Born in Newark, New Jersey, Matilda Browne is noted for her farm and cattle scenes, which has led to her being compared to the French woman painter of cattle, Rosa Bonheur. Browne also did floral... Read full biography
Born in Newark, New Jersey, Matilda Browne is noted for her farm and cattle scenes, which has led to her being compared to the French woman painter of cattle, Rosa Bonheur. Browne also did floral paintings but her reputation was for her ability to paint cows as though they were actually standing in... Read full biography
Born in Newark, New Jersey, Matilda Browne is noted for her farm and cattle scenes, which has led to her being compared to the French woman painter of cattle, Rosa Bonheur. Browne also did floral paintings but her reputation was for her ability to paint cows as though they were actually standing in the field. A child protege, she received early art training from her artist-neighbor, Thomas Moran, from Elizabeth and Kate Greatorex, and Frederick Freer who came from Philadelphia to give her... Read full biography
Born in Newark, New Jersey, Matilda Browne is noted for her farm and cattle scenes, which has led to her being compared to the French woman painter of cattle, Rosa Bonheur. Browne also did floral paintings but her reputation was for her ability to paint cows as though they were actually standing in the field. A child protege, she received early art training from her artist-neighbor, Thomas Moran, from Elizabeth and Kate Greatorex, and Frederick Freer who came from Philadelphia to give her lessons. Browne studied in Paris, beginning 1889, with Julian Dupre, "one of the great French painters of cattle", and then went to Holland. There she bought a cow to use as a model. Painting this animal in a pose of rebellion against being tied by her to... Read full biography
Born in Newark, New Jersey, Matilda Browne is noted for her farm and cattle scenes, which has led to her being compared to the French woman painter of cattle, Rosa Bonheur. Browne also did floral paintings but her reputation was for her ability to paint cows as though they were actually standing in the field. A child protege, she received early art training from her artist-neighbor, Thomas Moran, from Elizabeth and Kate Greatorex, and Frederick Freer who came from Philadelphia to give her lessons. Browne studied in Paris, beginning 1889, with Julian Dupre, "one of the great French painters of cattle", and then went to Holland. There she bought a cow to use as a model. Painting this animal in a pose of rebellion against being tied by her to a post, she created a painting called "Unwilling Model" that she exhibited in the 1893 Columbian Expositio... Read full biography
Matilda Browne - Artist Info
About Matilda Browne: Books
Books & Publications (27)
Publications based on askART research. List may not be comprehensive.
A Shared Aesthetic: Artists of Long Island's North Fork
2008
Fleming, Geoffrey K. and Sara Evans (Southold Historical Society)
250 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Artists of the Litchfield Hills (Exhibition catalog)
2003
Austin, Robert Michael
132 pages (color)
The Early Years Paintings from Private Connecticut Collections (Exhibition catalog)
2002
Old Lyme Art Association
20 pages (color)
The American Artist in Connecticut The Legacy of the Hartford Steam Boiler Collection (Exhibition catalog)
2002
The Florence Griswold Museum
144 pages (color)
The Cos Cob Art Colony Impressionists on the Connecticut Shore
2001
Larkin, Susan G.
246 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Connecticut Masters: Fine Arts and Antiques Collections of Hartford Steam
1991
Ed: Hartford Boiler Coll.
271 pages (color)
Biennial Exhibition Record of the Corcoran Gallery of Art (Exhibition catalog)
1991
Falk, Peter Hastings
335 pages
Art by American Women Collection Louise and Alan Sellars (Exhibition catalog)
1991
Sternberg, Paul E
146 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Centennial Exhibition 1889-1989 Members National Assoc Women Artists (Exhibition catalog)
1990
Sternberg, Paul E
62 pages (color)
Art by American Women (Exhibition catalog)
1990
Sternberg, Paul E
17 pages (color)
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Americans in the Arts 1890-1920
1985
Huneker, James G/Arnold Schwab
672 pages
Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900
1985
Petteys, Chris with Hazel Gustow, Ferris Olin and Verna Ritchie
851 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Women Artists in America: Eighteenth Century to Present
1973
Collins, Jim L.
426 pages
Who's Who in American Art, 1953
1953
Gilbert, Dorothy B.
557 pages
Who's Who in American Art, 1947
1947
Gilbert, Dorothy, (Editor)
685 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index