Frank Boggs was a master of cloudy skies in landscape paintings, but was more strongly attracted to the soft light of misty mornings and rainy afternoons than the brilliant sunlight of his... Read full biography
Frank Boggs was a master of cloudy skies in landscape paintings, but was more strongly attracted to the soft light of misty mornings and rainy afternoons than the brilliant sunlight of his Impressionist peers. Contemporary American critics tended to view Boggs as an Impressionist, especially when... Read full biography
Frank Boggs was a master of cloudy skies in landscape paintings, but was more strongly attracted to the soft light of misty mornings and rainy afternoons than the brilliant sunlight of his Impressionist peers. Contemporary American critics tended to view Boggs as an Impressionist, especially when he exhibited in New York early in his career. But although his brush became loose and free and his palette lightened as he matured, the artist never completely adopted Impressionistic methods. He was... Read full biography
Frank Boggs was a master of cloudy skies in landscape paintings, but was more strongly attracted to the soft light of misty mornings and rainy afternoons than the brilliant sunlight of his Impressionist peers. Contemporary American critics tended to view Boggs as an Impressionist, especially when he exhibited in New York early in his career. But although his brush became loose and free and his palette lightened as he matured, the artist never completely adopted Impressionistic methods. He was known and appreciated for delicate and subtle harmonies of blue, gray and green. In this respect, his style has sometimes been compared to the Tonalism of James McNeill Whistler. Boggs was born in Springfield, Ohio, on December 6, 1855. While still... Read full biography
Frank Boggs was a master of cloudy skies in landscape paintings, but was more strongly attracted to the soft light of misty mornings and rainy afternoons than the brilliant sunlight of his Impressionist peers. Contemporary American critics tended to view Boggs as an Impressionist, especially when he exhibited in New York early in his career. But although his brush became loose and free and his palette lightened as he matured, the artist never completely adopted Impressionistic methods. He was known and appreciated for delicate and subtle harmonies of blue, gray and green. In this respect, his style has sometimes been compared to the Tonalism of James McNeill Whistler. Boggs was born in Springfield, Ohio, on December 6, 1855. While still young, he was brought to New York City where his father was a newspaper executive. At age seventeen he took... Read full biography
Frank Myers Boggs - Artist Info
About Frank Myers Boggs: Books
Books & Publications (43)
Publications based on askART research. List may not be comprehensive.
The Black and White Exhibitions of the Salmagundi Sketch Club 1878 to 1887: A Guide to Etchings, Engravings, Drawings, Sculpture, Ceramics, Oils and Monotypes
2007
Katlan, Alexander W. (editor)
272 pages
For Sale
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
American Paintings from the Hainsworth Collection
2005
Love, Richard; Michael Worley, Ph.D
157 pages (color)
Americans in Paris, 1850-1910 (Exhibition catalog)
2003
Oklahoma City Museum
128 pages (color)
Vose Art Notes Works on Paper
2000
Vose, Marcia L , editor
29 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Triumph of Color and Light: Ohio Impressionists and Post Impressionists (Exhibition catalog)
1994
Kany, James M; Nannette V. Maciejunes
170 pages (color)
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
The Lure of Paris: Nineteenth-Century American Painters and Their French Teachers
1991
Weinberg, H Barbara
295 pages (color)
American Drawings in the French National Collection, 1760-1945 (Exhibition catalog)
1991
Wiesinger, Veronique; Clair Vaudevire; Pierre Rosenberg (Preface)
110 pages (color)
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
American Art at the Nineteenth Century Paris Salons
1990
Fink, Lois Marie; Albert Boime, Forward; Elizabeth Broun, Preface
430 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Art Across America: The South, Near Midwest (Volume Two)
1990
Gerdts, William H
396 pages (color)
Paris 1889 American Artists at the Universal Exposition (Exhibition catalog)
1989
Blaugrund, Annette
304 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The American Painting Collection of the Sheldon Memorial Art Gallery
1988
Geske, Norman and Karen O. Janovy
376 pages (color)
Adventure and Inspiration American Artists in Other Lands (Exhibition catalog)
1988
Ward, Meredith (essay)
172 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
American Watercolors, Pastels, Collages The Brooklyn Museum
1984
Faunce, Sarah; Linda S. Ferber (Curators)
88 pages (color)
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
The American Pupils of Jean-Leon Gerome
1984
Weinberg, H Barbara
113 pages
Americans in Brittany and Normand 1868-1910 (Exhibition catalog)
1982
Sellin, David / J K Ballinger
229 pages (color)
American Paintings/Metropolitan Mus V 3, Artists Born Between1846-64
1980
Burke, Doreen Bolger
479 pages
American Paintings/Brooklyn Museum Complete Illustrated Listing of Works
1979
Brooklyn Museum
133 pages (color)
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
The American Perspective (Exhibition catalog)
1979
Maurice Sternberg, Galleries
48 pages (color)
American Art to 1900 Painting, Sculpture, Architecture
1977
Brown, Milton W
631 pages (color)
Recent Ideals of Americn Art
1977
Sheldon, George William
176 pages
Three Hundred Years of American Art In The Chrysler Museum (Exhibition catalog)
1976
Anderson, Dennis R (Introductory Essay)
270 pages (color)
American Expatriate Painters of the Late Nineteenth Century (The Dayton Art Institute) (Exhibition catalog)
1976
Quick, Michael
158 pages (color)
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
French Impressionists Influence American Artists (Exhibition catalog)
1971
Lowe Art Museum
96 pages (color)
Tonalism: An American Interpretation of Landscape (Exhibition catalog)
1970
Cohen, Mildred
0 pages
American Paintings in the Museum of Fine Arts, Boston (Two Volumes)
1969
Rathbone, Perry Townsend (Ed)
600 pages (color)
The American Artist Abroad (Exhibition catalog)
1968
Kennedy Galleries
75 pages (color)
American Paintings for Public and Private Collections
1967
Hirschl & Adler Galleries
52 pages (color)
History of Water Color in America
1966
Gardner, Albert Ten Eyck
160 pages (color)
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
A History of American Painting Revised Edition, Two Volumes in One