Martin Ramirez is labeled an "outsider artist" because he was self-taught and seemed to be in a world totally unto himself. Of him relative to this 'outsider' description, it was written: "One reason... Read full biography
Martin Ramirez is labeled an "outsider artist" because he was self-taught and seemed to be in a world totally unto himself. Of him relative to this 'outsider' description, it was written: "One reason his drawings always seemed so confounding, even to outsider-art connoisseurs, was because no one... Read full biography
Martin Ramirez is labeled an "outsider artist" because he was self-taught and seemed to be in a world totally unto himself. Of him relative to this 'outsider' description, it was written: "One reason his drawings always seemed so confounding, even to outsider-art connoisseurs, was because no one was really sure if the women, horsemen, buildings and trains that appear in them were pure products of his imagination or portrayals of specific subjects in the real world that had particular meanings... Read full biography
Martin Ramirez is labeled an "outsider artist" because he was self-taught and seemed to be in a world totally unto himself. Of him relative to this 'outsider' description, it was written: "One reason his drawings always seemed so confounding, even to outsider-art connoisseurs, was because no one was really sure if the women, horsemen, buildings and trains that appear in them were pure products of his imagination or portrayals of specific subjects in the real world that had particular meanings for the artist. What was Ramirez trying to express?" . Marked by a reverberating and repetitive line, his drawings have an obsessive quality. Of the 300 plus extant works, the most recurring images are the horse and rider and trains, potent symbols of... Read full biography
Martin Ramirez is labeled an "outsider artist" because he was self-taught and seemed to be in a world totally unto himself. Of him relative to this 'outsider' description, it was written: "One reason his drawings always seemed so confounding, even to outsider-art connoisseurs, was because no one was really sure if the women, horsemen, buildings and trains that appear in them were pure products of his imagination or portrayals of specific subjects in the real world that had particular meanings for the artist. What was Ramirez trying to express?" . Marked by a reverberating and repetitive line, his drawings have an obsessive quality. Of the 300 plus extant works, the most recurring images are the horse and rider and trains, potent symbols of the freedom and escape that were denied to him. The self-taught Ramirez, before he took up art th... Read full biography
Martin Ramirez - Artist Info
About Martin Ramirez: Books
Books & Publications (14)
Publications based on askART research. List may not be comprehensive.
Martin Ramirez: Reframing Confinement (Exhibition catalog)
2010
Lawrence, L. Cooke; B. Davis Anderson; J Lawrence; L. Perez-Oramas
200 pages (color)
Martin Ramirez: The Last Works
2008
Anderson, Brooke Davis; Richard Rodriquez; Wayne Thiebaud
160 pages (color)
Martin Ramirez
2007
Davis, Brooke
192 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Masterworks from the American Folk Art Museum (Exhibition catalog)
2001
Hollander, Stacy C.; Brooke Davis Anderson
0 pages (color)
Contemporary American Folk Art A Collectors's Guide
1996
Rosenak, Chuck and Jan
320 pages (color)
A World of Their Own: Twentieth Century American Folk Art (Newark Museum)
1995
Jacobs, Joseph
88 pages (color)
Common Ground/Uncommon Vision Michael & Julie Hall Collection American Folk Art (Exhibition catalog)
1993
Lippard, Lucy/J Hayes/K Ames
335 pages (color)
American Self-Taught: Paintings and Drawings by Outsider Artists
1993
Maresca, Frank, Roger Ricco
298 pages (color)
Museum of American Folk Art Encyclopedia of 20th Century Folk Art and Artists
1990
Rosenak, Chuck and Jan
416 pages (color)
Hispanic Art in the United States (Exhibition catalog)