"George Inness and the Visionary Landscape" at the National Academy of Design . Submitted By RAYMOND J. STEINER and written for ART TIMES October 2003. AS WITH ANY artist worthy of the title, George... Read full biography
"George Inness and the Visionary Landscape" at the National Academy of Design . Submitted By RAYMOND J. STEINER and written for ART TIMES October 2003. AS WITH ANY artist worthy of the title, George Inness (18251894) is not easily summed up. Often associated with the Hudson River School, he was, in... Read full biography
"George Inness and the Visionary Landscape" at the National Academy of Design . Submitted By RAYMOND J. STEINER and written for ART TIMES October 2003. AS WITH ANY artist worthy of the title, George Inness (18251894) is not easily summed up. Often associated with the Hudson River School, he was, in fact, aesthetically in opposition to the large, detailed canvases which characterized the work of such painters as Thomas Cole (1801-1848) and Frederic Edwin Church (1826-1900), two major... Read full biography
"George Inness and the Visionary Landscape" at the National Academy of Design . Submitted By RAYMOND J. STEINER and written for ART TIMES October 2003. AS WITH ANY artist worthy of the title, George Inness (18251894) is not easily summed up. Often associated with the Hudson River School, he was, in fact, aesthetically in opposition to the large, detailed canvases which characterized the work of such painters as Thomas Cole (1801-1848) and Frederic Edwin Church (1826-1900), two major representative painters of that group. Others see him as a transplanted member of the French Barbizon School, more in tune with their less grandiose, more intimate landscapes of homely, domesticated scenes of rural France. Still others as the title of this... Read full biography
"George Inness and the Visionary Landscape" at the National Academy of Design . Submitted By RAYMOND J. STEINER and written for ART TIMES October 2003. AS WITH ANY artist worthy of the title, George Inness (18251894) is not easily summed up. Often associated with the Hudson River School, he was, in fact, aesthetically in opposition to the large, detailed canvases which characterized the work of such painters as Thomas Cole (1801-1848) and Frederic Edwin Church (1826-1900), two major representative painters of that group. Others see him as a transplanted member of the French Barbizon School, more in tune with their less grandiose, more intimate landscapes of homely, domesticated scenes of rural France. Still others as the title of this exhibition* indicates see him as a visionary theorist, painting dreamy landscapes fraught with symbolic messages and m... Read full biography
George Inness - Artist Info
About George Inness: Books
Books & Publications (415)
Publications based on askART research. List may not be comprehensive.
The American West Reimagined: Gems from the Coeur d'Alene Art Auction
2021
Peterson, Dr. Larry Len
528 pages (color)
Picturing the Americas: Landscape Painting from Tierra Del Fuego to the Arctict
2015
Edited by Brownlee, Peter; Valeria Piccoll and Georjiana Uhlyark
320 pages (color)
A History of American Tonalism
2010
Cleveland, David Adams
592 pages (color)
Tonalism: James Abbott McNeill Whistler, George Inness, Leon Dabo, Theodore Stamos, Xavier Martinez, Jack Cassinetto, Dwight William Tryon
2010
Editor
78 pages (color)
The Power of Place: Paintings That Define the American Image (Exhibition catalog)
2008
Gilbert-Smith, Alma; Lonnie Pierson Dunbier and Jo Evarts
23 pages (color)
Like Breath on Glass: Whistler, Inness and the Art of Painting Softly
2008
Simpson, Marc (Editor) and Essayists
0 pages (color)
George Inness: Writings and Reflections on Art and Philosophy
2007
Bell, Adrienne Baxter
288 pages (color)
George Inness: A Catalogue Raisonne
2007
Quick, Michael
1,274 pages (color)
Vose Art Notes: A Guide for Collectors A Compendium of Favorite Articles from the First Twelve Issues
2006
The Vose Family
65 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Celebrating 25 Years Hollis Taggart Galleries (Exhibition catalog)
2005
Bullaudy, Vivian (Essay)
0 pages (color)
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
American Paintings from the Hainsworth Collection
2005
Love, Richard; Michael Worley, Ph.D
157 pages (color)
The Poetic Vision: American Tonalism (Spanierman Galleries, LLC.) (Exhibition catalog)
2005
Sessions, Ralph (Intro); Nicolai Cikovsky, Ellen Denker, et all
200 pages (color)
Intimate Landscapes: Charles Warren Eaton and the Tonalist Movement in American Art, 1880-1920 (Exhibition catalog)
2004
Cleveland, David Adams
114 pages (color)
Paintings and Sculpture in the Collection of The National Academy of Design Volume One: 1826-1925
2004
Dearinger, David B.
672 pages (color)
Classic Ground: Mid-Nineteenth Century American Painting and the Italian Encounter (Exhibition catalog)
2004
Manoguerra & Simon (essays)
124 pages (color)
The Intimate Landscape A New Look at the Origins of the American Barbizon Movement
2004
Riback, Estelle
132 pages (color)
George Inness and the Visionary Landscape (Exhibition catalog)
2003
Bell, Adrienne Baxter
176 pages (color)
Dreams and Dramas: Moonlight and Twilight in American Art (Hollis Taggart Galleries) (Exhibition catalog)
2003
Leeds, Valerie (Essay)
88 pages (color)
Old Virginia: The Pursuit of a Pastoral Ideal
2003
Rasmussen, William M.S.; Robert S. Tilton
252 pages (color)
Union League Club of Chicago Art Collection
2003
Richter, Marianne; Wendy Greenhouse (Essays)
308 pages (color)
American Beauty: Paintings from Detroit Institute of Arts, 1770-1920 (Exhibition catalog)