Donna Howell-Sickles' subject of empowered cowgirl figures dates back to 1972 when she stumbled across a 1950s hand-tinted postcard. It featured a waving cowgirl and under it was the inscription:... Read full biography
Donna Howell-Sickles' subject of empowered cowgirl figures dates back to 1972 when she stumbled across a 1950s hand-tinted postcard. It featured a waving cowgirl and under it was the inscription: "Greetings for a Real Cowgirl of the Southwest." The notion of a woman sitting atop her horse in period... Read full biography
Donna Howell-Sickles' subject of empowered cowgirl figures dates back to 1972 when she stumbled across a 1950s hand-tinted postcard. It featured a waving cowgirl and under it was the inscription: "Greetings for a Real Cowgirl of the Southwest." The notion of a woman sitting atop her horse in period costume appealed to the artist. "But back then I didn't think they were real cowgirls," say Howell-Sickles. "At least none who might look like the one on my postcard. The real/unreal aspect is what I... Read full biography
Donna Howell-Sickles' subject of empowered cowgirl figures dates back to 1972 when she stumbled across a 1950s hand-tinted postcard. It featured a waving cowgirl and under it was the inscription: "Greetings for a Real Cowgirl of the Southwest." The notion of a woman sitting atop her horse in period costume appealed to the artist. "But back then I didn't think they were real cowgirls," say Howell-Sickles. "At least none who might look like the one on my postcard. The real/unreal aspect is what I liked. When I started I never gave the women faces. They had mouth, bright red mouths that were a touch off to the side. It was if you had caught a glimpse of something frozen in time. My intent was to create a generalized western persona, rather... Read full biography
Donna Howell-Sickles' subject of empowered cowgirl figures dates back to 1972 when she stumbled across a 1950s hand-tinted postcard. It featured a waving cowgirl and under it was the inscription: "Greetings for a Real Cowgirl of the Southwest." The notion of a woman sitting atop her horse in period costume appealed to the artist. "But back then I didn't think they were real cowgirls," say Howell-Sickles. "At least none who might look like the one on my postcard. The real/unreal aspect is what I liked. When I started I never gave the women faces. They had mouth, bright red mouths that were a touch off to the side. It was if you had caught a glimpse of something frozen in time. My intent was to create a generalized western persona, rather than a specific personality.". The character type, Howell-Sickles learned, was real back in the 1910s and 1920s a... Read full biography
Donna Howell-Sickles - Artist Info
About Donna Howell-Sickles: Books
Books & Publications (14)
Publications based on askART research. List may not be comprehensive.
Cowgirl Up! Art from the Other Half of the West Desert Caballeros Western Museum Exhibition (Exhibition catalog)
2006
McGarry, Susan Hallsten (Essay)
68 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
The Trail of Painted Ponies: Santa Fe, New Mexico
2002
Sais, Melissa (Essay)
100 pages (color)
Art of the West Guidebook of Western Artists 2001 Edition
2001
Editors, Art of the West
88 pages (color)
Leading the West One Hundred Contemporary Painters & Sculptors
1997
Hagerty, Donald J
213 pages (color)
Prix de West Invitational 1997 (Exhibition catalog)
1997
National Cowboy Hall of Fame
194 pages (color)
Reflections of Women Artists
1997
O'Sullivan, Michael B M.D.
39 pages (color)
Red Book Price Guide-1997 Western American Art
1997
Southwest Art
128 pages
Cowgirl Rising The Art of Donna Howell-Sickels
1997
Streep, Peg
128 pages (color)
Buffalo Bill Art Show and Sale1996 (Exhibition catalog)
1996
Buffalo Bill Historical Center
128 pages (color)
American Women Artists & the West Show and Sale Tucson Museum of Art (Exhibition catalog)