Salmagundi Club Painting Exhibition Records 1940-1951 and Water Color Exhibition Records 1900-1951
2009Katlan, Alexander W.
623 pages
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Artist Books
Books page for George Matthew Bruestle ((1871 - 1939)), known for Impressionist pastoral landscape paintings, illustration. Showing 21 books.
George Matthew Bruestle PUBLICATIONS
1871 New York City - 1939 New Haven, Connecticut. Known for: Impressionist pastoral landscape paintings, illustration.
The son of immigrants, George Bruestle was born and raised in New York City where he began a lifelong career in art. In 1886, the year that he enrolled at the Art Students League*, Bruestle made his... Read full biography
The son of immigrants, George Bruestle was born and raised in New York City where he began a lifelong career in art. In 1886, the year that he enrolled at the Art Students League*, Bruestle made his first trip to Essex, Connecticut where he was inspired to paint. In 1900 when the Old Lyme Art... Read full biography
The son of immigrants, George Bruestle was born and raised in New York City where he began a lifelong career in art. In 1886, the year that he enrolled at the Art Students League*, Bruestle made his first trip to Essex, Connecticut where he was inspired to paint. In 1900 when the Old Lyme Art Colony* was officially formed, George was spending time in Old Lyme. He is best remembered for his small and intimate oils of the Lyme countryside. His distinctive hybrid style was the result of a broad... Read full biography
The son of immigrants, George Bruestle was born and raised in New York City where he began a lifelong career in art. In 1886, the year that he enrolled at the Art Students League*, Bruestle made his first trip to Essex, Connecticut where he was inspired to paint. In 1900 when the Old Lyme Art Colony* was officially formed, George was spending time in Old Lyme. He is best remembered for his small and intimate oils of the Lyme countryside. His distinctive hybrid style was the result of a broad spectrum of influences. Inspired by the French Impressionists*, George became impassioned with painting the effects of sunlight. In addition, he was influenced by the academies that he attended in New York and Paris where he developed an expertise in... Read full biography
The son of immigrants, George Bruestle was born and raised in New York City where he began a lifelong career in art. In 1886, the year that he enrolled at the Art Students League*, Bruestle made his first trip to Essex, Connecticut where he was inspired to paint. In 1900 when the Old Lyme Art Colony* was officially formed, George was spending time in Old Lyme. He is best remembered for his small and intimate oils of the Lyme countryside. His distinctive hybrid style was the result of a broad spectrum of influences. Inspired by the French Impressionists*, George became impassioned with painting the effects of sunlight. In addition, he was influenced by the academies that he attended in New York and Paris where he developed an expertise in drawing as well as a fondness for the work of Corot. His exposure to these various sources blended with certain region... Read full biography
George Matthew Bruestle - Artist Info
About George Matthew Bruestle: Books
Books & Publications (21)
Publications based on askART research. List may not be comprehensive.
A Shared Aesthetic: Artists of Long Island's North Fork
2008Fleming, Geoffrey K. and Sara Evans (Southold Historical Society)250 pages (color)The Artists Bluebook 34,000 North American Artists to March 2005
2005AskART.com Inc. -
Dunbier, Lonnie Pierson (Editor)479 pagesDavenport's Art Reference: The Gold Edition
2005Davenport, Ray2,421 pagesPaintings and Sculpture in the Collection of The National Academy of Design Volume One: 1826-1925
2004Dearinger, David B.672 pages (color)The Early Years Paintings from Private Connecticut Collections
2002
(Exhibition catalog)Old Lyme Art Association20 pages (color)The American Artist in Connecticut The Legacy of the Hartford Steam Boiler Collection
2002
(Exhibition catalog)The Florence Griswold Museum144 pages (color)Who Was Who in American Art, 1564-1975: Three Volumes
1999Falk, Peter Hastings (Editor)3,724 pagesConnecticut Masters: Fine Arts and Antiques Collections of Hartford Steam
1991Ed: Hartford Boiler Coll.271 pages (color)Annual Exhibition Record, National Academy of Design: 1901-1950
1990
(Exhibition catalog)Falk, Peter Hastings622 pagesThe Annual Exhibition Record of the Art Institute of Chicago
1990
(Exhibition catalog)Falk, Peter Hastings (Editor)1,117 pagesAmerican Art at the Nineteenth Century Paris Salons
1990Fink, Lois Marie; Albert Boime, Forward; Elizabeth Broun, Preface430 pages (color)Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II
1989
(Exhibition catalog)Falk, Peter Hastings612 pagesAnnual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts
1989
(Exhibition catalog)Falk, Peter Hastings (Editor)538 pagesMantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986Opitz, Glenn B (editor)1,081 pagesWho Was Who in American Art: Artists Active Between 1898-1947
1985Falk, Peter Hastings (Editor)707 pagesDictionary of American Artists
1982Opitz, Glenn372 pagesExhibition Record 1861-1900, National Academy of Design (Two Volumes Set)
1973
(Exhibition catalog)Naylor, Maria1,075 pagesThe Art Colony at Old Lyme 1900-3
1966
(Exhibition catalog)Connecticut College for Women67 pagesHistory of the National Academy of Design, 1825-1953
1954Clark, Eliot296 pagesMallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935Mallett, Daniel Trowbridge1,130 pages