The following biogoraphy is from John Finnegan. Ernest Parton was the younger brother of Arthur, in whose studio he spent two winters. However, he received no instruction in art from regular masters... Read full biography
The following biogoraphy is from John Finnegan. Ernest Parton was the younger brother of Arthur, in whose studio he spent two winters. However, he received no instruction in art from regular masters or in any schools. He was elected a member of the Artists' Fund Society of New York in 1873,... Read full biography
The following biogoraphy is from John Finnegan. Ernest Parton was the younger brother of Arthur, in whose studio he spent two winters. However, he received no instruction in art from regular masters or in any schools. He was elected a member of the Artists' Fund Society of New York in 1873, contributing one work each year to its sales. In 1873, he traveled to Europe for the purposes of spending a few months mainly in Great Britain, but, meeting with success in London, he decided to remain,... Read full biography
The following biogoraphy is from John Finnegan. Ernest Parton was the younger brother of Arthur, in whose studio he spent two winters. However, he received no instruction in art from regular masters or in any schools. He was elected a member of the Artists' Fund Society of New York in 1873, contributing one work each year to its sales. In 1873, he traveled to Europe for the purposes of spending a few months mainly in Great Britain, but, meeting with success in London, he decided to remain, exhibiting at the Royal Academy and elsewhere. In 1876 he visited the Swiss Lakes and Northern Italy, making many sketches. He returned to New York in 1884 through 1886. Among his most notable paintings are: Morning Mist, exhibited at the National... Read full biography
The following biogoraphy is from John Finnegan. Ernest Parton was the younger brother of Arthur, in whose studio he spent two winters. However, he received no instruction in art from regular masters or in any schools. He was elected a member of the Artists' Fund Society of New York in 1873, contributing one work each year to its sales. In 1873, he traveled to Europe for the purposes of spending a few months mainly in Great Britain, but, meeting with success in London, he decided to remain, exhibiting at the Royal Academy and elsewhere. In 1876 he visited the Swiss Lakes and Northern Italy, making many sketches. He returned to New York in 1884 through 1886. Among his most notable paintings are: Morning Mist, exhibited at the National Academy (NAD) in New York, and the following exhibited at the Royal Academy in London: Papa'... Read full biography
Ernest Parton - Artist Info
About Ernest Parton: Books
Books & Publications (17)
Publications based on askART research. List may not be comprehensive.
Benezit Dictionary of Artists, English Version and Online (Fourteen Volumes)
2006
Benezit, E
0 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Fine American Art from 1845 to 1960 (Spanierman Gallery, LLC (Exhibition catalog)
2005
Reis, Mary Clare; Lisa N. Peters et all
0 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Natural Truth: Landscape Paintings of the Parton Brothers of Hudson, NY (Exhibition catalog)
1998
HIckey, Maureen (Essay)
31 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
American Art at the Nineteenth Century Paris Salons
1990
Fink, Lois Marie; Albert Boime, Forward; Elizabeth Broun, Preface
430 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
American Impressionism and other movements (Exhibition catalog)
1989
Schwarz-Philadelphia
53 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Recent Ideals of Americn Art
1977
Sheldon, George William
176 pages
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index