Born in 1939 in a small house in a quiet suburb of Chicago, Ed Paschke became well known in Chicago. As a child his interest in drawing led him to a degree program at the School of the Art Institute... Read full biography
Born in 1939 in a small house in a quiet suburb of Chicago, Ed Paschke became well known in Chicago. As a child his interest in drawing led him to a degree program at the School of the Art Institute of Chicago. While commuting by train, he practiced his craft of drawing in a realistic manner.... Read full biography
Born in 1939 in a small house in a quiet suburb of Chicago, Ed Paschke became well known in Chicago. As a child his interest in drawing led him to a degree program at the School of the Art Institute of Chicago. While commuting by train, he practiced his craft of drawing in a realistic manner. However, in school he learned to paint expressionistically, that is expressing an emotional response or seizing the moment, which was a different interpretation from the way one's eye perceives it.... Read full biography
Born in 1939 in a small house in a quiet suburb of Chicago, Ed Paschke became well known in Chicago. As a child his interest in drawing led him to a degree program at the School of the Art Institute of Chicago. While commuting by train, he practiced his craft of drawing in a realistic manner. However, in school he learned to paint expressionistically, that is expressing an emotional response or seizing the moment, which was a different interpretation from the way one's eye perceives it. Studying at a museum with a large collection gave him ample opportunity to view masterpieces and major exhibitions of important artists such as Picasso, Seurat and Gauguin whose influence affected his work. After graduation, Paschke worked as an... Read full biography
Born in 1939 in a small house in a quiet suburb of Chicago, Ed Paschke became well known in Chicago. As a child his interest in drawing led him to a degree program at the School of the Art Institute of Chicago. While commuting by train, he practiced his craft of drawing in a realistic manner. However, in school he learned to paint expressionistically, that is expressing an emotional response or seizing the moment, which was a different interpretation from the way one's eye perceives it. Studying at a museum with a large collection gave him ample opportunity to view masterpieces and major exhibitions of important artists such as Picasso, Seurat and Gauguin whose influence affected his work. After graduation, Paschke worked as an illustrator, and successfully sold his work to Playboy magazine. While working as a commercial artist by day, he found... Read full biography
Ed (Edward Francis) Paschke - Artist Info
About Ed (Edward Francis) Paschke: Books
Books & Publications (46)
Publications based on askART research. List may not be comprehensive.
Harry Who? 1966-1969 (Yale University Press) (Exhibition catalog)
2018
Nichols, Thea Liberty, Mark Pascale and Ann Goldstein (Editors)
256 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Union League Club of Chicago Art Collection
2003
Richter, Marianne; Wendy Greenhouse (Essays)
308 pages (color)
Landfall Press: Twenty-Five Years Of Printmaking
1996
Ruzicka, Joseph
220 pages (color)
Myths and Magical Fantasies
1996
Shaw, Reesey
41 pages (color)
The Art Institute of Chicago Twentieth Century Painting and Sculpture
1996
Wood, James N/T Edelstein
160 pages (color)
Art Since 1940 Strategies of Being
1995
Fineberg, Jonathan
496 pages (color)
Printmaking in America Collaborative Prints and Presses 1960-1990
1995
Hansen, Trudy (others)
248 pages (color)
Art Today
1995
Lucie-Smith, Edward
512 pages (color)
Old Glory The American Flag in Contemporary Art (Exhibition catalog)
1994
Rubin, David S
64 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Spirited Visions Portraits of Chicago Artists (Exhibition catalog)
1991
Carrol, Patty/James Yood
96 pages (color)
De-Persona (Exhibition catalog)
1991
Oakland Museum
103 pages (color)
Ed Paschke
1990
Benezra, Neal
155 pages (color)
First Impressions Early Prints by Forty-six Contemporary Artists (Exhibition catalog)
1989
Armstrong, Elizabeth
149 pages (color)
Art in Place Fifteen Years of Acquisition (Exhibition catalog)
1989
Armstrong, Tom/Susan C Larsen
230 pages (color)
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
Commited to Print (Exhibition catalog)
1988
Wye, Deborah
120 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Made In U S A An Americanization in Modern Art '50s & 60s (Exhibition catalog)
1987
Stich, Sidra
280 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
American Artists: An Illustrated Survey of Leading Contemporary Americans
1985
Krantz, Les
347 pages (color)
American Art Now
1985
Lucie-Smith, Edward
160 pages (color)
Sources of Light Contemporary American Luminism (Exhibition catalog)
1985
West, Harvey/Chris Bruce
84 pages (color)
Chicago, Museum of Contemporary Art Selections from Permanent Collection
1984
Chicago, Museum Contemporary
164 pages (color)
New Art
1984
Freeman, Phyllis
207 pages (color)
Movements in Art since 1945 New Revised Edition
1984
Lucie-Smith, Edward
288 pages (color)
American Art Since 1970, Painting, Sculpture and Drawing Whitney Museum of American Art (Exhibition catalog)