Among the first generation of American painters to live and work in Giverny, France, during the 1890s, Mariquita Gill applied the light and coloristic concerns of Impressionism to views of the Seine... Read full biography
Among the first generation of American painters to live and work in Giverny, France, during the 1890s, Mariquita Gill applied the light and coloristic concerns of Impressionism to views of the Seine Valley, depicting grainstacks and poplar trees, as well as the lush flowers growing in her garden.... Read full biography
Among the first generation of American painters to live and work in Giverny, France, during the 1890s, Mariquita Gill applied the light and coloristic concerns of Impressionism to views of the Seine Valley, depicting grainstacks and poplar trees, as well as the lush flowers growing in her garden. Upon relinquishing her expatriate lifestyle, Gill returned to the United States, where she was associated with the artistic life of Massachusetts. Gill was born in Montevideo, Uruguay, the daughter of... Read full biography
Among the first generation of American painters to live and work in Giverny, France, during the 1890s, Mariquita Gill applied the light and coloristic concerns of Impressionism to views of the Seine Valley, depicting grainstacks and poplar trees, as well as the lush flowers growing in her garden. Upon relinquishing her expatriate lifestyle, Gill returned to the United States, where she was associated with the artistic life of Massachusetts. Gill was born in Montevideo, Uruguay, the daughter of a New England ship captain and his wife, Mary. It has been said that her name, which means "little Mary" in Spanish, expressed "that . exotic quality which Mariquita Gill always had." . Gill began her formal training in Boston, studying under the... Read full biography
Among the first generation of American painters to live and work in Giverny, France, during the 1890s, Mariquita Gill applied the light and coloristic concerns of Impressionism to views of the Seine Valley, depicting grainstacks and poplar trees, as well as the lush flowers growing in her garden. Upon relinquishing her expatriate lifestyle, Gill returned to the United States, where she was associated with the artistic life of Massachusetts. Gill was born in Montevideo, Uruguay, the daughter of a New England ship captain and his wife, Mary. It has been said that her name, which means "little Mary" in Spanish, expressed "that . exotic quality which Mariquita Gill always had." . Gill began her formal training in Boston, studying under the watercolorist Ross Turner during the early 1880s. Inspired by the example of her teacher, she specialized in landscapes in wa... Read full biography
Mariquita Gill - Artist Info
About Mariquita Gill: Books
Books & Publications (11)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Boston Art Club: 1855-1950
2000
Jarzombek, Nancy Allyn
88 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
American Art at the Nineteenth Century Paris Salons
1990
Fink, Lois Marie; Albert Boime, Forward; Elizabeth Broun, Preface
430 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Impressionism and Post-Impressionism Transformations 1885-1945 (Exhibition catalog)
1988
Preato, Robert R.; Dr. Sandra L. Langer
104 pages (color)
Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900
1985
Petteys, Chris with Hazel Gustow, Ferris Olin and Verna Ritchie
851 pages
Who's Who in American Art-1901: American Art Annual