Of Tewa heritage of the San Ildefonso Pueblo in the Rio Grande Valley of New Mexico, Maria Martinez became world renowned for her black on black pottery. "This process involved burying the unfinished... Read full biography
Of Tewa heritage of the San Ildefonso Pueblo in the Rio Grande Valley of New Mexico, Maria Martinez became world renowned for her black on black pottery. "This process involved burying the unfinished pot in a fire in the ground, covered tightly with sheep or cow dung for fuel. The amount of air... Read full biography
Of Tewa heritage of the San Ildefonso Pueblo in the Rio Grande Valley of New Mexico, Maria Martinez became world renowned for her black on black pottery. "This process involved burying the unfinished pot in a fire in the ground, covered tightly with sheep or cow dung for fuel. The amount of air reaching the pottery determined whether the clay remained red or instead turned completely black." (Gibson/Michnovicz, 91) . Her pottery was first exhibited beyond her pueblo at the St. Louis World's... Read full biography
Of Tewa heritage of the San Ildefonso Pueblo in the Rio Grande Valley of New Mexico, Maria Martinez became world renowned for her black on black pottery. "This process involved burying the unfinished pot in a fire in the ground, covered tightly with sheep or cow dung for fuel. The amount of air reaching the pottery determined whether the clay remained red or instead turned completely black." (Gibson/Michnovicz, 91) . Her pottery was first exhibited beyond her pueblo at the St. Louis World's Fair in 1904, and many decades later at the Smithsonian Museum in Washington DC, the Millicent Rogers Museum in Taos, and the Heard Museum in Phoenix. She learned to make pots as a child from her aunt, Tia Nicolasa, and began with clay dishes she made... Read full biography
Of Tewa heritage of the San Ildefonso Pueblo in the Rio Grande Valley of New Mexico, Maria Martinez became world renowned for her black on black pottery. "This process involved burying the unfinished pot in a fire in the ground, covered tightly with sheep or cow dung for fuel. The amount of air reaching the pottery determined whether the clay remained red or instead turned completely black." (Gibson/Michnovicz, 91) . Her pottery was first exhibited beyond her pueblo at the St. Louis World's Fair in 1904, and many decades later at the Smithsonian Museum in Washington DC, the Millicent Rogers Museum in Taos, and the Heard Museum in Phoenix. She learned to make pots as a child from her aunt, Tia Nicolasa, and began with clay dishes she made for her playhouse. In 1908, New Mexico archaeologist Dr. Edgar Hewett asked her to put some shards toge... Read full biography
Maria Montoya Poveka Martinez - Artist Info
About Maria Montoya Poveka Martinez: Books
Books & Publications (24)
Publications based on askART research. List may not be comprehensive.
Southwest Art History Conference Abstracts, 1996-2013
2014
Fahlman, Betsy (Editor)
217 pages (color)
Pueblo Indians of New Mexico Postcard History Series
2008
Nickens, Paul and Kathleen
127 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Images of America: Los Alamos 1944-1947
2005
Gibson, Toni Michnovicz; Jon Michnovicz
128 pages
In Pursuit of Perfection: The Art of Agnes Martin, Maria Martinez, and Florence Pierce
2005
Rodgers, Timothy Robert
101 pages (color)
The Legacy of Maria Poveka Martinez
2003
Spivey, Richard L
0 pages (color)
Pueblo Indian Pottery
2000
Schaaf, Gregory
0 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Maria Martinez, Tewa Potter
1999
Gonzalez, Doreen
0 pages
Tending the Fire Story of Maria Martinez
1997
Morse, Juddi
120 pages
Made in America Ten Centuries of American Art
1995
Adams, H. and Johnson, K.
192 pages (color)
Maria Montoya Martinez, Master Potter
1995
Kreischer, Elsie Karr; Robert Sinnock
0 pages (color)
The Remarkable Lives Of 100 Women Artists
1994
Bailey, Brooke
207 pages
Fourteen Families in Pueblo Pottery
1994
Dillingham, Rick
0 pages
Maria Martinez: Pueblo Potter (Picture-Story Biographies)
1993
Anderson, Peter
0 pages (color)
Maria Making Pottery: The Story of Famous American Indian Potter Maria Martinez
1992
Hyde, Hazel
0 pages (color)
Art in New Mexico, 1900-1945 Paths to Taos and Santa Fe
1986
Eldredge, Charles/J Schimmel
218 pages (color)
American Women Artists from Early Times to the Present
1982
Rubinstein, Charlotte Streifer
560 pages (color)
Maria
1979
Spivey, Richard L
0 pages
The Living Tradition of Maria Martinez
1977
Peterson, Susan
0 pages (color)
Maria Martinez: The Story of An American Indian
1974
Nelson, Mary Carroll
74 pages (color)
Maria, the Potter of San Ildefonso
1948
Marriott, Alice Lee
0 pages
Visits with a Friend: Recollections of Maria Martinez