was at Riverside, just across the Mianus River from Cos Cob. For much of his life, he was closely associated with modernists, but his style was a combination of Realism and Modernism. He was much influenced by the Armory Show of 1912, when avant-garde art from Europe was introduced in the United States. From that time, the color of his paintings was intensified, forms flattened, and compositions were tighter. He studied at the Art Students League from 1900 to 1902 with John Twachtman, Bryson Burroughs, Kenyon Cox, and H. Siddons Mowbray and then went to Europe in 1904 for additional training. In Paris, he became involved with modernis... Read full biography
Daniel Brinley - Artist Info
About Daniel Brinley: Books
Books & Publications (29)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Artists of the Litchfield Hills (Exhibition catalog)
2003
Austin, Robert Michael
132 pages (color)
The Cos Cob Art Colony Impressionists on the Connecticut Shore
2001
Larkin, Susan G.
246 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
American Art Colonies 1850-1930 A Guide to Original Art Colonies and Their Artists
1996
Shipp, Steve
159 pages
Master Index 1971-1993 Artists in Southwest Art
1993
Southwest Art
64 pages
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Depression Post Office Murals and Southern Culture/A Gentle Reconstruction
1989
Beckham, Sue Bidwell
338 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Americans in the Arts 1890-1920
1985
Huneker, James G/Arnold Schwab
672 pages
The Society of Independent Artists Exhibition Record 1917-1944 (Exhibition catalog)
1984
Marlor, Clark S
600 pages
Impressionist and Mural Painter
1983
Loder, Elizabeth M
0 pages (color)
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Connecticut and American Impressionism (William Benton Museum of Art) (Exhibition catalog)
1980
Spencer, Harold; Susan Larkin, Jeffrey Andersen (Essays)
184 pages (color)
The Illustrated Biographical Encyclopedia of Artists of the American West
1976
Samuels, Peggy and Harold
549 pages
The Armory Show International Exhibition of Art 1913 (Exhibition catalog)
1972
Karpel, Bernard/Walt Kuhn
286 pages
The Story of the Armory Show (Exhibition catalog)
1963
Brown, Milton W
320 pages
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
Omaha Society of Fine Arts Exhibition of Paintings and Sculpture (Exhibition catalog)
1925
Editor, OSFA
4 pages
First Exhibition of the Society o The National Society of Mural Painters (Exhibition catalog)
1925
Magonigle, H. Van Buren
8 pages
Panama-Pacific Exposition: Catalogue of the Post-Exposition Exhibit