Born in Gary, Indiana, and living in Chicago, Hollis Sigler adopted a "faux" naive style of painting as a mocking reaction against a culture that she perceived treats women like children. She also... Read full biography
Born in Gary, Indiana, and living in Chicago, Hollis Sigler adopted a "faux" naive style of painting as a mocking reaction against a culture that she perceived treats women like children. She also found this style one that most people can relate to, and staying at this level, she created works that... Read full biography
Born in Gary, Indiana, and living in Chicago, Hollis Sigler adopted a "faux" naive style of painting as a mocking reaction against a culture that she perceived treats women like children. She also found this style one that most people can relate to, and staying at this level, she created works that are purposefully awkward. Many of her paintings have written banners and decorative, painted frames and depict intimate interiors or suburban back yards. Often there is a shadowy figure whom she... Read full biography
Born in Gary, Indiana, and living in Chicago, Hollis Sigler adopted a "faux" naive style of painting as a mocking reaction against a culture that she perceived treats women like children. She also found this style one that most people can relate to, and staying at this level, she created works that are purposefully awkward. Many of her paintings have written banners and decorative, painted frames and depict intimate interiors or suburban back yards. Often there is a shadowy figure whom she calls "the lady," who is a symbol for real people. From 1975, Sigler has created psychologically complex narrative paintings, drawings, and prints that relate to her own personal experiences. Her themes are women's lives including love, family, coping... Read full biography
Born in Gary, Indiana, and living in Chicago, Hollis Sigler adopted a "faux" naive style of painting as a mocking reaction against a culture that she perceived treats women like children. She also found this style one that most people can relate to, and staying at this level, she created works that are purposefully awkward. Many of her paintings have written banners and decorative, painted frames and depict intimate interiors or suburban back yards. Often there is a shadowy figure whom she calls "the lady," who is a symbol for real people. From 1975, Sigler has created psychologically complex narrative paintings, drawings, and prints that relate to her own personal experiences. Her themes are women's lives including love, family, coping with loss and diseases, and the inevitability of death. In 1985, these themes were especially meaningful to her because she was dia... Read full biography
Hollis Sigler - Artist Info
About Hollis Sigler: Books
Books & Publications (10)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Union League Club of Chicago Art Collection
2003
Richter, Marianne; Wendy Greenhouse (Essays)
308 pages (color)
Printmaking in America Collaborative Prints and Presses 1960-1990
1995
Hansen, Trudy (others)
248 pages (color)
North American Women Artists of the Twentieth Century A Biographical Dictionary
1995
Heller, Jules and Nancy G. Heller
612 pages
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Spirited Visions Portraits of Chicago Artists (Exhibition catalog)
1991
Carrol, Patty/James Yood
96 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Chicago Some Other Traditions (Exhibition catalog)
1983
Adrian, Dennis (intro)
101 pages (color)
1981 Biennial Exhibition Whitney Museum (Exhibition catalog)