One of the few artists working in Spanish New Mexico during the late 18th and early 19th centuries, Jose Aragon focused on religious images for churches and homes. He was a wood carver who used local... Read full biography
One of the few artists working in Spanish New Mexico during the late 18th and early 19th centuries, Jose Aragon focused on religious images for churches and homes. He was a wood carver who used local woods such as ponderosa pine or cottonwood roots and also a painter who used watercolor and... Read full biography
One of the few artists working in Spanish New Mexico during the late 18th and early 19th centuries, Jose Aragon focused on religious images for churches and homes. He was a wood carver who used local woods such as ponderosa pine or cottonwood roots and also a painter who used watercolor and tempera. For his woodcarvings, his method was to cover the carved object with gesso or plaster and then apply color with watercolor paints. He was especially noted for his creative decorative motifs, color... Read full biography
One of the few artists working in Spanish New Mexico during the late 18th and early 19th centuries, Jose Aragon focused on religious images for churches and homes. He was a wood carver who used local woods such as ponderosa pine or cottonwood roots and also a painter who used watercolor and tempera. For his woodcarvings, his method was to cover the carved object with gesso or plaster and then apply color with watercolor paints. He was especially noted for his creative decorative motifs, color contrasts, boldness of line and abstract forms. Much of his work was creating monumental altar screens, and he also supervised church-decoration projects and carved retablos. Evidence shows that he was active for nearly fifty years, from 1815 to 1862.... Read full biography
One of the few artists working in Spanish New Mexico during the late 18th and early 19th centuries, Jose Aragon focused on religious images for churches and homes. He was a wood carver who used local woods such as ponderosa pine or cottonwood roots and also a painter who used watercolor and tempera. For his woodcarvings, his method was to cover the carved object with gesso or plaster and then apply color with watercolor paints. He was especially noted for his creative decorative motifs, color contrasts, boldness of line and abstract forms. Much of his work was creating monumental altar screens, and he also supervised church-decoration projects and carved retablos. Evidence shows that he was active for nearly fifty years, from 1815 to 1862. The first record found of him is in Santa Fe on July 19, 1815 when he married Maria Josefa Lucero. Three years later, he made a pledge to the c... Read full biography
Jose Aragon - Artist Info
About Jose Aragon: Books
Books & Publications (13)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Harwood Museum: Collection Handbook
1997
Ellis, Robert M. (Director)
48 pages (color)
Art in New Mexico, 1900-1945 Paths to Taos and Santa Fe
1986
Eldredge, Charles/J Schimmel
218 pages (color)
American Watercolors
1986
Finch, Christopher
312 pages (color)
Colorado Springs Fine Art Center A History and Selections from the Collection
1986
Piazza, Paul/Marshall Sprague
210 pages (color)
American Folk Painters of Three Centuries
1980
Lipman, Jean and Tom Armstrong
233 pages (color)
Folk Painters of America
1979
Bishop, Robert
255 pages (color)
Frontier America/The Far West (Exhibition catalog)
1975
Museum of Fine Arts, Boston
232 pages (color)
Catalogue of American Paintings in British Public Collections
1974
Gidley, Mick
58 pages
Mexican American Artists
1973
Quirarte, Jacinto
149 pages (color)
The Hand and Spirit Religious Art in America 1700-1900 (Exhibition catalog)