Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the... Read full biography
Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional... Read full biography
Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term "minimalism". Nevertheless, he is generally considered the leading international exponent of "minimalism," and... Read full biography
Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term "minimalism". Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects" (1964). Judd was born in Excelsior Springs, Missouri. He served in the Army from 1946 to 1947 as an engineer and in 1948 began his studies in philosophy at the... Read full biography
Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term "minimalism". Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects" (1964). Judd was born in Excelsior Springs, Missouri. He served in the Army from 1946 to 1947 as an engineer and in 1948 began his studies in philosophy at the College of William and Mary, later transferring to Columbia University School of General Studies. At Columbia, he earned a degree in philosophy and wo... Read full biography
Donald Clarence Judd - Artist Info
About Donald Clarence Judd: Books
Books & Publications (145)
Publications based on askART research. List may not be comprehensive.
San Francisco Museum of Modern Art 360 Views on the Collection (Exhibition catalog)
2016
Block, Judy and Suzanne Stein, Editors
360 pages (color)
The Last Art College: Nova Scotia College of Art and Design, 1968-1978
2012
Kennedy, Garry Neill
455 pages (color)
Radical Gestures: Feminism and Performance Art in North America
2006
Wark, Jayne
285 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Sculpture From the Sheldon Memorial Art Gallery
2005
Janovy, Karen O. (Editor); David Cateforis (Intro)
246 pages (color)
Complete Writings 1959-1975: Gallery Reviews, Articles, Letters to the Editor,
2005
Judd, Donald
229 pages
Isaacs Seen: 50 Years on the Art Front, a Gallery Scrapbook
2005
Wigmore, Donnalu and John Parry
168 pages (color)
An American Odyssey 1945/1980 Debating Modernism
2004
Foster, Stephen et. al
411 pages (color)
Donald Judd (Exhibition catalog)
2004
Serota, Nicholas
286 pages (color)
Space Vehicles: Allusion Objectified (McClain Gallery, Houston, Texas) (Exhibition catalog)
2003
Eckart, Christian and Melissa Brookhart Beyer
16 pages (color)
Dia: The Collection in Beacon
2003
M. Govan, L. Cooke
288 pages (color)
Writers on Artists
2001
Byatt, A.S. (foreward)
352 pages (color)
What You Say is What You See
2001
Meyer, James
340 pages (color)
Minimalism: Art and Polemics in the Sixties
2001
Meyer, James
340 pages
Masterworks of American Painting and Sculpture from Smith College Museum
1999
Editor, Smith College Museum
307 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
American Visions The Epic History of Art in America
1997
Hughes, Robert
635 pages (color)
Visual Arts in the 20th Century
1997
Lucie-Smith, Edward
400 pages (color)
Addison Gallery of American Art 65 Years A Selective Catalogue (Exhibition catalog)
1996
Addison Gallery
512 pages (color)
Accents on Artists A fact-filled pronunciation guide. Over 800 artist’s names you should know…
1996
Barbara and Peter Toohil
363 pages (color)
Investigating Modern Art
1996
Dawtry, Liz (others)
185 pages (color)
The Dakis Joannou Collection
1996
Deitch, Jeffrey
302 pages (color)
Hirshhorn Museum and Sculpture Garden 195 Works of Art
1996
Demetrion, James T (Introduction)
166 pages (color)
True Colors The Real Life of the Art World
1996
Haden-Guest, Anthony
344 pages (color)
The Fate of a Gesture Jackson Pollock and Postwar American Art
1996
Ratcliff, Carter
352 pages (color)
Drawing the Line Reappraising Drawing Past and Present (Exhibition catalog)
1995
Craig-Martin, Michael
108 pages (color)
Art Since 1940 Strategies of Being
1995
Fineberg, Jonathan
496 pages (color)
The Paine Webber Art Collection
1995
Flam, Jack; Donald Marron
304 pages (color)
Views from Abroad European Perspectives on American Art (Exhibition catalog)
1995
Fuchs, Rudi/Adam D Weinberg
127 pages (color)
Printmaking in America Collaborative Prints and Presses 1960-1990
1995
Hansen, Trudy (others)
248 pages (color)
History of Art: A Survey of the Major Visual Arts From the Dawn of History to the Present Day
1995
Janson, H W; Dora Jane Janson
960 pages (color)
Art Today
1995
Lucie-Smith, Edward
512 pages (color)
The Avant-Garde in Exhibition New Art in the 20th Century (Exhibition catalog)
1994
Altshuler, Bruce
288 pages (color)
American Art History and Culture
1994
Craven, Wayne
687 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
American Art in the 20th Century Painting and Sculpture 1913-1993 (Exhibition catalog)
1993
Joachimides, Christos (others)
490 pages (color)
Dictionary of the Avant-Gardes
1993
Kostelanetz, Richard
246 pages
The Nelson-Atkins Museum of Art A Handbook of the Collection
1993
Ward, Roger and Patricia J Fidler (Compilers and Editors)
414 pages (color)
A Nation's Legacy 150 Years of American Art from Ohio Collections (Exhibition catalog)
1992
Columbus Museum of Art
198 pages (color)
Contemporary Art 1965-1990
1992
Kurtz, Bruce D
256 pages (color)
Art in the Age of Aquarius, 1955-1970
1992
Seitz, William C
250 pages (color)
Modernism in Dispute Art Since the Forties
1992
Wood, Paul (others)
267 pages (color)
Cleveland Museum of Art Handbook (of the Collection)
1991
Cleveland Museum of Art
161 pages
Power:Its Myths and Mores in American Art 1961-1991 (Exhibition catalog)
1991
Day, Holliday T
159 pages (color)
Explorations The Visual Arts since 1945
1991
Hoffman, Katherine
400 pages (color)
Breakthroughs Avant-Garde Artists in Europe & America 1950-1990
1991
Wexner Center, Ohio State U
310 pages (color)
Art Since Mid Century 1945 to the Present
1991
Wheeler, Daniel
344 pages (color)
Affinities and Intuitions Gerald S Elliott Collection of Contemporary Art
1990
Benezra, Neal (editor)
312 pages (color)
Art in Place Fifteen Years of Acquisition (Exhibition catalog)
1989
Armstrong, Tom/Susan C Larsen
230 pages (color)
The Story of Modern Art
1989
Lynton, Norbert
400 pages (color)
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
Constructive Concepts:A History Constructive Art from Cubism to the Present
1989
Rotzler, Willy
332 pages (color)
Minimalism Art of Circumstance
1988
Baker, Kenneth
144 pages (color)
Donald Judd (Exhibition catalog)
1988
Haskell, Barbara
160 pages (color)
Autocritique Essays on Art and Anti-Art
1988
Rose, Barbara
293 pages
American Art of the 1960s
1988
Sandler, Irving
412 pages (color)
Transformation of the Avant-Garde The New York Art World 1940-1985
1987
Crane, Diana
194 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Varieties of Visual Experience (3rd edition)
1987
Feldman, Edmund Burke
528 pages (color)
The Empire State Collection Art for the Public
1987
Sandler, Irving
214 pages (color)
125 Masterpieces: From the Collection of Albright-Knox