Following is a review written by Linda Yablonsky and published in The New York Times Magazine, February 24, 2012. The exhibition was titled "Artifacts/Mary Corse". Who could have imagined that... Read full biography
Following is a review written by Linda Yablonsky and published in The New York Times Magazine, February 24, 2012. The exhibition was titled "Artifacts/Mary Corse". Who could have imagined that quantum mechanics could inspire a revelation in painting? It did for Mary Corse, an under-sung veteran of... Read full biography
Following is a review written by Linda Yablonsky and published in The New York Times Magazine, February 24, 2012. The exhibition was titled "Artifacts/Mary Corse". Who could have imagined that quantum mechanics could inspire a revelation in painting? It did for Mary Corse, an under-sung veteran of the Southern California Light and Space movement, who is finally getting her due in New York, at the Chelsea branch of Lehmann Maupin Gallery. The greater benefit, though, goes to those who see the... Read full biography
Following is a review written by Linda Yablonsky and published in The New York Times Magazine, February 24, 2012. The exhibition was titled "Artifacts/Mary Corse". Who could have imagined that quantum mechanics could inspire a revelation in painting? It did for Mary Corse, an under-sung veteran of the Southern California Light and Space movement, who is finally getting her due in New York, at the Chelsea branch of Lehmann Maupin Gallery. The greater benefit, though, goes to those who see the work. Or rather those who bask in it. Thanks partly to a long-ago class in physics, Corse's five, luminescent white monochromes play marvelous, now-you-see-it/now-you-don't tricks on the eye, the mind and the body. There's no passive looking to be done... Read full biography
Following is a review written by Linda Yablonsky and published in The New York Times Magazine, February 24, 2012. The exhibition was titled "Artifacts/Mary Corse". Who could have imagined that quantum mechanics could inspire a revelation in painting? It did for Mary Corse, an under-sung veteran of the Southern California Light and Space movement, who is finally getting her due in New York, at the Chelsea branch of Lehmann Maupin Gallery. The greater benefit, though, goes to those who see the work. Or rather those who bask in it. Thanks partly to a long-ago class in physics, Corse's five, luminescent white monochromes play marvelous, now-you-see-it/now-you-don't tricks on the eye, the mind and the body. There's no passive looking to be done here. From one angle, each painting looks perfectly opaque, blank and flat. Move a few steps closer or away, and silv... Read full biography
Mary Ann Corse - Artist Info
About Mary Ann Corse: Books
Books & Publications (9)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Paintings An Illustrated Catalogue (Exhibition catalog)
1992
National Gallery of Art
545 pages
California Painters/New Work
1989
Hopkins, Henry
143 pages (color)
Inside the L A Artist
1988
Marrow, Marva
104 pages (color)
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
Decade Los Angeles Painting in the Seventies (Exhibition catalog)
1981
Art Center College of Design
108 pages (color)
The West Coast Now Current Work from the Western Seaboard (Exhibition catalog)