Of Emil Ganzo, it was written that he, "a jovial sandy-haired young man walked into New York's Weyhe Gallery and said: "I am a baker. My name is Emil Ganso." With him he had a portfolio of drawings,... Read full biography
Of Emil Ganzo, it was written that he, "a jovial sandy-haired young man walked into New York's Weyhe Gallery and said: "I am a baker. My name is Emil Ganso." With him he had a portfolio of drawings, which he explained he had done during his spare time. The pictures were not good enough to exhibit,... Read full biography
Of Emil Ganzo, it was written that he, "a jovial sandy-haired young man walked into New York's Weyhe Gallery and said: "I am a baker. My name is Emil Ganso." With him he had a portfolio of drawings, which he explained he had done during his spare time. The pictures were not good enough to exhibit, but Weyhe was impressed enough to sign Ganzo to a long contract, gave him a small weekly allowance on which to live and continue to paint. Since then Ganso has proved that Weyhe made no mistake. In... Read full biography
Of Emil Ganzo, it was written that he, "a jovial sandy-haired young man walked into New York's Weyhe Gallery and said: "I am a baker. My name is Emil Ganso." With him he had a portfolio of drawings, which he explained he had done during his spare time. The pictures were not good enough to exhibit, but Weyhe was impressed enough to sign Ganzo to a long contract, gave him a small weekly allowance on which to live and continue to paint. Since then Ganso has proved that Weyhe made no mistake. In 1933 Ganso won a Guggenheim Fellowship and his paintings now hang in the Addison Gallery of Art in Boston, the Los Angeles, Whitney, Denver Museums, Metropolitan, Detroit, Cleveland and Worcester, Mass. Museums." . Source: From Matthew Bakkom Archive... Read full biography
Of Emil Ganzo, it was written that he, "a jovial sandy-haired young man walked into New York's Weyhe Gallery and said: "I am a baker. My name is Emil Ganso." With him he had a portfolio of drawings, which he explained he had done during his spare time. The pictures were not good enough to exhibit, but Weyhe was impressed enough to sign Ganzo to a long contract, gave him a small weekly allowance on which to live and continue to paint. Since then Ganso has proved that Weyhe made no mistake. In 1933 Ganso won a Guggenheim Fellowship and his paintings now hang in the Addison Gallery of Art in Boston, the Los Angeles, Whitney, Denver Museums, Metropolitan, Detroit, Cleveland and Worcester, Mass. Museums." . Source: From Matthew Bakkom Archive Collection of the University of Minnesota, attached to a print copy image on cardboard of the Ganso oil painting, Winter Morning, 193... Read full biography
Emil Ganso - Artist Info
About Emil Ganso: Books
Books & Publications (42)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
The Salons of America (Exhibition catalog)
1991
Marlor, Clark S
242 pages
A Spectrum of Innovation Color in American Printmaking 1890-1960 (Exhibition catalog)
1990
Acton, David
304 pages (color)
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Etched, in Memory The Building and Survival of Artistic Reputation
1990
Lang, Gladys & Kurt
437 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The American Collections Columbus Museum of Art
1988
Columbus Museum of Art
271 pages (color)
Henry Lee McFee & Formalist Realism in American Still Life 1923-1936
1987
Baker, John
148 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Woodstock's Art Heritage Permanent Collection Woodstock A A
1987
Woodstock Art Association
176 pages (color)
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
American Paintings from the first half of the 20th century (Exhibition catalog)
1985
Kilgore, Karen
80 pages (color)
The Society of Independent Artists Exhibition Record 1917-1944 (Exhibition catalog)
1984
Marlor, Clark S
600 pages
American Lithographers 1900-1960: The Artists and Their Printers
1983
Adams, Clinton
228 pages (color)
American Art in the Newark Museum Paintings, Drawings and Sculpture
1981
Newark Museum
431 pages (color)
American Prints and Printmakers A Chronicle of Over 400 Artists
1980
Johnson, Una E
266 pages (color)
Woodstock, An American Art Colony 1902-1977 (Exhibition catalog)
1977
Marling, Karal Ann
220 pages
American Drawings The 20th Century
1976
Cummings, Paul
207 pages
Emil Ganso
1976
William Benton Museum of Art
20 pages
Smithsonian Archives of American Art: Checklist of the Collection