"Hiroshi Yoshida was a leading figure in the 'shin hanga' (or new print) movement. He worked primarily as a painter until his late forties when he became fascinated with woodblock printing. After... Read full biography
"Hiroshi Yoshida was a leading figure in the 'shin hanga' (or new print) movement. He worked primarily as a painter until his late forties when he became fascinated with woodblock printing. After working with the Watanabe print shop for several years, Yoshida decided to fund his own workshop.... Read full biography
"Hiroshi Yoshida was a leading figure in the 'shin hanga' (or new print) movement. He worked primarily as a painter until his late forties when he became fascinated with woodblock printing. After working with the Watanabe print shop for several years, Yoshida decided to fund his own workshop. Unlike ukiyo-e artists, he was intimately involved in all parts of the printmaking process. He designed the key blocks, chose the colors for the prints, and supervised the printers. In some cases, he even... Read full biography
"Hiroshi Yoshida was a leading figure in the 'shin hanga' (or new print) movement. He worked primarily as a painter until his late forties when he became fascinated with woodblock printing. After working with the Watanabe print shop for several years, Yoshida decided to fund his own workshop. Unlike ukiyo-e artists, he was intimately involved in all parts of the printmaking process. He designed the key blocks, chose the colors for the prints, and supervised the printers. In some cases, he even helped to carve the printing blocks. This was unusual, considering the traditional division of labor between designer, carver, and printer at that time.". "The majority of Yoshida's prints are richly detailed landscapes, featuring such diverse... Read full biography
"Hiroshi Yoshida was a leading figure in the 'shin hanga' (or new print) movement. He worked primarily as a painter until his late forties when he became fascinated with woodblock printing. After working with the Watanabe print shop for several years, Yoshida decided to fund his own workshop. Unlike ukiyo-e artists, he was intimately involved in all parts of the printmaking process. He designed the key blocks, chose the colors for the prints, and supervised the printers. In some cases, he even helped to carve the printing blocks. This was unusual, considering the traditional division of labor between designer, carver, and printer at that time.". "The majority of Yoshida's prints are richly detailed landscapes, featuring such diverse subjects as the Sphinx, the Taj Mahal, and Mount Rainier. Yoshida travelled frequently, and made sketching and painting trips a... Read full biography
Hiroshi Yoshida - Artist Info
About Hiroshi Yoshida: Books
Books & Publications (9)
Publications based on askART research. List may not be comprehensive.
Yosemite: Art of an American Icon (Exhibition catalog)
2006
Scott, Amy (Editor); Brian Bibby, William Deverell, et all
221 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Majesty of the Grand Canyon 150 Years in Art
1998
Kinsey, Joni Louise
159 pages (color)
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Artists of the American West: Three Volumes A Biographical Dictionary
1985
Dawdy, Doris
1,184 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index