MANOUCHER YEKTAI's life has brought him through three cultures: Iran, France, the United States. This trajectory can be seen as a search for Modernism, and for a participation in Modernism, indeed,... Read full biography
MANOUCHER YEKTAI's life has brought him through three cultures: Iran, France, the United States. This trajectory can be seen as a search for Modernism, and for a participation in Modernism, indeed, for a home in it. For a painter, the itinerary seems clear in its meaning: from Iran where, under... Read full biography
MANOUCHER YEKTAI's life has brought him through three cultures: Iran, France, the United States. This trajectory can be seen as a search for Modernism, and for a participation in Modernism, indeed, for a home in it. For a painter, the itinerary seems clear in its meaning: from Iran where, under Islamic strictures about imagery, free artistic expression was not available, first (with a brief pause in New York) to the ripe ambience of the School of Paris, then (more permanently) to the fledgling... Read full biography
MANOUCHER YEKTAI's life has brought him through three cultures: Iran, France, the United States. This trajectory can be seen as a search for Modernism, and for a participation in Modernism, indeed, for a home in it. For a painter, the itinerary seems clear in its meaning: from Iran where, under Islamic strictures about imagery, free artistic expression was not available, first (with a brief pause in New York) to the ripe ambience of the School of Paris, then (more permanently) to the fledgling excitement of the emerging New York School. But Yektai's development, seen in a larger frame, has not been entirely simple and linear. His trajectory through three cultures seems nomadic, and his identification with Modern New York seems an... Read full biography
MANOUCHER YEKTAI's life has brought him through three cultures: Iran, France, the United States. This trajectory can be seen as a search for Modernism, and for a participation in Modernism, indeed, for a home in it. For a painter, the itinerary seems clear in its meaning: from Iran where, under Islamic strictures about imagery, free artistic expression was not available, first (with a brief pause in New York) to the ripe ambience of the School of Paris, then (more permanently) to the fledgling excitement of the emerging New York School. But Yektai's development, seen in a larger frame, has not been entirely simple and linear. His trajectory through three cultures seems nomadic, and his identification with Modern New York seems an acceptance of hybridity in the post-Modernist sense; but at the same time, in a kind of artistic double life, he has been careful to maintain his rooted... Read full biography
Manoucher Yektai - Artist Info
About Manoucher Yektai: Books
Books & Publications (13)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
American Abstract Expressionism of the 1950s: An Illustrated Survey
2003
Herskovic, Marika (editor)
372 pages (color)
New York School: Abstract Expressionists Artists Choice by Artists
2000
Herskovic, Marika
393 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
San Francisco Museum of Modern Art Paintings and Sculpture Collection
1985
DuPont, Diana, K Holland
402 pages (color)
Painting and Sculpture in the Museum of Modern Art
1977
Barr, Alfred H
655 pages
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
The Poindexter Collection of Contemporary American Art (Montana Historical Society)
1961
E.G. Poindexter; Frank O'Hara
30 pages
60 American Painters 1960 Abstract Expressionist Painting of the Fifties (Exhibition catalog)