Luke Anguhadluq, Inuit artist was a powerful camp leader of the Utkuhikhalingmiut people, Anguhadluq had two adult sons to hunt beside him, a rare good fortune during the years of starvation among... Read full biography
Luke Anguhadluq, Inuit artist was a powerful camp leader of the Utkuhikhalingmiut people, Anguhadluq had two adult sons to hunt beside him, a rare good fortune during the years of starvation among the inland CARIBOU INUIT. When he moved into Baker Lake at age 73, too old to hunt, he turned to... Read full biography
Luke Anguhadluq, Inuit artist was a powerful camp leader of the Utkuhikhalingmiut people, Anguhadluq had two adult sons to hunt beside him, a rare good fortune during the years of starvation among the inland CARIBOU INUIT. When he moved into Baker Lake at age 73, too old to hunt, he turned to drawing as a source of income. His drawings depict a world view unique to hunting peoples and reminiscent of prehistoric art. When Anguhadluq made drawings of the drum dance, he made the skin drum enormous... Read full biography
Luke Anguhadluq, Inuit artist was a powerful camp leader of the Utkuhikhalingmiut people, Anguhadluq had two adult sons to hunt beside him, a rare good fortune during the years of starvation among the inland CARIBOU INUIT. When he moved into Baker Lake at age 73, too old to hunt, he turned to drawing as a source of income. His drawings depict a world view unique to hunting peoples and reminiscent of prehistoric art. When Anguhadluq made drawings of the drum dance, he made the skin drum enormous and yellow like the sun, dominating the centre of the picture. Small, static Inuit men and women spiral around the drum like rays emanating from their shamanic source. When drawing, he laid the paper between his outstretched legs and turned the... Read full biography
Luke Anguhadluq, Inuit artist was a powerful camp leader of the Utkuhikhalingmiut people, Anguhadluq had two adult sons to hunt beside him, a rare good fortune during the years of starvation among the inland CARIBOU INUIT. When he moved into Baker Lake at age 73, too old to hunt, he turned to drawing as a source of income. His drawings depict a world view unique to hunting peoples and reminiscent of prehistoric art. When Anguhadluq made drawings of the drum dance, he made the skin drum enormous and yellow like the sun, dominating the centre of the picture. Small, static Inuit men and women spiral around the drum like rays emanating from their shamanic source. When drawing, he laid the paper between his outstretched legs and turned the drawing as he worked, conceiving his image like a map, looking down on his subject, with one continuous horizon line formed by the e... Read full biography
Luke Anguhadluq - Artist Info
About Luke Anguhadluq: Books
Books & Publications (5)
Publications based on askART research. List may not be comprehensive.
In the Shadow of the Sun: Perspectives on Contemporary Native Art (Canadian Museum of Civilization) (Exhibition catalog)
1993
McMaster, Gerald et al
538 pages
Agnes Etherington Art Centre: Exhibitions in Review, 1987-1988 (Agnes Etherinton Art Centre)
1988
Bell, Michael et al
122 pages
Arctic Vision: Art of the Canadian Inuit (Exhibition catalog)
1984
Lipton, Barbara
107 pages (color)
Twenty Painters/Twenty Paintings: Contemporary Canadian Art
1979
Lipman, Marci; Louise Lipman
48 pages (color)
The Inuit Print
1977
Editor, National Museums of Man, Canada and Department of Indian and Northern Affairs