Born in Portsmouth, England, George Bonfield arrived in Philadelphia in 1816 and there learned stone carving from a stone master working on the New Jersey estate of Joseph Bonaparte, brother of... Read full biography
Born in Portsmouth, England, George Bonfield arrived in Philadelphia in 1816 and there learned stone carving from a stone master working on the New Jersey estate of Joseph Bonaparte, brother of Napolean. He was also exposed to European art, and successfully copied Old Masters. In 1820, Bonfield... Read full biography
Born in Portsmouth, England, George Bonfield arrived in Philadelphia in 1816 and there learned stone carving from a stone master working on the New Jersey estate of Joseph Bonaparte, brother of Napolean. He was also exposed to European art, and successfully copied Old Masters. In 1820, Bonfield enrolled in the Pennsylvania Academy of Fine Arts and studied with Thomas Vest. He became prominent in Philadelphia cultural life. He did some landscapes, but primarily he was a marine artist of scenes... Read full biography
Born in Portsmouth, England, George Bonfield arrived in Philadelphia in 1816 and there learned stone carving from a stone master working on the New Jersey estate of Joseph Bonaparte, brother of Napolean. He was also exposed to European art, and successfully copied Old Masters. In 1820, Bonfield enrolled in the Pennsylvania Academy of Fine Arts and studied with Thomas Vest. He became prominent in Philadelphia cultural life. He did some landscapes, but primarily he was a marine artist of scenes along the Delaware River and Atlantic Coast. His work was popular in the 1840s and 1850s, and many of his collectors were wealthy people invested in shipping activities. After the Civil War, his popularity declined in the face of impressionism and... Read full biography
Born in Portsmouth, England, George Bonfield arrived in Philadelphia in 1816 and there learned stone carving from a stone master working on the New Jersey estate of Joseph Bonaparte, brother of Napolean. He was also exposed to European art, and successfully copied Old Masters. In 1820, Bonfield enrolled in the Pennsylvania Academy of Fine Arts and studied with Thomas Vest. He became prominent in Philadelphia cultural life. He did some landscapes, but primarily he was a marine artist of scenes along the Delaware River and Atlantic Coast. His work was popular in the 1840s and 1850s, and many of his collectors were wealthy people invested in shipping activities. After the Civil War, his popularity declined in the face of impressionism and other modernist styles that he did not adopt. He was also a collector of engravings and lithographs.... Read full biography
George Bonfield - Artist Info
About George Bonfield: Books
Books & Publications (17)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Hudson River School An Annotated Bibliography
1991
Sullivan, Mark W
225 pages
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
American Paintings (Exhibition catalog)
1990
Schwarz-Philadelphia
36 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
The American Paintings (in the) Pennsylvania Academy of Fine Art
1989
Fresella-Lee, Nancy
222 pages (color)
Annual Exhibition Record, 1807-1870, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1988
Falk, Peter Hastings
472 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
American Paintings (Exhibition catalog)
1981
Schwarz-Philadelphia
23 pages
Dictionary of Sea Painters
1980
Archibald, E H H
455 pages (color)
The Boston Athenaeum Art Exhibition Index 1827-1874 (Exhibition catalog)
1980
Perkins, Robert/Wm J Gavin III
325 pages (color)
The New York Historical Society's Dictionary of Artists in America 1564-1860
1957
Groce, George; David Wallace
759 pages
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index