Born in Warren, Ohio, Luther Van Gorder along with Edmund H. Osthaus (1858-1928) and Wilder Darling (1856-1933), were among the most distinguished painters of the Toledo area during the late... Read full biography
Born in Warren, Ohio, Luther Van Gorder along with Edmund H. Osthaus (1858-1928) and Wilder Darling (1856-1933), were among the most distinguished painters of the Toledo area during the late nineteenth and early twentieth century. He is best known for his views of Parisian flower markets. While... Read full biography
Born in Warren, Ohio, Luther Van Gorder along with Edmund H. Osthaus (1858-1928) and Wilder Darling (1856-1933), were among the most distinguished painters of the Toledo area during the late nineteenth and early twentieth century. He is best known for his views of Parisian flower markets. While young, Luther Van Gorder worked for a Toledo newspaper, and then went on to study art in New York City, and then Paris from 1894 to 1896. He continued to live abroad for five years, and then returned to... Read full biography
Born in Warren, Ohio, Luther Van Gorder along with Edmund H. Osthaus (1858-1928) and Wilder Darling (1856-1933), were among the most distinguished painters of the Toledo area during the late nineteenth and early twentieth century. He is best known for his views of Parisian flower markets. While young, Luther Van Gorder worked for a Toledo newspaper, and then went on to study art in New York City, and then Paris from 1894 to 1896. He continued to live abroad for five years, and then returned to Toledo where he painted street scenes, landscapes, and illustrations. His Parisian flower markets were a theme popular among Impressionist painters, but Van Gorder worked in a more conservative way, emphasizing a muted, somewhat Tonalist palette, and... Read full biography
Born in Warren, Ohio, Luther Van Gorder along with Edmund H. Osthaus (1858-1928) and Wilder Darling (1856-1933), were among the most distinguished painters of the Toledo area during the late nineteenth and early twentieth century. He is best known for his views of Parisian flower markets. While young, Luther Van Gorder worked for a Toledo newspaper, and then went on to study art in New York City, and then Paris from 1894 to 1896. He continued to live abroad for five years, and then returned to Toledo where he painted street scenes, landscapes, and illustrations. His Parisian flower markets were a theme popular among Impressionist painters, but Van Gorder worked in a more conservative way, emphasizing a muted, somewhat Tonalist palette, and demonstrating care with perspective.... Read full biography
Luther Van Gorder - Artist Info
About Luther Van Gorder: Books
Books & Publications (16)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Triumph of Color and Light: Ohio Impressionists and Post Impressionists (Exhibition catalog)
1994
Kany, James M; Nannette V. Maciejunes
170 pages (color)
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
The Lure of Paris: Nineteenth-Century American Painters and Their French Teachers
1991
Weinberg, H Barbara
295 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
American Art at the Nineteenth Century Paris Salons
1990
Fink, Lois Marie; Albert Boime, Forward; Elizabeth Broun, Preface
430 pages (color)
Art Across America: The South, Near Midwest (Volume Two)
1990
Gerdts, William H
396 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
The Toledo Museum of Art American Paintings
1979
Strickler, Susan (Catalogue); William Hutton (Editor)
227 pages (color)
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index