A leading member of Fluxus, a group of Conceptual artists of the early 1960s, George Brecht lived in the USA until 1965, when he moved to Europe, settling in Cologne in 1972. He was born in New York... Read full biography
A leading member of Fluxus, a group of Conceptual artists of the early 1960s, George Brecht lived in the USA until 1965, when he moved to Europe, settling in Cologne in 1972. He was born in New York City with the name of George MacDiarmid but changed his name to Brecht during World War II "because... Read full biography
A leading member of Fluxus, a group of Conceptual artists of the early 1960s, George Brecht lived in the USA until 1965, when he moved to Europe, settling in Cologne in 1972. He was born in New York City with the name of George MacDiarmid but changed his name to Brecht during World War II "because he liked the sound of the name." Brecht described his art expression as a way of "ensuring that the details of everyday life, the random constellations of objects that surround us, stop going... Read full biography
A leading member of Fluxus, a group of Conceptual artists of the early 1960s, George Brecht lived in the USA until 1965, when he moved to Europe, settling in Cologne in 1972. He was born in New York City with the name of George MacDiarmid but changed his name to Brecht during World War II "because he liked the sound of the name." Brecht described his art expression as a way of "ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.". His specialties in addition to painting and sculpture were assemblages, arrangements that often featured chairs, and 'event scores', which were written messages "with eccentric instructions" on small white cards that he would mail to friends.... Read full biography
A leading member of Fluxus, a group of Conceptual artists of the early 1960s, George Brecht lived in the USA until 1965, when he moved to Europe, settling in Cologne in 1972. He was born in New York City with the name of George MacDiarmid but changed his name to Brecht during World War II "because he liked the sound of the name." Brecht described his art expression as a way of "ensuring that the details of everyday life, the random constellations of objects that surround us, stop going unnoticed.". His specialties in addition to painting and sculpture were assemblages, arrangements that often featured chairs, and 'event scores', which were written messages "with eccentric instructions" on small white cards that he would mail to friends. After serving in the War, he became a chemistry student at the Philadelphia College of Pharmacy, and from 1950 to 1965, ea... Read full biography
George (MacDiarmid) Brecht - Artist Info
About George (MacDiarmid) Brecht: Books
Books & Publications (23)
Publications based on askART research. List may not be comprehensive.
Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University, 1958-1972
2009
Hendricks, Geoffrey
224 pages (color)
See This Sound: Promises in Sound and Vision (Lentos Art Museum, LInz, Austria
2009
Rainer, Cosima et al
312 pages (color)
Art Metropole: The Top 100 (National Gallery of Canada) (Exhibition catalog)
2006
Scott, Kitty et al
137 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Breakthroughs Avant-Garde Artists in Europe & America 1950-1990
1991
Wexner Center, Ohio State U
310 pages (color)
Word As Image American Art 1960-1990 (Exhibition catalog)
1990
Bowman, Russell/Dean Sobel
172 pages (color)
Pop Art A Continuing History
1990
Livingstone, Marco
271 pages (color)
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Correspondence Art: Source Book for the Network of International Postal Art Activity
1984
Crane, Michael and Mary Stofflet (Editors)
522 pages
Blam, the Explosion of Pop, Minimalism and Performance 1958-1964 (Exhibition catalog)
1984
Haskell, Barbara
160 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
The Oxford Companion to Twentieth Century Art
1981
Osborne, Harold
656 pages (color)
Painting and Sculpture in the Museum of Modern Art
1977
Barr, Alfred H
655 pages
American Sculpture A Guide to Information Sources
1977
Ekdahl, Janis
260 pages
SoHo, New York Downtown Mahhattan/Berliner Festwochen (Exhibition catalog)
1976
Block, Rene
431 pages
Poets of the Cities New York and San Francisco 1950-1965 (Exhibition catalog)