Born in Bristol, Rhode Island, Henry Dearth developed a style of landscape painting that has luminous tonalities, richness in mood, and is closely associated with the work of Homer Dodge Martin. He... Read full biography
Born in Bristol, Rhode Island, Henry Dearth developed a style of landscape painting that has luminous tonalities, richness in mood, and is closely associated with the work of Homer Dodge Martin. He is most known for his French landscape subject matter, especially the coast of Normandy. In the... Read full biography
Born in Bristol, Rhode Island, Henry Dearth developed a style of landscape painting that has luminous tonalities, richness in mood, and is closely associated with the work of Homer Dodge Martin. He is most known for his French landscape subject matter, especially the coast of Normandy. In the 1890s, he did a lot of painting on Long Island in East Hampton. He was a collector of Oriental and Near Eastern art, and sometimes incorporated objects from his collection into his paintings. Dearth... Read full biography
Born in Bristol, Rhode Island, Henry Dearth developed a style of landscape painting that has luminous tonalities, richness in mood, and is closely associated with the work of Homer Dodge Martin. He is most known for his French landscape subject matter, especially the coast of Normandy. In the 1890s, he did a lot of painting on Long Island in East Hampton. He was a collector of Oriental and Near Eastern art, and sometimes incorporated objects from his collection into his paintings. Dearth received his early training from Horace Johnson, and then studied in Paris at the L'Ecole des Beaux Arts and in the atelier of Aime Morot. In 1887, he opened a studio in New York City and became a member of the Society of American Artists and the National... Read full biography
Born in Bristol, Rhode Island, Henry Dearth developed a style of landscape painting that has luminous tonalities, richness in mood, and is closely associated with the work of Homer Dodge Martin. He is most known for his French landscape subject matter, especially the coast of Normandy. In the 1890s, he did a lot of painting on Long Island in East Hampton. He was a collector of Oriental and Near Eastern art, and sometimes incorporated objects from his collection into his paintings. Dearth received his early training from Horace Johnson, and then studied in Paris at the L'Ecole des Beaux Arts and in the atelier of Aime Morot. In 1887, he opened a studio in New York City and became a member of the Society of American Artists and the National academy of Design.... Read full biography
Henry Dearth - Artist Info
About Henry Dearth: Books
Books & Publications (34)
Publications based on askART research. List may not be comprehensive.
A History of American Tonalism
2010
Cleveland, David Adams
592 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Paintings and Sculpture in the Collection of The National Academy of Design Volume One: 1826-1925
2004
Dearinger, David B.
672 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
American Paintings An Illustrated Catalogue (Exhibition catalog)
1992
National Gallery of Art
545 pages
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Looking Back A Perspective on the 1913 Inaugural Exhibition (Exhibition catalog)
1988
Marling, Karal Ann
55 pages (color)
American Impressionist Paintings (Berry-Hill Galleries) (Exhibition catalog)
1987
Chambers, Bruce W. (Essay)
36 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Americans in the Arts 1890-1920
1985
Huneker, James G/Arnold Schwab
672 pages
Tonalism An American Experience (Exhibition catalog)
1982
Gerdts, William H (others)
94 pages (color)
Catalogue of American Painting
1981
San Diego Museum of Art
240 pages (color)
American Paintings/Brooklyn Museum Complete Illustrated Listing of Works
1979
Brooklyn Museum
133 pages (color)
American Art in the Barbizon Mood (Exhibition catalog)
1975
Bermingham, Peter
191 pages (color)
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
The Armory Show International Exhibition of Art 1913 (Exhibition catalog)
1972
Karpel, Bernard/Walt Kuhn
286 pages
The Connecticut Artists Collection
1968
Mattatuck Historical Society
84 pages
Impressionism in America An Exhibition...U of New Mexico Art Gallery (Exhibition catalog)
1965
University of New Mexico
72 pages (color)
Paintings in the Art Institute of Chicago/A Catalogue of the Collection
1961
Art Institute of Chicago
490 pages (color)
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
Exhibition of American Painting from 1860 Until Today (Exhibition catalog)
1937
Editor, Cleveland Museum of Art
78 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
A History of American Painting Revised Edition, Two Volumes in One