From Russia, Eugene Berman became a painter known for his imaginary landscapes and for his Baroque* stage set designs including for ballets and the Metropolitan Opera in New York. In France, he... Read full biography
From Russia, Eugene Berman became a painter known for his imaginary landscapes and for his Baroque* stage set designs including for ballets and the Metropolitan Opera in New York. In France, he became a leader among the Neo-Romantic artists, who defied the prevalent abstract* movements including... Read full biography
From Russia, Eugene Berman became a painter known for his imaginary landscapes and for his Baroque* stage set designs including for ballets and the Metropolitan Opera in New York. In France, he became a leader among the Neo-Romantic artists, who defied the prevalent abstract* movements including Cubism* and Futurism* and focused on expression of human emotion. He and his peers, including Georgio De Chirico, depicted a fantasy world of loneliness and isolation that existed only in their minds.... Read full biography
From Russia, Eugene Berman became a painter known for his imaginary landscapes and for his Baroque* stage set designs including for ballets and the Metropolitan Opera in New York. In France, he became a leader among the Neo-Romantic artists, who defied the prevalent abstract* movements including Cubism* and Futurism* and focused on expression of human emotion. He and his peers, including Georgio De Chirico, depicted a fantasy world of loneliness and isolation that existed only in their minds. He was fascinated by solitary figures amidst ruins, and much of his work explored space and the passing of time. He painted with oil on canvas and achieved the smooth effect of the Old Masters*. In his landscapes, he placed his figures and... Read full biography
From Russia, Eugene Berman became a painter known for his imaginary landscapes and for his Baroque* stage set designs including for ballets and the Metropolitan Opera in New York. In France, he became a leader among the Neo-Romantic artists, who defied the prevalent abstract* movements including Cubism* and Futurism* and focused on expression of human emotion. He and his peers, including Georgio De Chirico, depicted a fantasy world of loneliness and isolation that existed only in their minds. He was fascinated by solitary figures amidst ruins, and much of his work explored space and the passing of time. He painted with oil on canvas and achieved the smooth effect of the Old Masters*. In his landscapes, he placed his figures and architectural structures very precisely with an order that encouraged viewer contemplation and did not offer distractions.... Read full biography
Eugene Gustavovitch Berman - Artist Info
About Eugene Gustavovitch Berman: Books
Books & Publications (81)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Magician of the Modern: Chuck Austin And the Transformation of the Arts in America
2000
Gaddis, Eugene R.
486 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
California Art: 450 Years of Painting & Other Media
1998
Moure, Nancy Dustin Wall
560 pages (color)
American Paintings Before 1945 in the Wadsworth Atheneum (2 Vols)
1996
Kornhauser, Elizabeth Mankin
877 pages (color)
Pacific Dreams: Currents of Surrealism and Fantasy in California 1934-1957 (Exhibition catalog)
1995
Ehrlich, Susan (editor)
208 pages (color)
The Drawing Collection Stanford University Museum of Art
1993
Eitner, Lorenz (others)
418 pages (color)
Clement Greenberg: The Collected Essays and Criticism (4 Volumes)
1993
Greenberg, Clement; Dr. John O'Brian, Editor
622 pages
Biennial Exhibition Record of the Corcoran Gallery of Art (Exhibition catalog)
1991
Falk, Peter Hastings
335 pages
A Spectrum of Innovation Color in American Printmaking 1890-1960 (Exhibition catalog)
1990
Acton, David
304 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The American Paintings (in the) Pennsylvania Academy of Fine Art
1989
Fresella-Lee, Nancy
222 pages (color)
The American Collections Columbus Museum of Art
1988
Columbus Museum of Art
271 pages (color)
The American Painting Collection of the Sheldon Memorial Art Gallery
1988
Geske, Norman and Karen O. Janovy
376 pages (color)
American Drawings and Watercolors from the Wadsworth Atheneum
1987
Barter, Judith A; Eugene R. Gaddis (Intro)
94 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Artists of the American West: Three Volumes A Biographical Dictionary
1985
Dawdy, Doris
1,184 pages
San Francisco Museum of Modern Art Paintings and Sculpture Collection
1985
DuPont, Diana, K Holland
402 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Twentieth Century American Drawin The Figure in Context (Exhibition catalog)
1984
Cummings, Paul
144 pages
American Watercolors, Pastels, Collages The Brooklyn Museum
1984
Faunce, Sarah; Linda S. Ferber (Curators)
88 pages (color)
World Artists 1950-1980
1984
Marks, Claude
912 pages
American Lithographers 1900-1960: The Artists and Their Printers
1983
Adams, Clinton
228 pages (color)
American Paintings at Yale University: An illustrated Checklist (Exhibition catalog)