Of his painting Esteban Vicente said: . If I have to say something about the subject of my painting, I might say that it is an interior landscape. This image becomes the subject. It is always the... Read full biography
Of his painting Esteban Vicente said: . If I have to say something about the subject of my painting, I might say that it is an interior landscape. This image becomes the subject. It is always the same idea, the same image---from an accumulation of experience. I don't know if one can actually... Read full biography
Of his painting Esteban Vicente said: . If I have to say something about the subject of my painting, I might say that it is an interior landscape. This image becomes the subject. It is always the same idea, the same image---from an accumulation of experience. I don't know if one can actually identify this image. When I say 'landscape', I mean a structure. The structure of the painting is landscape---but not the color. That's why I say they are 'inter landscapes'. " (Herskovic 346). Known for... Read full biography
Of his painting Esteban Vicente said: . If I have to say something about the subject of my painting, I might say that it is an interior landscape. This image becomes the subject. It is always the same idea, the same image---from an accumulation of experience. I don't know if one can actually identify this image. When I say 'landscape', I mean a structure. The structure of the painting is landscape---but not the color. That's why I say they are 'inter landscapes'. " (Herskovic 346). Known for his Abstract Expressionism and Color-Field paintings in oil as well as collages, Esteban Vicente attended art school in Madrid at the Academy Belles Artes before moving to New York City in 1936. There he became affiliated with the Action Painters in... Read full biography
Of his painting Esteban Vicente said: . If I have to say something about the subject of my painting, I might say that it is an interior landscape. This image becomes the subject. It is always the same idea, the same image---from an accumulation of experience. I don't know if one can actually identify this image. When I say 'landscape', I mean a structure. The structure of the painting is landscape---but not the color. That's why I say they are 'inter landscapes'. " (Herskovic 346). Known for his Abstract Expressionism and Color-Field paintings in oil as well as collages, Esteban Vicente attended art school in Madrid at the Academy Belles Artes before moving to New York City in 1936. There he became affiliated with the Action Painters in the 1950s including Willem and Elaine De Kooning. In "Art News" magazine, 1952, Elaine De Kooning had an article published on Esteban Vicente titl... Read full biography
Esteban Vicente - Artist Info
About Esteban Vicente: Books
Books & Publications (42)
Publications based on askART research. List may not be comprehensive.
An Eclectic Eye: Selections from the Dan Leach Collection (Exhibition catalog)
2007
Julie Sasse
165 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
American Abstract Expressionism of the 1950s: An Illustrated Survey
2003
Herskovic, Marika (editor)
372 pages (color)
New York School: Abstract Expressionists Artists Choice by Artists
2000
Herskovic, Marika
393 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Art in the Residence of the American Ambassador, Australia
1999
Holmes, Genta Hawkins
35 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
The Sturman Collection Twentieth-Century Works on Paper (Exhibition catalog)
1986
Karp, Ivan (intro)
44 pages (color)
San Francisco Museum of Modern Art Paintings and Sculpture Collection
1985
DuPont, Diana, K Holland
402 pages (color)
The Americans/The Collage (Exhibition catalog)
1982
Contemporary Arts Museum
143 pages (color)
Twenty-Five Artists
1982
Messer, Thomas/Arlene Bujese
108 pages
An American Choice Muriel Kallis Collection (Exhibition catalog)
1981
Lieberman, William (editor)
167 pages (color)
American Art in the Newark Museum Paintings, Drawings and Sculpture
1981
Newark Museum
431 pages (color)
The Oxford Companion to Twentieth Century Art
1981
Osborne, Harold
656 pages (color)
The Britannica Encyclopedia of American Art
1981
Rugoff, Milton
669 pages (color)
Painting and Sculpture in the Museum of Modern Art
1977
Barr, Alfred H
655 pages
Lawrence H Bloedel Bequest Selections and Related Works
1977
Whitney Museum
56 pages
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Smithsonian Archives of American Art: Checklist of the Collection