With energetic abstract expression, an aggressive personality, and reckless life style, John Altoon was a major presence in the 1950 and 60s art scene of Los Angeles that included Robert Irwin, Ed... Read full biography
With energetic abstract expression, an aggressive personality, and reckless life style, John Altoon was a major presence in the 1950 and 60s art scene of Los Angeles that included Robert Irwin, Ed Kienholz and Ed Moses. Artistically he became known for his oil paintings and his influence as an art... Read full biography
With energetic abstract expression, an aggressive personality, and reckless life style, John Altoon was a major presence in the 1950 and 60s art scene of Los Angeles that included Robert Irwin, Ed Kienholz and Ed Moses. Artistically he became known for his oil paintings and his influence as an art instructor. In the magazine "Art in America," February 1999, he was referred to, relative to that era, as "the baddest of the bad boys" [84], one who rode motorcycles at high speeds, drove cars... Read full biography
With energetic abstract expression, an aggressive personality, and reckless life style, John Altoon was a major presence in the 1950 and 60s art scene of Los Angeles that included Robert Irwin, Ed Kienholz and Ed Moses. Artistically he became known for his oil paintings and his influence as an art instructor. In the magazine "Art in America," February 1999, he was referred to, relative to that era, as "the baddest of the bad boys" [84], one who rode motorcycles at high speeds, drove cars blindfolded, and also suffered from schizophrenia. He grew up in Los Angeles and after high school graduation, served in the Navy as a radar technician in the Pacific during World War II. At the end of the war, he used the GI Bill to go to art school and... Read full biography
With energetic abstract expression, an aggressive personality, and reckless life style, John Altoon was a major presence in the 1950 and 60s art scene of Los Angeles that included Robert Irwin, Ed Kienholz and Ed Moses. Artistically he became known for his oil paintings and his influence as an art instructor. In the magazine "Art in America," February 1999, he was referred to, relative to that era, as "the baddest of the bad boys" [84], one who rode motorcycles at high speeds, drove cars blindfolded, and also suffered from schizophrenia. He grew up in Los Angeles and after high school graduation, served in the Navy as a radar technician in the Pacific during World War II. At the end of the war, he used the GI Bill to go to art school and lived and worked as a commercial illustrator in New York City. During this time, he also created large gestural paintings, as a result of... Read full biography
John Altoon - Artist Info
About John Altoon: Books
Books & Publications (33)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
California Watercolors 1850-1970, An Illustrated History & Biographical Dictionary
2002
McClelland, Gordon T; Jay T. Last
231 pages (color)
Picasso to Pop: The Richard Weisman Collection
2002
Shea, Patricia (Editor)
124 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
California Art: 450 Years of Painting & Other Media
1998
Moure, Nancy Dustin Wall
560 pages (color)
John Altoon
1997
Davies, Hugh M (foreward)
56 pages (color)
The Drawing Collection Stanford University Museum of Art
1993
Eitner, Lorenz (others)
418 pages (color)
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
San Francisco Museum of Modern Art Paintings and Sculpture Collection
1985
DuPont, Diana, K Holland
402 pages (color)
Cinquante Ans de Dessins Americai 1930-1980 (Exhibition catalog)
1985
Ecole Nationale/Beaux-Arts
290 pages (color)
Chouinard: An Art Vision Betrayed: A History of the Chouinard Art Institute
1985
Perine, Robert
260 pages (color)
The Art of California Selected Works/ Oakland Museum
1984
Orr-Cahill, Christina
199 pages (color)
The California Connection 16 Paintings/Gifford Phillips Collection (Exhibition catalog)
1983
Edgerton, Anne Carnegie
32 pages
The First Show (1940-1980) Painting and Sculpture from Eight Collections (Exhibition catalog)
1983
Museum of Contemporary Art
293 pages (color)
Southern California Artists 1940-1980 (Exhibition catalog)
1981
Ball, Maudette
66 pages (color)
Denver Art Museum Major Works in the Collection
1981
Ritchie, Margaret
304 pages (color)
John Altoon (Exhibition catalog)
1980
Barton, Brigid
44 pages (color)
Los Angeles Prints 1883-1980 (Exhibition catalog)
1980
Feinblatt, Ebria/Bruce Davis
111 pages
American Drawing A Guide to Information Sources
1979
Doumato, Lamia
246 pages
Frederick Weisman Collection California Art (Exhibition catalog)