Founding member of the group Jeune Peinture Belge in 1945, Jan Cox came to the United States in 1950 to fulfill his dreams. He exhibited in New York at Curt Valentine's gallery and then Catherine... Read full biography
Founding member of the group Jeune Peinture Belge in 1945, Jan Cox came to the United States in 1950 to fulfill his dreams. He exhibited in New York at Curt Valentine's gallery and then Catherine Viviano's. From 1956 onwards, after a stay in Rome, he worked in Boston as Head of the Painting... Read full biography
Founding member of the group Jeune Peinture Belge in 1945, Jan Cox came to the United States in 1950 to fulfill his dreams. He exhibited in New York at Curt Valentine's gallery and then Catherine Viviano's. From 1956 onwards, after a stay in Rome, he worked in Boston as Head of the Painting Department at the School of the Museum of Fine Arts, where he realized his first important painting cycle based on the myth of Orpheus. In 1974 he returned to Antwerp to dedicate himself entirely to painting... Read full biography
Founding member of the group Jeune Peinture Belge in 1945, Jan Cox came to the United States in 1950 to fulfill his dreams. He exhibited in New York at Curt Valentine's gallery and then Catherine Viviano's. From 1956 onwards, after a stay in Rome, he worked in Boston as Head of the Painting Department at the School of the Museum of Fine Arts, where he realized his first important painting cycle based on the myth of Orpheus. In 1974 he returned to Antwerp to dedicate himself entirely to painting and in 1975 produced his monumental painting cycle based on Homer's Iliad. This series of paintings was his catharsis of violence, expression of disappointment he had previously experienced in modern society and purging of his haunting memories of... Read full biography
Founding member of the group Jeune Peinture Belge in 1945, Jan Cox came to the United States in 1950 to fulfill his dreams. He exhibited in New York at Curt Valentine's gallery and then Catherine Viviano's. From 1956 onwards, after a stay in Rome, he worked in Boston as Head of the Painting Department at the School of the Museum of Fine Arts, where he realized his first important painting cycle based on the myth of Orpheus. In 1974 he returned to Antwerp to dedicate himself entirely to painting and in 1975 produced his monumental painting cycle based on Homer's Iliad. This series of paintings was his catharsis of violence, expression of disappointment he had previously experienced in modern society and purging of his haunting memories of the Second World War. Until his death in Antwerp on October 7, 1980, Jan Cox's career continued with works on the subject... Read full biography
Jan Cox - Artist Info
About Jan Cox: Books
Books & Publications (6)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
Three Centuries of New England Art From New England Museums
1969
Brockton Art Center
48 pages
American Paintings in the Museum of Fine Arts, Boston (Two Volumes)