Julius Block, one of the prominent Jewish artists of Philadelphia, was a social realist painter whose subjects focused on the working classes. His admiration for Thomas Eakins, also a social realist,... Read full biography
Julius Block, one of the prominent Jewish artists of Philadelphia, was a social realist painter whose subjects focused on the working classes. His admiration for Thomas Eakins, also a social realist, likely contributed to his interest in these subjects. For many years, he was a teacher at the... Read full biography
Julius Block, one of the prominent Jewish artists of Philadelphia, was a social realist painter whose subjects focused on the working classes. His admiration for Thomas Eakins, also a social realist, likely contributed to his interest in these subjects. For many years, he was a teacher at the Pennsylvania Academy, and his message to students was that you need to know life in order to paint life. He began his career by painting floral still-lives, but seeing Depression-era social conditions... Read full biography
Julius Block, one of the prominent Jewish artists of Philadelphia, was a social realist painter whose subjects focused on the working classes. His admiration for Thomas Eakins, also a social realist, likely contributed to his interest in these subjects. For many years, he was a teacher at the Pennsylvania Academy, and his message to students was that you need to know life in order to paint life. He began his career by painting floral still-lives, but seeing Depression-era social conditions changed his focus to express his sympathy for persons who were "down and out." . One of the first American artists to paint poverty-stricken black Americans, he tried to make sure that his subjects retained their dignity. In doing this, he painted many... Read full biography
Julius Block, one of the prominent Jewish artists of Philadelphia, was a social realist painter whose subjects focused on the working classes. His admiration for Thomas Eakins, also a social realist, likely contributed to his interest in these subjects. For many years, he was a teacher at the Pennsylvania Academy, and his message to students was that you need to know life in order to paint life. He began his career by painting floral still-lives, but seeing Depression-era social conditions changed his focus to express his sympathy for persons who were "down and out." . One of the first American artists to paint poverty-stricken black Americans, he tried to make sure that his subjects retained their dignity. In doing this, he painted many of the poor blacks with the formality of high-dollar, commissioned portraits. Not everyone was accepting of this p... Read full biography
Julius Bloch - Artist Info
About Julius Bloch: Books
Books & Publications (24)
Publications based on askART research. List may not be comprehensive.
New Hope for American Art A Comprehensive Showing of Important 20th Century Paintings from and Surrounding the New Hope Art Colony
2005
Alterman, James M.
612 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
150 Years of Philadelphia Still Life Painting (Exhibition catalog)
1997
Schwarz, Robert Devlin
130 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The American Paintings (in the) Pennsylvania Academy of Fine Art
1989
Fresella-Lee, Nancy
222 pages (color)
Woodstock's Art Heritage Permanent Collection Woodstock A A
1987
Woodstock Art Association
176 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
The Society of Independent Artists Exhibition Record 1917-1944 (Exhibition catalog)
1984
Marlor, Clark S
600 pages
Tradition and Innovation in New Deal Art
1983
Contreras, Belasario R
253 pages
Julius Bloch: Portrait of the Artist
1983
Likos, Patricia
0 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Social Art in America 1930-1945 (Exhibition catalog)