John Meredith Smith, painter, was known professionally since 1951 as John Meredith. He studied at the Ontario College of Art 1950-53, and had his first solo exhibition in 1958. Meredith's work was... Read full biography
John Meredith Smith, painter, was known professionally since 1951 as John Meredith. He studied at the Ontario College of Art 1950-53, and had his first solo exhibition in 1958. Meredith's work was informed by a belief in the human presence as the ultimate subject of art; it was based on knowledge... Read full biography
John Meredith Smith, painter, was known professionally since 1951 as John Meredith. He studied at the Ontario College of Art 1950-53, and had his first solo exhibition in 1958. Meredith's work was informed by a belief in the human presence as the ultimate subject of art; it was based on knowledge gained through experience rather than theory, on instinctive understanding. In early works (1958-62), abstract vertical stripes, dark and tonal in colour, take on first vegetal and then human... Read full biography
John Meredith Smith, painter, was known professionally since 1951 as John Meredith. He studied at the Ontario College of Art 1950-53, and had his first solo exhibition in 1958. Meredith's work was informed by a belief in the human presence as the ultimate subject of art; it was based on knowledge gained through experience rather than theory, on instinctive understanding. In early works (1958-62), abstract vertical stripes, dark and tonal in colour, take on first vegetal and then human connotations, projecting a pervasive sense of primordial mystery. Paintings from the period 1962-66 generally present large-scale images and brilliant colour, often used to optical and psychological effect. Coloured-ink sketches then became the basis for... Read full biography
John Meredith Smith, painter, was known professionally since 1951 as John Meredith. He studied at the Ontario College of Art 1950-53, and had his first solo exhibition in 1958. Meredith's work was informed by a belief in the human presence as the ultimate subject of art; it was based on knowledge gained through experience rather than theory, on instinctive understanding. In early works (1958-62), abstract vertical stripes, dark and tonal in colour, take on first vegetal and then human connotations, projecting a pervasive sense of primordial mystery. Paintings from the period 1962-66 generally present large-scale images and brilliant colour, often used to optical and psychological effect. Coloured-ink sketches then became the basis for paintings; his work at the same time became increasingly complex, concentrated and obsessive. These exceptional paintings of the l... Read full biography
John Meredith - Artist Info
About John Meredith: Books
Books & Publications (22)
Publications based on askART research. List may not be comprehensive.
AGO: Highlights from the Collection of the Art Gallery of Ontario
2013
Editor, Art Gallery of Ontario
357 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
The Sixties in Canada (National Gallery of Canada) (Exhibition catalog)
2005
Leclerc, Denise; Pierre Dessureault; National Gallery of Canada
188 pages (color)
Isaacs Seen: 50 Years on the Art Front, a Gallery Scrapbook
2005
Wigmore, Donnalu and John Parry
168 pages (color)
Signs of the Spirit: The Donovan Collection at St. Michael's College (University of St. Michael's College
2001
Always, Richard, Daniel Donovan and Ihor Holubizky
72 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
Montreal Museum of Fine Arts-Spring Exhibitions 1880-1970 (Formerly Art Association of Montreal)
1988
McMann, Evelyn de Rostaing
417 pages
A Concise History of Canadian Painting (Second Edition)
1988
Reid, Dennis
418 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Art in Architecture: Art for the Built Environment in the Province of Ontario
1982
Parkin, Jeanne
276 pages
Selections from the Westburne Collection (Edmonton Art Gallery)
1982
Wilkin, Karen
48 pages (color)
20th Century Canadian Drawings
1979
Morris, Jerrold
107 pages
Modern Painting in Canada: Major Movements in Twentieth Century Canadian Art
1978
Fenton, Terry; Karen Wilken
119 pages (color)
A Canadian Survey: Selected Works from the Collection of Imperial Oil Limited (Art Gallery of Ontario)
1978
Moses, Gerry
52 pages (color)
Contemporary Canadian Painting
1972
Withrow, William
224 pages (color)
Canadian Art Today
1970
Townsend, William
114 pages (color)
Canadian Artists 68 (The National Art Exhibition Committee)
1968
Young, Dennis
79 pages
A History of Peel County: To Mark Its Centenary as a Separate County, 1867-1967
1967
Charters, C.V. (Editor)
287 pages (color)
Canadian Prints and Drawings: With a Collection of Photographs by Yousuf Karsh
1967
Fenwick, Kathleen M. and Yousuf Karsh, Roger Duhamel
64 pages
Sixth Biennial Exhibition of Canadian Painting, 1965 (National Gallery of Canada) (Exhibition catalog)