Frederick Hart was a prominent late 20th century figurative sculptor. His view was that, "Art must touch our lives, our fears and cares; evoke our dreams and give hope to the darkness." He took the... Read full biography
Frederick Hart was a prominent late 20th century figurative sculptor. His view was that, "Art must touch our lives, our fears and cares; evoke our dreams and give hope to the darkness." He took the notion stated by playwright Tom Stoppard, who said "Modern art is innovation, without skill," and... Read full biography
Frederick Hart was a prominent late 20th century figurative sculptor. His view was that, "Art must touch our lives, our fears and cares; evoke our dreams and give hope to the darkness." He took the notion stated by playwright Tom Stoppard, who said "Modern art is innovation, without skill," and rejected this nihilism when developing the techniques that would earn him the title the "Rodin of our Century.". Beginning his life in Atlanta, and his career in Washington D.C., Hart was the epitome of... Read full biography
Frederick Hart was a prominent late 20th century figurative sculptor. His view was that, "Art must touch our lives, our fears and cares; evoke our dreams and give hope to the darkness." He took the notion stated by playwright Tom Stoppard, who said "Modern art is innovation, without skill," and rejected this nihilism when developing the techniques that would earn him the title the "Rodin of our Century.". Beginning his life in Atlanta, and his career in Washington D.C., Hart was the epitome of the starving artist. He saw that he was spiritually descended by famed figurative masters such as August St. Gaudens and Daniel Chester French, but he failed to realize the fame these artists enjoyed. At Dupont Circle he could be found sculpting... Read full biography
Frederick Hart was a prominent late 20th century figurative sculptor. His view was that, "Art must touch our lives, our fears and cares; evoke our dreams and give hope to the darkness." He took the notion stated by playwright Tom Stoppard, who said "Modern art is innovation, without skill," and rejected this nihilism when developing the techniques that would earn him the title the "Rodin of our Century.". Beginning his life in Atlanta, and his career in Washington D.C., Hart was the epitome of the starving artist. He saw that he was spiritually descended by famed figurative masters such as August St. Gaudens and Daniel Chester French, but he failed to realize the fame these artists enjoyed. At Dupont Circle he could be found sculpting girlfriends, kids and buddies but not truly finding his calling. He became despondent with the lack of skill on the "modern" art scene, and more the... Read full biography
Frederick Elliott Hart - Artist Info
About Frederick Elliott Hart: Books
Books & Publications (5)
Publications based on askART research. List may not be comprehensive.
Frederick Hart: Giving Form to Spirit Kuspit, Donald; Frederick Turner (essays) (Exhibition catalog)
2007
Curator, University of Louisville
328 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Masters of American Sculpture: The Figurative Tradition From the American Renaissance to the Millenium
1994
Reynolds, Donald Martin
275 pages (color)
Dictionary of American Sculptors: 18th Century to Present