After a childhood in Macao, China, James Brade Sword started out in life, after high school in Philadelphia, employed by a civil engineer on various surveys and earth-moving projects. In his early... Read full biography
After a childhood in Macao, China, James Brade Sword started out in life, after high school in Philadelphia, employed by a civil engineer on various surveys and earth-moving projects. In his early twenties, after sketching in his spare time, he soon turned to the study of painting. He began with... Read full biography
After a childhood in Macao, China, James Brade Sword started out in life, after high school in Philadelphia, employed by a civil engineer on various surveys and earth-moving projects. In his early twenties, after sketching in his spare time, he soon turned to the study of painting. He began with the Pennsylvania Academy of the Fine Arts in Philadelphia in 1861. By 1863, he had studied with George W. Nicholson, a landscape painter, and was deeply involved in painting. His earlier engineering... Read full biography
After a childhood in Macao, China, James Brade Sword started out in life, after high school in Philadelphia, employed by a civil engineer on various surveys and earth-moving projects. In his early twenties, after sketching in his spare time, he soon turned to the study of painting. He began with the Pennsylvania Academy of the Fine Arts in Philadelphia in 1861. By 1863, he had studied with George W. Nicholson, a landscape painter, and was deeply involved in painting. His earlier engineering projects had included the survey of Atchafalaya Bay in Louisiana; enlarging the Union Canal and digging a railroad tunnel, both in Pennsylvania. Sword was born in 1839 in Philadelphia. It would remain his home base, though he painted in various spots in... Read full biography
After a childhood in Macao, China, James Brade Sword started out in life, after high school in Philadelphia, employed by a civil engineer on various surveys and earth-moving projects. In his early twenties, after sketching in his spare time, he soon turned to the study of painting. He began with the Pennsylvania Academy of the Fine Arts in Philadelphia in 1861. By 1863, he had studied with George W. Nicholson, a landscape painter, and was deeply involved in painting. His earlier engineering projects had included the survey of Atchafalaya Bay in Louisiana; enlarging the Union Canal and digging a railroad tunnel, both in Pennsylvania. Sword was born in 1839 in Philadelphia. It would remain his home base, though he painted in various spots in the Northeast, including Eastern Pennsylvania, the Jersey shore, New York's Adirondack Mountains, and Newport, Rhode Island. He was a p... Read full biography
James Sword - Artist Info
About James Sword: Books
Books & Publications (21)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Vose Art Notes Works on Paper
2000
Vose, Marcia L , editor
29 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Painting Frank S. Schwarz & Son, Philadelphia (Exhibition catalog)
1994
Editors
56 pages (color)
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
American Paintings for New Collectors
1991
Schwarz-Philadelphia
64 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
The American Paintings (in the) Pennsylvania Academy of Fine Art
1989
Fresella-Lee, Nancy
222 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
New Hampshire Scenery
1985
Campbell, Catherine
0 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Four Centuries of Sporting Art
1984
Schmitt, Victoria Sandwick
165 pages
American Paintings at Yale University: An illustrated Checklist (Exhibition catalog)
1982
Stebbins, Theodore/G Gorokhoff
213 pages
Art in the United States Capitol
1976
Editor for Architect of the Capitol
0 pages (color)
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
The History of the Brooklyn Art Association with Index of Exhibitions (Exhibition catalog)
1970
Marlor, Clark S
0 pages
Portraits In the University of Pennsylvania
1940
Addison, Agnes (editor)
67 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index