According to a biography written by his close friend the Zen monk Daiten Kenjo (1719-1801) in 1766, who would later become abbot of Shokoku-ji, Ito Jakuchu (1716-1800) 'could not bear' to paint human... Read full biography
According to a biography written by his close friend the Zen monk Daiten Kenjo (1719-1801) in 1766, who would later become abbot of Shokoku-ji, Ito Jakuchu (1716-1800) 'could not bear' to paint human forms. Famed primarily for his meticulous polychrome renderings of birds and flowers (doshoku... Read full biography
According to a biography written by his close friend the Zen monk Daiten Kenjo (1719-1801) in 1766, who would later become abbot of Shokoku-ji, Ito Jakuchu (1716-1800) 'could not bear' to paint human forms. Famed primarily for his meticulous polychrome renderings of birds and flowers (doshoku sai-e), these hanging scrolls depicting genre scenes in black ink on paper are therefore a rarity amongst Jakuchu's oeuvre, and offer an intriguing insight into the artist's deep involvement with Zen ink... Read full biography
According to a biography written by his close friend the Zen monk Daiten Kenjo (1719-1801) in 1766, who would later become abbot of Shokoku-ji, Ito Jakuchu (1716-1800) 'could not bear' to paint human forms. Famed primarily for his meticulous polychrome renderings of birds and flowers (doshoku sai-e), these hanging scrolls depicting genre scenes in black ink on paper are therefore a rarity amongst Jakuchu's oeuvre, and offer an intriguing insight into the artist's deep involvement with Zen ink painting traditions. In one of these two paintings, a performer balances on one leg atop a stacked pile of bound bundles of wood. His head tilted back, he supports the base of a long wooden rod on his chin, on top of which balances a rice bowl.... Read full biography
According to a biography written by his close friend the Zen monk Daiten Kenjo (1719-1801) in 1766, who would later become abbot of Shokoku-ji, Ito Jakuchu (1716-1800) 'could not bear' to paint human forms. Famed primarily for his meticulous polychrome renderings of birds and flowers (doshoku sai-e), these hanging scrolls depicting genre scenes in black ink on paper are therefore a rarity amongst Jakuchu's oeuvre, and offer an intriguing insight into the artist's deep involvement with Zen ink painting traditions. In one of these two paintings, a performer balances on one leg atop a stacked pile of bound bundles of wood. His head tilted back, he supports the base of a long wooden rod on his chin, on top of which balances a rice bowl. Oblivious to this precarious stunt, a wood vendor (oharame) sits resting on an adjacent pile of wood, whilst an... Read full biography
Ito Jakuchu - Artist Info
About Ito Jakuchu: Books
Books & Publications (1)
Publications based on askART research. List may not be comprehensive.
The MFA Handbook: A Guide to the Collections of the Museum of Fine Arts, Boston
2009
Rogers, Malcolm (Introduction) and Gilian Shallcross,(Entores