David Hammons was born in 1943 in Springfield, Illinois. An African-American, he is a conceptual installation artist using his found-object media as a platform for Dadaist social commentary,... Read full biography
David Hammons was born in 1943 in Springfield, Illinois. An African-American, he is a conceptual installation artist using his found-object media as a platform for Dadaist social commentary, primarily on racial themes. Hammons places himself as an artist between Arte Povera and Marcel Duchamp. He... Read full biography
David Hammons was born in 1943 in Springfield, Illinois. An African-American, he is a conceptual installation artist using his found-object media as a platform for Dadaist social commentary, primarily on racial themes. Hammons places himself as an artist between Arte Povera and Marcel Duchamp. He has risen to prominence while at the same time consciously avoiding the attention of critics, galleries, and museums, preferring to do things in the street. Although he studied art in Los Angeles at... Read full biography
David Hammons was born in 1943 in Springfield, Illinois. An African-American, he is a conceptual installation artist using his found-object media as a platform for Dadaist social commentary, primarily on racial themes. Hammons places himself as an artist between Arte Povera and Marcel Duchamp. He has risen to prominence while at the same time consciously avoiding the attention of critics, galleries, and museums, preferring to do things in the street. Although he studied art in Los Angeles at the Chouinard Art Institute and Otis Art Institute, and, in New York City at the Parson's School of Design, he has stated, "I can't stand art actually. I've never, ever liked art, ever. I never took it in school.". Hammons' Basketball Drawing, 2001,... Read full biography
David Hammons was born in 1943 in Springfield, Illinois. An African-American, he is a conceptual installation artist using his found-object media as a platform for Dadaist social commentary, primarily on racial themes. Hammons places himself as an artist between Arte Povera and Marcel Duchamp. He has risen to prominence while at the same time consciously avoiding the attention of critics, galleries, and museums, preferring to do things in the street. Although he studied art in Los Angeles at the Chouinard Art Institute and Otis Art Institute, and, in New York City at the Parson's School of Design, he has stated, "I can't stand art actually. I've never, ever liked art, ever. I never took it in school.". Hammons' Basketball Drawing, 2001, 116 x 46 x 12, in the Collection of the Albright-Knox Art Gallery, features a framed and matted sheet of paper ten feet high... Read full biography
David Hammons - Artist Info
About David Hammons: Books
Books & Publications (18)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Who's Who in American Art, 1997-1998
1997
Marquis Who's Who
1,515 pages
Black Art and Culture in the 20th Century
1997
Powell, Richard J
256 pages (color)
Art of the Postmodern Era From the Late 1960s to the Early 1990s
1996
Sandler, Irving
636 pages (color)
Old Glory The American Flag in Contemporary Art (Exhibition catalog)
1994
Rubin, David S
64 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
American Art in the 20th Century Painting and Sculpture 1913-1993 (Exhibition catalog)
1993
Joachimides, Christos (others)
490 pages (color)
Devil on the Stairs Looking Back on the Eighties (Exhibition catalog)
1991
Storr, Robert/J Tannenbaum
96 pages (color)
Mixed Blessings New Art in a Multicultural America
1990
Lippard, Lucy R
279 pages (color)
Commited to Print (Exhibition catalog)
1988
Wye, Deborah
120 pages
Critical Vision/A Historyof Social and Political Art in the U S
1982
Von Blum, Paul
165 pages
Los Angeles Prints 1883-1980 (Exhibition catalog)
1980
Feinblatt, Ebria/Bruce Davis
111 pages
Afro-American Artists: A Bio-Bibliographical Directory